15 of the Best Sketchbooks That Beginners and Professionals Love
Photo: Stock Photos from Jacob Lund/Shutterstock
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A sketchbook is the ultimate artist’s companion. Like a close friend, you’ll spend a lot of time with it and tell it your inner thoughts (through drawing, painting, and writing). Many artists will regularly fill their pads with a bevy of drawings. Some are so polished that their books feel like mobile art galleries. But, gorgeous spreads aren’t the point of keeping a sketchbook. These books are private places to record your doodles, ideations, and observations without the pressure of sharing them with the world. If you want to, that’s great—but first a foremost, a sketchbook should be a place just for you.
So, how do you go about picking the perfect sketchbook for you? Well, there are a few things you’ll have to consider…
Photo: Stock Photos from Africa Studio/Shutterstock
Selecting the right sketchbook is a personal choice.
There are a few big considerations you need to take when buying a sketch pad.
1. The size that you like to work in. If you draw a lot, you’ll notice that there’s a scale at which you naturally sketch. Maybe it’s smaller than a quarter or you prefer to take up the entire page. Or, perhaps it’s somewhere in the middle. Take stock of this when selecting a sketchbook. If you like to draw big, make sure you pick something that can handle large art. With miniature drawings, you can opt for something much smaller in size.
2. Where will you be using this sketchbook? Another aspect to determine is where you intend to draw. For sketching at home, the size won’t matter as much—your book doesn’t have to travel. But if you intend to draw on the road, it’d be wise to select a scale that will fit comfortably in a backpack.
3. What media will you use? It’s important to decide what media you’ll use in your sketchbook because it will determine the type of paper that can best handle your art. For pencil and colored pencil, your doodles will be fine on thin 20-pound paper. Tools like watercolor paint, gouache paint, or markers are best used on thicker paper that can handle a lot of media and heavy saturation of materials.
Check out our comprehensive guide for an overview of the types of paper used for art.
Our Picks for the Best Sketchbooks
There are a lot of sketchbooks on the market that come in a variety of bindings and covers. The popular spiral-bound books allow you to lay them completely flat as you draw. Another binding style is called perfect bound, which makes your sketchbook look like a conventional book you’d find on a library shelf. In terms of cover choices, you can opt for inexpensive soft-cover sketch pads or splurge on a hardcover book that offers more durability.
Before you start to doodle, check out our list for top sketchbooks, below.
Sennelier 6″ x 4″ Urban Sketchbook
Sennelier | $15. 92
Artists that love to draw on location will love this sketchbook by Sennelier. It features an accordian-fold design that offers eight panels per side for creatives to add their drawings and notes.
Pentalic 9″ x 6″ Nature Sketch Book
Pentalic | $14.75
Open the beautiful foil-stamped cover of this sketchbook by Pentalic and you’ll find heavyweight, 211 gsm paper with a toothy, rough vellum surface that is ideal for both dry and wet media. In addition, a portion of every sale benefits the American Wildlife Foundation.
Prat 9-1/2” x 6-3/4” Flexbook Smartbook
Prat | $14.55
Each Flexbook Sketchbook by Prat features a colorful Fedrigoni eco-cover with a contrasting cloth spine, and 160 pages of 70 gsm Fabriano paper in a soft ivory color.
Hahnemühle 12″ x 8 1/2″ Tan Sketchbook
Hahnemühle | $21. 18
The smooth, tan-toned paper of The Cappuccino Book by Hahnemühle provides an ideal surface for work with India ink, fountain pens, acrylic markers, and other water-based pens.
Alibabette Paris 8.25″ x 5.7″ Journal
Alibabette Paris Journals | $15.33
Sometimes sketchbooks themselves are works of art. Alibabette Paris Journals feature colorful covers and 240 blank pages of high-quality, 100 gsm ivory drawing paper. This exquisite Bodoni-style stitching allows the book to lie open completely flat as you draw, write, or collage.
Blackwing Palomino 8 1/2″ x 5″ Notebook
Blackwing | $24.95
If you’re a fan of the popular Blackwing Palomino pencils, then maybe it’s time to complete the set with a matching journal! The Palomino Notebook is available with blank or lined pages and features a durable, water-resistant cover and dual-sewn binding that allows the book to lie flat.
Shizen Faux Leather 8″ x 6″ Journal
Shizen Designs | $9.99
Take a break from the blank canvas with the inspiring colorful sketchbooks by Shizen Designs. These whimsical journals are bound in a soft faux leather cover and hold 180 pages of 80 gsm paper. Available colors include red, yellow, orange, black, and white.
Global Art 5 1/2″ x 5 1/2″ Hand Book Artist Journal
Global Art | $11.76
Global Art Hand Book Journals feature 128 heavyweight pages of 130 gsm and durable hardcovers wrapped in colorful book cloth. These hefty sketchbooks are available in a variety of sizes to suit your different creative projects.
Strathmore Series 400 9″ x 12″ Sketchbook
Strathmore | $8.34
This is the quintessential sketchpad, if you like to draw with dry media. Spiral bound with a soft cover, the 60-pound sheets of paper are perforated to allow you to tear out and frame later. With 100 sheets of paper at a low cost, this is a great sketchbook for keeping in your studio and drawing on every day.
Moleskine 11-3/4” x 8-1/4” Hardcover Sketchbook
Moleskin | $30.49
Moleskine is known for high-quality sketchbooks that artists love to use. This book features premium off-white paper that’s 111 lbs and suitable for all types of media. Additionally, Moleskine is great for traveling. It has interior pockets for loose papers and is secured with elastic closure band.
Cachet 5¼” x 8¼” Wirebound Sketchbook
Cachet | $19.20
Cachet wire-bound sketchbooks use a sturdy “split” binding that gives the user more room to draw. They include 80 sheets of 105 gsm paper and a convenient elastic book mark to keep your artwork secure.
Leda 7″ x 10″ Softbound Sketchbook
Leda Art Supply | $19. 54
Leda has created a premium art journal that boasts 160 cream-colored pages. The smooth, thick paper is meant to handle pens, pencils, pastels, and more. Like Moleskine, it comes with an accordion back pocket and an elastic band to keep the pages together. There is a caveat, however. You’ll want to look elsewhere if you’re considering painting. “Leda isn’t meant for heavy wet media,” the company notes. “Some users experiment with a light watercolor wash.” If you do this, the pages might warp.
Travelogue Drawing Book, Pocket Portrait 5-1/2 x 3-1/2, Cadmium Green Artist Journal
Speedball | $10.99
Speedball is known for its fantastic dip pens, so it’s only fitting that their series of sketchbooks would be of the same quality. The Traveloque Drawing books include 128 pages of high-quality 130 gsm paper that is suitable for a variety of dry media, including pen and ink, charcoal, and markers.
Leuchtturm1917 A4 Sketchbook
Leuchtturm1917 | $36.50
All Leuchtturm1917 sketchbooks feature a durable hardcover and 96 pages of high-quality 150 gsm paper. In addition, they are thread-bound in such a way that they can lay flat while the user is sketching.
Fabriano 8 1/4″ x 11 3/4″ Hardcover Black Sketchbook
Fabriano | $24.70
The name Fabriano is synonymous with high-quality creative products. The Hardcover Black Sketchbook features 40 sheets of 190 gsm black paper which is ideal for work in pastel, colored pencil, acrylic paint, and collage.
Once you’ve filled up a sketchbook, don’t throw it away! Look at it later to inspire you in ways you didn’t expect.
This article has been edited and updated.
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The best sketchbooks to make you a better artist
Choosing the best sketchbooks out of the many available feels like a big task because your choice has a real impact on your work. A sketchbook with heavier, thicker paper is more suitable for artists using watercolours and markers, whereas lighter paper works better for dry media.
It’s vital to consider the ‘tooth’ or texture of the paper. Paper with more bite has pits and grooves to hold pigment from charcoal and pastels, while smooth paper is better suited to pencils and inks (see here for our pick of the best pencils around). A spiral-bound sketchbook lies flat while you work, but some hard-bound sketchbooks can be harder to use.
For sketching on-the-go, a smaller hard-cover sketchbook will serve you well, fitting into a bag or pocket and protecting your work, whereas large-format sketchbooks will give you more space and freedom. With all that in mind, here’s our pick of the best sketchbooks to make you a better creative – however you work.
Image credit: Moleskine (Image credit: Moleskine)
01. Moleskine Art Collection Sketchbook
The best sketchbook overall is a great traveling companion
Size: 5 x 8. 25 inches | Book layout: Hard-bound, side, portrait | No of pages: 240 | Paper weight: 121lb
Thick, robust paper
Convenient for carrying
Not suitable for watercolors
Alcohol markers may bleed
The Moleskine Art Collection Sketchbook is ideal for sketching on the move, and wins our vote for best sketchbook overall. This is the larger of the two sizes, giving you plenty of room to work, but it’s still convenient for carrying thanks to its elastic closure, which keeps it neat in a bag, and rounded corners that won’t become bent. Its ivory-colored paper is quite smooth, but with enough tooth for most dry media. With 240 pages, you won’t need to worry about filling it up too quickly, but the price is so reasonable that it wouldn’t matter if you did.
Image credit: Leda (Image credit: Leda)
02. Leda Art Supply Premium Sketchbook
The best sketchbook for beginners is perfect for practising
Size: 7×10 inches | Book layout: Hard-bound, portrait | No of pages: 160 | Paper weight: 81lb
Hard bound, but lies flat
Pages easily removed
Cover is flexible
Doesn’t carry markers well
If you’re new to sketching, this superb all-rounder will serve you well as you learn and progress, and is inexpensive enough to use for everyday practising, wherever you are. The Leda Art Supply Premium Sketchbook is a little smaller than A4 size, enabling it to fit neatly into most folders and bags. Its cover is waterproof to protect your work on the move, though it’s worth noting that it’s flexible, so you’ll need a hard surface to support it. Despite being thread-bound, it lies just as flat as a spiral-bound notebook, and its cream-colored pages have micro-perforations for easy removal.
Image credit: Strathmore (Image credit: Strathmore)
03. Strathmore 400 Series Sketch Pad
The best sketchbook for professional artists is a delight to use
Size: 9 x 12 inches | Book layout: Spiral-bound, portrait | No of pages: 50 | Paper weight: 60lb
Smooth, creamy paper
Variety of sizes
Relatively few pages
Strathmore’s specialist papers are made with specific uses in mind, paying careful attention to color, absorbency, weight and texture. For professional artists, the Strathmore 400 Series Sketch Pad is one of the best sketchbooks around, with a fine tooth that carries graphite, coloured pencils and pastels well. This is the smallest pad, but it comes in a wide range of sizes (all the way up to 18 x 24 inches) if you need more space to work. This top quality general purpose pad is ideal for structural sketches, though the price per sheet means it’s probably a little too expensive for practising.
(Image credit: Bellofy)
04. Bellofly Artist Sketchbook
The best sketchbook for mixed media
Size: 12 x 1 x 9 inches | Book layout: Spiral bound, portrait | No. of pages: 100 | Paper weight: 1.10lb
Spiral bound at the top
The Bellofly Artist Sketchbook has super-thick, premium paper that’s strong and smooth enough for wet media like ink or watercolour, and allows dry media like charcoal and pencil slide over it. The 100-sheet notebook is a joy to use. It’s acid-free, which helps reduce blotches and smudges and made of recycled paper – a big tick.
The notebook is spiral bound at the top, meaning it lies flat without the annoyance of the spiral part on either side, which is also a bonus (especially for left-handed artists, who can find the spirals bothersome).
Image credit: Canson (Image credit: Canson)
05. Canson Artist Series Watercolor Pad
The best sketchbook for watercolor won’t ripple or buckle
Size: 5.5 x 8.5 inches | Book layout: Spiral-bound, side, portrait | No of pages: 20 | Paper weight: 140lb
Thick, robust paper
Expensive per page
Fairly small sheets
Mixed-media pads can be useful, but they rarely perform as well as pads designed for specific tasks. The Canson Artist Series Watercolor Pad is made to made to withstand repeated washes. Its thick paper won’t ripple of deform as it dries, and there’ll be no bleeding. Each page is perforated, but Canson has factored that into the size, so you won’t lose an inch of paper when you tear a page out, as you do with many similar pads. This sketchbook works out quite pricey per page, but so thoughtfully designed, we think it’s well worth the extra outlay.
Image credit: Canson (Image credit: Canson)
06. Canson XL Marker Paper Pad
The best sketchbook for markers makes for easy tracing
Size: 9 x 12 inches | Book layout: Hard-bound, top, portrait | No of pages: 100 | Paper weight/type: 18lb
Paper can crease easily
Sheets may come loose
Another excellent wet media sketchbook from Canson, the Canson XL Marker Paper Pad provides 100 pages of thin, slightly translucent paper that’s quite unusual, but works well for sketching and tracing. The surface is smooth with little in the way of tooth, so you won’t need to worry about your markers snagging, and the ink won’t bleed through to the next page. The translucent paper means you’ll be able to see your sketches on the reverse, so you won’t be able to sketch on both sides, but there are enough sheets for this not to be an issue.
Image credit: Strathmore (Image credit: Strathmore)
07. Strathmore 400 Series Toned Tan Pad
The best toned sketchbook will help you master values
Size: 9 x 12 inches | Book layout: Spiral-bound, portrait | No of pages: 50 | Paper weight: 80lb
Smooth, warm toned paper
Lies flat in use
Not many pages
Toned sketchbooks are ideal for learning to use values, encouraging you to use a whole range and helping you achieve more realistic results. Strathmore also offers a gray toned pad, but we’ve picked the Strathmore 400 Series Toned Tan Pad as the best sketchbook because its warm colour lends life to portrait sketches. The paper’s smooth texture works particularly well with coloured pencils and graphite, though it carries all dry media well. If you’ve not used toned paper before then you might prefer a less costly pad at first, but Strathmore’s paper is a joy to use once you’re confident.
Image credit: Canson (Image credit: Canson)
08. Canson Artist Series Universal Sketch Pad
The best large-format sketchbook
Size: 18 x 24 inches | Book layout: Wire-bound, side, landscape | No of pages: 35 | Paper weight: 65lb
Lots of room to work
Pages easy to remove
Paper is thinner than most
Many sketchbooks are roughly A4-sized, but there’s no need to confine your work to such small spaces. This version of the Canson Artist Series Universal Sketch Pad is two feet long, giving you space to draw freely. Its paper doesn’t have much tooth, so it’s best for use with pencils and charcoal. The spiral binding lets it lie flat as you work, the hard cover provides protection and support, and each page is easy to remove for storage in a portfolio. Keep an eye out for multipacks of Canson sketchbooks, as these are often a good way to stock up.
Image credit: Pentalic (Image credit: Pentalic)
09. Pentalic Wire-Bound Sketch Book
The best pocket sketchbook is small but extra tough
Size: 4 x 6 inches | Book layout: Spiral-bound, side, portrait | No of pages: 80 | Paper weight: 70lb
Robust cover and binding
No page perforations
Markers will bleed through
At the other end of the scale, we have the neat little Pentalic Wire-Bound Sketch Book, which is small enough to fit in a pocket, and tough enough to survive some rough treatment. Its hard cover prevents damage from everyday knocks and bumps, and its double wire spiral bounding resists bending. There are no perforations for tearing out pages, so this is better for exercises and rough work than pieces you want to keep in a portfolio. That’s fine by us, though, and its affordable price means we’ve no reservations about filling it. One of the best sketchbooks for any artist on the move.
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Every artist needs a sketchbook to draw on the go and to quickly capture ideas. But picking the right sketchbook can be dizzying with so many options, not to mention different sketchbooks excel at different things(charcoal, toned paper, markers).
If you just need a solid reliable sketchbook for drawing then your best choice is the Pentalic Sketch Book with a spiral bound spine. All pages measure close to A4 size and they’re all perforated so you can tear out any sketches that you wanna keep.
Also the hardbound covers can offer working surfaces to draw anywhere! You can take this sketchbook to the park, on the train, or anywhere you want to draw.
Our Top Pick
Pentalic Wirebound Sketchbook
This Pentalic sketchbook is sturdy and super easy to carry around. The strong front & back covers are easy to lean against when sketching and the wire binding stays out of the way whether you’re drawing, painting, or just doodling.
- Measures 8.5″ x 11″
- Solid cover prevents damage to pages
- Works great with pencil, ink, and paint(including watercolor)
But you should know that not all sketchbooks are made equal.
Pentalic is a solid choice for someone just looking to sketch—but what about doing finished drawings? Or rendering with chalk or ink?
In this guide I’ll explain the different types of sketchbooks and how to select the best one for your needs.
What To Look For
The first thing you need to consider is why you’re getting a sketchbook and how it’ll be used.
Do you want to draw illustrations and color with marker? Or do you want to use watercolors? Or maybe you want toned paper to work on a fixed background.
There are so many different styles to choose with different sizes, brands, and paper types. Most beginner artists just need a simple sketchbook with white paper that works.
In this case the Pentalic mentioned above is excellent.
But let’s take a look at the different options you might consider:
- Spiralbound or hardbound
- Softcover or hardcover
- Default orientation(landscape or portrait)
- Type of paper
- Total number of pages
If you just want a simple sketchbook then the A4 size should be enough. But if you plan to use it for full drawings then you might want something a larger to show off your skills.
I always prefer spiral-bound over hardbound because it feels better for sketching on the go. However when drawing at a desk or on a board the spirals can elevate the book, tilting unevenly to one side.
Sketchbook orientations can always be changed by flipping to page. But you also have to consider where the binding is and if that’ll get in the way of sketching.
All these features can drive you batty if you’re brand new to sketching.
However as you progress and improve you’ll learn a lot about paper types and artistic mediums. You’ll learn which sketchbooks work best for you and which don’t.
My goal with this post is to save you time by helping you pick the right sketchbook for any situation. I’ve organized my top 10 picks here, but if you have other suggestions feel free to share and maybe we can add them to the list.
Pentalic Sketch Spiral Bound
First up is my top pick for beginners and advanced artists alike. The Pentalic spiral-bound sketchbook has a sturdy construction, 160 pages, and thick paper quality so you can draw heavy & dark without bleeding through.
If you plan to use markers then you’ll want another book. However these pages can hold up with ink, colored pencils, or even very light markers(probably not markers like Prisma).
It measures the standard A4 size of 8.5″ by 11″ so this should feel like drawing on copy paper. Each page is actually pretty smooth too, so it does replicate the feel of copy paper if you’re used to that texture.
The hard covers are strong and will not bend or risk damage your drawings. It also makes the perfect surface to lean against if you don’t have a desk or board handy.
For the price it’s a great buy and you get plenty of pages to work through.
I recommend this Pentalic sketchbook if you need a durable choice to dive in and start sketching. It’s not great for finished work, although you can bring some drawings to a complete render if you wish.
Moleskine Art Plus
The classic Moleskine Art Plus is a favorite among artists, designers, and writers alike. It’s a universally-loved sketchbook because the brand is trustworthy and the quality is noticeable.
The Art Plus sketchbook is small yet versatile. It measures 5″ x 8.25″ so you can take this pretty much anywhere. It’s a fantastic portable sketchbook that really feels like a quality design.
All of the 104 pages are thread bound meaning they use thread to keep them together. This is a staple of Moleskine notebooks and it’s one reason why people love them so much.
This model is a hardback sketchbook which I find ideal for artists. But they do have paperback sketchbooks if you prefer that style.
I think the hardback is better for resting your palm and for keeping the inner pages free of crinkles. It’s not super hard but it’s definitely strong enough to stand on its own.
You’ll get plain white paper that can hold well through ink and pencil. Plus the book comes with a wrapper elastic to mark your place wherever you leave off. This is a neat little feature so you don’t have to flip around to find the next blank page.
Overall a brilliant sketchbook or notebook for any purpose. Moleskine is top quality and if you’re OK with a classic spine then you can’t go wrong with the Art Plus.
Leda Art Supply Sketchbook
Leda is another big brand that makes their own sketchbooks for artists of all types. This particular model comes in three sizes: small(3.5″ x 5.5″), medium(5.5″ x 8.2″), and large(7″ x 10″).
The smallest size is really damn small but perfect for on the go. It’s really just a doodling book because the size limits how much you can draw.
Both the medium and large sketchbooks are made for fairly adept artists who want a sizable surface for drawing. They all have the same cover design, paper quality, and number of pages(160 total).
These pages are dense and they can easily support graphite, ink, or charcoal. This is a softcover sketchbook so it is flexible and easy to bend. Great for storage, not so great for keeping your pages straight.
And the Leda sketchbooks use a sewn binding which is much stronger than any glue or adhesive. It’s truly an au naturale sketchbook for artists, writers, draftsmen, animators… pretty much anyone!
Leda’s quality is just as great as Moleskine. The biggest benefit here is the softcover binding and the higher number of pages.
Canson Artist Series
If we’re talking quality brands then Canson has to come up. They make some of the best art supplies and paper products around.
They have an entire line of Artist Series Sketchbooks all with perforated pages, a spiral binding, and a softcover design.
With this series of sketchbooks you have four different sizes to pick from:
- 5.5″ x 8.5″
- 9″ x 12″
- 11″ x 14″
- 18″ x 24″
The largest size is really huge and measures two feet wide!
The 18″ sketchbook is the only one with a landscape orientation so if you’re looking for a super long sketchbook it’s gonna be your best bet.
All other sizes use portrait orientation and they all share the same spiral binding.
One thing you might not like is the cover design. It uses ugly Canson branding with splash artwork as a marketing ploy. Most artists(myself included) prefer the solid black color.
But this is only a beauty mark and it does not affect the quality of the pages.
Each sketchbook comes with 100 full pages and supports dry mediums like graphite along with charcoal.
Canson is a reputable brand so their Artist Series is a great choice, especially if you’re looking for a long landscape-oriented sketch pad.
Strathmore Field Sketch
I’ve been using the Strathmore Field Sketcbook for years and it’s one of my favorites. Not super thick but also not super small.
It only comes with 70 pages which is on the lighter side. But every sheet is made from recycled paper which is eco friendly and often a selling point for artists.
There is some grit to the pages and they have their own “tooth” and texture. These pages are definitely not flat so they can be nice for rendering(although it is sketchbook paper).
The front & back are completely hardcover which is great for artists who like to draw everywhere. And the spiral binding doesn’t interfere when laying flat on the table. This is one of the few spiral-bound sketchbooks that actually lays flat(or close to flat).
Strathmore’s field sketchbook has my seal of approval for beginners and experienced artists alike.
It does not have many pages but every sheet comes from recycled paper and they some nice texture to avoid that flat feeling.
Pro Art Spiral Bound
The Pro Art spiral-bound sketchbook is yet another A4 8.5″ by 11″ option for artists. This is much cheaper than others because the brand isn’t as well known.
But the paper quality is similar and it works just like every other bound sketchbook.
However one big downside is the quantity. You only get 80 sheets of paper which is still pretty low considering others come with 160.
But every sheet is perforated and comes with a bit of texture too. This is high-quality thick paper made for ink or pencil and charcoal. Probably won’t support watercolors though.
All-in-all a decent buy for the price. It’s nothing special but it does provide a sturdy sketching experience from start to finish.
Strathmore Spiral Toned Sketch
There are dozens of toned sketchbooks to try with different shades of tan or grey. And the Strathmore Toned Tan sketchbook is an excellent choice for breaking into the world of toned sketchbooks.
This one is dirt cheap since it only comes with 50 pages and it’s fairly small measuring 5.5″ x 8.5″.
But the page quality is superb and it’s my favorite shade amongst all the tanned sketchbooks.
You can hit this paper with anything from graphite to charcoal, chalk to China markers or colored pencils. It’ll hold up with so many different mediums that it’s basically a universal sketchbook.
Seriously this paper quality is incredible. You can absolutely use this to create finished drawings with any medium you like.
And Strathmore has many other toned sketchbooks if you’re looking for a different size or color.
Either way I highly recommend Strathmore for toned work(specifically for beginners). As you get better working on toned paper you can certainly branch out and try others too.
Rendr Hardbound Sketchbook
If you’re looking for a thick sketchbook that’ll handle any materials then take a peek at the Rendr Hardbound Sketchbook.
It’s surprisingly cheap for such durable paper, although you only get 48 total pages. But you can use everything from ink to copic markers. Nothing will bleed through to the other side.
When you draw with marker it does tend to bleed into the surrounding creases on that side of the paper, but nothing that’s noticeable. It certainly won’t ruin your drawing and you’ll learn to control it with time.
With this hardback book you’ll have no trouble finding a surface to draw on. However it does slant a bit when laying flat on the table so you’ll need to consider that before buying.
Finding a quality sketchbook that also supports markers is a huge task. But Render’s hardbound sketchbook is a brilliant choice for this exact task.
I won’t go so far as to say Render makes the best sketchbook for markers. But I will say it’s in the top five and it’s a brilliant beginner’s book for getting into copic/prisma coloring.
GAM Landscape Sketchbook
One thing I like about the Global Art Materials sketchbooks is the diversity of styles. Take for example their large landscape sketchbook measuring 5.5″ x 8.25″ with a total of 128 acid-free pages.
From this basic setup you can choose between four different colors for the cover(red, blue, black, and green). And you can pick from five different sizes that also support these differently colored covers.
- Large Landscape(5.5″ x 8.25″)
- Large Portrait(8.25″ x 5.5″)
- Square(5.5″ x 5.5″)
- Pocket Landscape(3.5″ x 5.5″)
- Pocket Portrait(5.5″ x 3.5″)
Even the “large” sketchbooks are still pretty small. Surprisingly these are resilient sketchbooks that can take pretty much anything.
You can go to town with markers, graphite, charcoal, any type of ink… pretty much any mediums can work well in this sketchbook. However watch out for watercolors because they may not bleed through, but they can crinkle the pages.
The sheer variety and style of this sketchbook makes it perfect as a travel companion. If you’re looking for a sturdy binding with smaller dimensions then this is your book.
Stillman & Birn Hardbound Landscape
The Stillman & Birn Alpha Series has a number of great sketchbooks. I’m specifically focusing on their hardbound landscape sketchbook measuring a lofty 9″ x 6″.
It’s surprising how few artists know about this brand. They certainly aren’t popular worldwide but their quality is superb. It’s also tough to find such great paper mixed into a hardcover landscape-oriented sketchbook.
The paper is thick and textured. It comes with a Bristol vellum surface which is tailor made for grabbing any type of pencil, charcoal, crayon, or any similar dry medium.
You only get 62 pages which can be a letdown since the price is higher than most sketchbooks. But if you’re willing to give this a shot then you might be pleasantly surprised with the paper quality—surprised enough to stick with it even with a 62-page sketchbook.
If you’re a complete beginner I’d recommend the Stillman & Birn Gamma sketchbook which uses the portrait orientation while keeping the vellum paper.
Strathmore 400 Field Watercolor
If you were waiting for a watercolor-focused sketchbook then you’ve finally found it! The Strathmore 400 series comes in landscape orientation with a spiral binding which is perfect for resting on an easel or a drawing board, indoors or outdoors.
I’m not usually a huge fan of the fixed binding but you could also look into the Strathmore STR-483-5. However that one only comes with 24 pages while the Strathmore 400 has a total of 30 pages(mixing cold press watercolor and sketch).
Strathmore’s field books are some of the best and the spiral binding makes them super easy to leave open anywhere while you work.
I cannot recommend this enough for watercolorists. The paper quality is superb and yes it can be a bit pricey. But it’s also one of the strongest bindings you’ll find.
If you’re looking for a portrait orientation then check out the Pentalic Watercolor Dream Catcher. It has a similar design with stronger pages, yet no spiral binding(unfortunately).
Hardcover Art Alternatives Sketchbook
Looking for the strongest sketchbook known to man? Want something so huge and bulky that it’ll take you months, if not years, to complete?
Then you’ll adore the Very Big Sketchbook made by Art Alternatives.
This thing is absolutely massive totaling 300 pages(front and back) for a total of 600 sides of paper to sketch your heart away.
I’m not a huge fan of the binding style but it is very high quality. This paper can support gel pens, fountain pens, all forms of graphite/carbon and even some watercolors. But I don’t recommend this as a watercolor sketchbook.
Instead this works better for artists who want to watch their progression over time. In the span of 300 pages you can make a lot of progress, do a lot of studies, and learn so many techniques.
I’d recommend this more for beginner-to-intermediate artists who want to keep it as a journal of their artwork. This thing is massive but it also offers a great drawing experience with thick pages and a hard cover design.
Best Toned Sketchbook
So what is the best toned sketchbook? Depending on what color, size, and orientation you want, this is a tough question to answer well.
But overall I do recommend the Strathmore spiral toned pads for the paper quality and binding.
Spiral bound sketchbooks are just easier to work with(in my opinion) and they offer more flexibility whether you’re drawing on a drawing board or drawing outside in the grass. The only thing I don’t like is the size. The tanned tone sketch pad measures 5.5″ x 8.5″ which feels a bit small to me.
Some artists like to use the gray toned sketchpad which is just as great. It’s a lot bigger(9″ x 12″) and somewhat easier for beginners to pick up.
If you’re new to shading and lighting then a toned sketchbook won’t help you master shadows, lights, or rendering. But a toned sketchbook can help you understand how rendering works and how you can choose to leave out(or add) certain details.
But overall my #1 recommendation here is the Strathmore toned sketchbook.
Best Sketchbook For Markers
There are so many different types of markers that you can use for coloring. How do you even begin looking for sketchbooks?
As a general recommendation I like the Global Art Materials large landscape sketchbook which holds up well with all markers. It comes in many colors and has an elastic wrap to keep your pages bookmarked.
But this isn’t always the best choice since even their largest sketchbook is still kinda small(5″ x 8″).
If you want a large sketch pad for markers then the Canson XL Series is perfect. The smallest Canson size is equal to GAM’s largest sketchbook. And the Canson XL can be purchased as large as 18″ x 24″ which is a huge area for drawing/coloring.
Again this all boils down to your needs. Both are great, yet both work best for different scenarios.
Go with the GAM sketchbook if you’ll be coloring for fun or if you want a portable sketchbook. The Canson XL series is better for larger studies.
Finding Your Sketchbook
Ultimately the best sketchbook is the one that works for you. They all come in different sizes, shapes, bindings, and with a large variety of paper styles.
Picking the best sketchbook is a tough call, especially as a beginner. But it gets easier if you know exactly what you want. I recommend the Pentalic Sketch Book specifically for newer artists who just need a sketchbook to practice more often.
But there is no “wrong” answer so take a look around and see what you can find.
The Best Sketchbooks For Every Medium
Artists have a wealth of tools at their disposal to create magical art pieces, and it’s important to pair these tools with the right art surface for them to shine. One of our favorite surfaces is a sketchbook because of its portability and convenience. Sketchbooks come in all sorts of sizes, paper weights, bindings, and more. We’re here to help you pick out the best one that suits your needs, so keep reading to see some of our favorites.
Choosing the right sketchbook depends on knowing how you’ll use it.
From top to bottom: drawing pen, alcohol-based marker, colored pencil, brush pen, pencil, watercolor palette
The tool an artist uses to draw or sketch with is called a medium. A medium can be dry (such as a graphite pencil or colored pencil) or wet (such as a brush pen, marker, drawing pen, or paint). Dry media do well on most papers, while wet media generally prefer stronger, heavier paper. Knowing the medium you will use will help determine the appropriate sketchbook for you.
Do you tote a sketchbook everywhere you go, or do you only sit down with it in your studio? Does your sketchbook need to fit in a pocket or a travel bag? The construction of a sketchbook’s binding and cover, as well as its size, are the key factors that decide portability. Look for more durable options like thread or wire bindings and chipboard covers instead of paper.
Level of Artistic Polish
Sketchbooks might be used for rough planning drawings (left) or for elaborate finished pieces (right).
Do you make every page a beautiful work of art, or do you need a space to sketch and doodle plans for pieces you’ll finish elsewhere? Both are perfectly reasonable ways to use a sketchbook, but it’s good to know in advance. Otherwise, you might pick up a fancy sketchbook and be too intimidated to “waste a page” or select a sketchbook with thin paper that can’t support your grand artistic ambitions.
Let’s break down the traits that make a sketchbook suited to different applications.
Sketchbooks vary in size and number of pages. Small pocket sketchbooks are nice for carrying around, while larger sketchbooks give artists a bigger canvas for creativity. Sketchbooks with fewer pages are also easier to carry, but some artists prefer having as much paper as possible in their sketchbooks.
Binding and Cover
The durability of a sketchbook often depends on its binding and cover. Thread and glue bound sketchbooks are a popular option. The paper is sewn into sets of sheets called signatures, then attached to a cover. These sketchbooks are sturdier and can hold more pages, though some may need to be broken in to lay flat.
Other sketchbooks may have spiral or twin-ring bindings. Artists may prefer these bindings since they lay flat and don’t hinder the drawing process. If you like these binding styles but want to be able to tear pages out easily, look for sketchbooks that have perforated pages. Glue binding is the least durable binding style, most often used in pads of paper instead of sketchbooks, but it’s great for cleanly removing pages.
For artists who keep sketchbooks as part of a portfolio, a hard cover can extend the lifespan of a sketchbook. An elastic closure on your sketchbook also helps protect the artwork inside.
Paper weight is an important consideration—it is often the difference between a wrinkled, crumpled mess or a polished piece. While some brands use pounds (lbs) to delineate paper weight, we prefer using grams per square meter (gsm) because imperial weight (lbs) is more difficult to define and may be inconsistent. The higher the number of gsm, the thicker and sturdier the paper.
Material and Finish
Textured (left) versus smooth (right) paper
Most sketchbooks use paper made of wood pulp, which is processed to produce smooth to rough textures. Some sketchbooks use specialty paper made of cotton—thick cotton paper is ideal for watercolors as it’s more durable, while thin cotton paper makes wonderful tracing paper.
There are a variety of terms that can be used to describe texture, including “hot press” or “plate” for smooth papers, and “cold press” or “toothy” for rough papers.
Smooth papers are ideal for drawings with sharp edges and fine details, though they aren’t best for dry media that need to catch in the grain to transfer color. Toothy papers produce textured drawings with vibrant colors, but may leave gaps in the drawing due to the rough surface.
To protect their drawings, artists should look for paper that is acid-free. Acid-free papers tend not to discolor or break down over time, allowing your art to keep its true colors. Paper color also differs across sketchbooks. The most common colors are white, off-white, and ivory. Some specialty sketchbooks may feature toned paper in shades of dark beige, tan, or gray.
Now that we’ve gone over our considerations, let’s take a look at our recommendations for various media, pocket sketchbooks, and more.
Using several different media can help create depth and dimension in an art piece. We carry a number of sketchbooks that are designed to take different media and can handle just about anything. Beginners can also benefit from using versatile sketchbooks as they figure out what kind of media or paper they prefer.
Stillman & Birn make a wide array of specialized papers for sketching, and the Zeta sketchbook is our favorite for all-purpose use. With its heavy weight and smooth finish, this sketchbook lends itself well to almost any media and the true white paper showcases colors faithfully. The sketchbook is available in four sizes, each with a sturdy cover and binding.
Dry media will work on most surfaces, but we recommend choosing a relatively smooth paper with some tooth. If the paper is too smooth, the pencil will streak or look washed out; if it is too rough, the pencil will skip. Graphite pencils work best on paper with a bit of texture, since the paper catches the graphite and separates it from the pencil lead. On the other hand, colored pencils generally draw better and have superior color payoff on smoother paper.
The Alpha sketchbook is a joy to use with graphite and colored pencils. The white paper has a mild tooth that catches just the right amount of pigment. It’s heavier than the average sketchbook for dry media, but this makes it versatile as you can use it with light washes of ink or watercolor. If you prefer ivory paper, the Gamma sketchbook has the same weight and tooth. If you want smoother paper for colored pencils, you can opt for the Epsilon sketchbook instead.
Inking tools include brush pens, drawing pens, and pointed pens with bottled inks. Bottled inks can also be diluted with water to create ink washes. To prevent bleeding, it’s best to avoid lightweight paper. Smooth paper allows an artist to create crisp, clean lines, but can also make the ink dry slowly. On the other hand, rough paper may produce sketchy and dry brush effects.
The Strathmore 400 Series Mixed Media Pad is filled with smooth heavyweight paper. Its mixed media capabilities allow you to soak a page with an ink wash or layer watercolor over your lines. For strong black lines and spot fills, be sure to work with opaque ink.
The Mixed Media Pad is also available in black. Pair it with white ink for a completely different method of ink drawing.
Alcohol-based markers such as Copics are an artist favorite to draw and color with, but they need to be paired with the right paper in order to shine. Because of the markers’ chemical properties, there are some things to keep in mind. First, the ink is highly prone to bleedthrough, which can stain surfaces underneath and render the backside of a page unusable. Some bleedthrough is almost impossible to avoid. Second, the ink tends to spread, which is when the strokes seem to grow in size right after you make them on the paper. Beware of more absorbent papers such as watercolor paper as they can dry the markers out more quickly.
The smooth paper of a Strathmore 400 Series Marker Pad is great for alcohol ink. Strokes don’t spread, colors don’t streak, layers build easily, and blending is almost effortless. Heavy layering does cause bleedthrough, but it’s easily fixed by removing a sheet from the glue binding and working on a protected surface, or by keeping scrap paper between pages.
While many medium-weight sketchbooks can handle light washes of color, we’ve picked out heavyweight sketchbooks that can take water without pilling or much warping. We especially recommend finding a sketchbook with paper made of cotton as it can hold water better. Cold press finishes are nice for beginners as they provide good color absorption, while hot press finishes may be too smooth for beginners to work with. For more on watercolor techniques, see our guide here.
This heavyweight acid-free cold press paper is designed especially for use with watercolors. The textured surface takes color brilliantly but is smooth enough that you can blend and reactivate paints well. Available in three sizes, each sketchbook has a durable hard cover and sturdy twin ring binding to take along on your adventures.
If you would like to paint with your watercolors peacefully at home, Global Art Fluid 100 Watercolor Paper Easy-Blocks contain 100% cotton paper with glued binding on two edges to prevent the paper from buckling when wet. Since the binding is very secure, take care when removing your work from the block.
If you’re looking for a smaller watercolor sketchbook or one with a sewn binding, the Stillman & Birn Beta Sketchbook contains extra heavyweight paper that’s perfect for layering watercolors with no bleeding, streaking, or pilling. The Delta series contains the same paper in ivory.
The ultimate guide to choosing a sketchbook
A few days ago, I was watching a video on YouTube by Minnie Small where she was challenging herself to try and fill every sketchbook she has unfinished before the end of the year 2019.
Funnily, the thing that came to my mind is how different everyone is when it comes to choosing a sketchbook, and also, how different is one artist’s way to approach their sketchbook compared to another.
It’s completely unrelated, but here’s her video if you’re curious.
So, I ended up thinking about creating a guide to choosing a sketchbook, where I’m collecting as much info as I can while also lending you the experience I’ve acquired so far with it.
I must say that I still think choosing a sketchbook is a very personal process. Some of the things I mention might be relevant to you and some others won’t.
If you’re still relatively new to sketching do not think too much about it, just keep experimenting.
Also, you get better at this with time, so don’t get discouraged if you never seem to find the perfect sketchbook.
*Reminder that this post contains some affiliate links. This means I might get a small commission when you click and buy something with that link with no additional cost to you. However, my reviews and recommended products are not influenced by this, I’ll only recommend what I use and what I believe is good. Click here to read the disclaimer if you want more information*
One of the things I want to mention beforehand that I don’t see many people mention is the use of a sketchbook.
And I don’t mean strictly what medium do you pretend to use in it and such – that’s important too, but I’ll talk about it later.
I want you to realise that you don’t have to use a sketchbook in a ‘traditional way’ – having one sketchbook that you fill completely with practices, paintings or whatever.
have a sketchbook you rip the pages off for doing separated pieces.
For example, for me, these are the wire-bound or perforated – sometimes cheaper – sketchbooks.
You can have several sketchbooks going on at once.
Maybe you reserve some for ‘more serious’ watercolour paintings while others for just doodles, etc…
Sketchbooks are for fun and practice and everyone has their tastes with it, so don’t feel pressured to do one thing just because that’s what you see someone is doing.
Find what works for you.
Also, I feel it’s good to keep trying new sketchbooks and experimenting, helps you grow, adapt and pushes you creatively.
Now, for the normal parameters.
the first to consider when choosing a sketchbook is the size.
For this you will have to think how big you like to work and also what do you want to use if for.
The first you can to adapt to, while the later it’s harder.
If you plan to carry it around, a smaller sketchbook will be much more
A good default option to go for if you’re still unsure is an A5 sketchbook, it’s big enough to draw and they fit easily in most bags. If you feel that it’s still too small, then you know the next one needs to be bigger.
2. TYPE OF PAPER & COLOR
Here comes an important one, what do you plan on using on your
want to use watercolours or any other liquid medium (gouache, acrylics, liquid ink,…) you need a watercolour sketchbook with at least
200gsm or more. This applies for markers too.
Paper also has several
treatments that give it a different finish.
For watercolour paper hot-pressed means it has a smooth texture, cold-pressed has a moderated texture/some grain and then there’s the rough paper with a lot of texture.
But if you need to know more about paper for watercolours, check out my full post here.
The more texture the paper has
the more it tends to eat away the nibs
of your fineliners and pencils, making it a little annoying to work in.
For just sketching or the occasional use of fineliners and such, a drawing sketchbook with about 100/110gsm would be the normal weight.
Another extra to consider is that not all sketchbooks have to be white, there is coloured paper out there and it can be really fun to use.
There’s also recycled paper with toned tones, black, grey and coloured.
Gouache, charcoal, pastels & pencil/colour pencils are really fun to use with these papers!
Might seem a bit unimportant at first but it affects the way you draw, so it’s important to think about when choosing a sketchbook.
There are landscape sketchbooks (horizontal) – usually long and skinny – and portrait sketchbooks (vertical). These are the most common, but now there are also square ones.
Example of a landscape-oriented sketchbook. I talk about this Moleskine watercolour sketchbook at the end of the post.
This will mostly affect you with the binding because it can get in your way when drawing, you can – of course – turn the sketchbook around, but the binding will still be there.
If you draw over it or you plan to, the most common to choose it’s a portrait one.
For landscapes, the horizontal is the default but, in any case, this is ultimately your preference.
4. BINDING & COVER
One of the fastest things to figure out when choosing a sketchbook, it’s the binding you prefer.
Usually, once you’ve used one you’ll know if you like it or not.
It can be a spiral sketchbook, sewn or glue-bound.
There’s also a few weird uncommon ones, but I’m gonna skip them here.
Spiral sketchbooks have the problem that the pages can get ripped out partially or completely even if you’re careful, but some people like them cause the pages seem more individual.
For me, I use the spiral ones to separate the pages and work on them individually, as sometimes they’re cheaper. I’ve used them in school before and I don’t enjoy them too much.
The book-bind ones feel sleeker and more professional to me, and they usually stay flat better for you to draw.
When it comes to the cover I think the best to think of is its resistance.
Hardcover sketchbooks will stand more the carry around and stay in better shape, while the soft covers get damaged or if they’re spiral bound you can even lose the covers sometimes, but they’re cheaper.
5. PERFORATED OR NOT
Some sketchbooks come with perforated pages and you’ll have to check it.
For me, perforated sketchbooks are a big no if I plan to keep my sketchbook full – don’t want to rip pages out – cause at least some of the pages will most likely get ripped at some point.
And you won’t be able to draw across the gutter in them.
But if you want to rip them apart to use out of it or you don’t mind this then it’s completely alright.
6. NUMBER OF PAGES
This is a quick one actually.
get tired easily of the sketchbooks and want to finish it faster?
Pick a sketchbook with fewer pages.
Works too if you plan on setting some sort of challenge like “finish a sketchbook in a month” or something like that.
want your sketchbook to last longer?
This is also something you might
to keep changing or experimenting with.
Sketchbooks with thicker pages tend to have fewer pages and thinner ones usually have more.
The price range it’s always one thing we look at.
Most sketchbooks are quite expensive and you’ll have to consider that. This will depend on the brand but also on the quality of the sketchbook.
A cheaper sketchbook doesn’t have to be bad quality, but it can be.
Good paper usually costs money, so consider that.
I wouldn’t get too caught up with this as the most important thing is for you to be comfortable with your sketchbook.
8. SOME OTHER THINGS TO CONSIDER
Not all sketchbooks have to have the same kind of use.
And not all artist use sketchbooks the same way.
Just thought I’ll throw that there for you to consider when choosing a sketchbook.
On another note, you might also
want to consider making your own
sketchbook for any reason that it might be.
I tried it this past Summer and it was surprisingly easy and fun and you get to control every one of these factors I just mentioned.
You can check out the blog post I have about it here to see if this is something that might work for you!
9. SOME SKETCHBOOKS I’VE TRIED & RECOMMEND
Here are some of the sketchbooks I’ve tried so far and later some I want to try next & a bit about them.
I usually stay on the A5 size unless I use them to take off the pages separately but most of this sketchbooks also have larger versions.
From left to right.
1. Moleskine watercolour sketchbook – landscape oriented. Mixed-media or liquid.
This one I still have to finish: looks & feels quite fancy (which can be good and bad) and the watercolours and gouache paintings look beautiful in it. I’m not a big landscape sketchbooks fan but I do love this one.
2. Canson ONE Art Book – portrait-oriented. Drawing/sketching only.
If you’re looking for a cheap, drawing sketchbook this is it. Fineliners work on it too but the paper is thin as it is mainly for pencil drawing so avoid any wet media on it.
3. Derwent Sketchbook spiral hardcover – portrait-oriented. Drawing/sketching.
This sketchbook’s paper is slightly thicker than other sketchbooks, so it holds some water and markers (they bleed a bit on the other side though).
Is one of the few wire-bounds I’ve liked so far.
4. Leuchtturm1917 sketchbook – portrait-oriented.
This one was a disappointment at first but I ended up getting used to it, I thought it would hold wet media but it doesn’t. The paper rips with it so don’t even try it.
Anyway, it has a very smooth finish and it works great for pencils and other dry media.
5. Moleskine small drawing sketchbooks pack of three – drawing paper, portrait-oriented.
I haven’t tried exactly this ones but ones that are really similar. I like them as they are quite small and easy to finish, the paper is mostly for drawing but sometimes it holds a bit of water.
There quite budget-friendly and easy to carry around with you.
6. Canson XL mix-media – Mixed media paper, A3 size (there’s smaller).
I had this one for class several times and I like it. In class, I used it as a sketchbook and it’s not my cup of tea.
But at home, I usually rip the pages and use them separately or cut them down to different sizes. It’s a cheap student sketchbook with quite a good quality for the price and works well with most media.
These two are the Strathmore Toned Tan & Toned Gray. I only have the later, but they’re really similar.
These sketchbooks come in several sizes (and colours) and the paper is really good quality.
Even if the paper is thinner and thought for drawing I’ve done a few really nice paintings on it with gouache, so it does hold a certain level of water.
Pencil drawings both coloured and graphite look beautiful on it too.
So yes, I do love this sketchbook.
A FEW I’M LOOKING INTO TRYING
There are a few of the Arteza sketchbooks I’m looking forward to trying as they are quite budget-friendly and I’ve only heard good things about them. They have a wide range of coloured & black paper sketchbooks too.
Also, I have a discount code for you for 8% off if you want to try them – just make sure you use the code PB8PROMO when purchasing with this link here.
The other one I’m looking forward to trying is the Strathmore 400 Series Watercolour Journal in a bigger format of what I’m used to (A4) to get out of my comfort zone.
10. FINAL WORDS
Need an extra boost of
inspiration for your sketchbook after all these data?
Check this post where I collect 10 of the most inspiring sketchbook tours to keep your inspiration flowing.
Or if you’re still a bit rusty on this sketching thing these tips on how to improve your sketchbook practices might be of help!
I hope this helps make the
process of choosing a sketchbook somehow easier for you.
If you need any more information on this don’t hesitate to ask in the comments!
The Best Sketchbook Options for Artists and Designers
Sure, you can draw on any blank piece of paper that’s handy, but treating yourself to a quality sketchbook will give your artistic vision the platform it deserves. Sketchbooks come in a variety of sizes, bindings, and paper weights, with different types better suited to specific mediums, such as pencil, ink, and watercolor.
First and foremost, a quality sketchbook should have durable paper that prevents fading and bleedthrough. With so many paper tones, weights, and surface textures available, it helps to understand these attributes, so you can choose the right sketchbook for your needs. Read on to find out what to look for in a sketchbook and why the following products are considered among the best in their categories.
- BEST OVERALL: Canson 100510927 XL Series Mix Paper Pad
- RUNNER UP: Strathmore 300 Series Mixed Media Pad
- BEST BANG FOR THE BUCK: Canson Artist Series Universal Sketch Pad
- BEST FOR DRY MEDIA: Strathmore 455-3 400 Series Sketch Pad
- BEST FOR INK: Canson XL Marker Pad
- BEST FOR MARKERS: Canson Artist Series Pro Layout Marker Pad
- BEST FOR WATERCOLORS: ARTEZA 9×12″ Expert Watercolor Pad
- BEST BLACK PAPER: Arteza 9X12” Black Sketch Pad
- BEST TONED PAPER: Strathmore Tan Drawing 400 Series Toned Sketch Pad
- BEST DIARY SKETCHBOOK: Strathmore Hardbound Mixed Media Art Journal
What to Consider When Choosing the Best Sketchbook
Picking the right sketchbook comes down to personal preferences and creative medium. Many artists work in several types of mediums and therefore rely on a collection of sketchbooks. Keep the following factors and features in mind when shopping for sketchbooks.
Sketchbooks range from pocket-sized to large portfolio-style books that can measure 11 by 15 inches or more. Dimensions may be listed by inches, centimeters, or by A paper sizes.
Small sketchbooks are easy to tote in backpacks, purses, or even a pocket. They’re convenient to keep with you on the go, so you can draw where and when the muse strikes. Large sketch pads offer more room to create but are bulkier to transport. Many artists find a 9-inch by 12-inch sketchbook to be a good general-purpose size, meaning large enough for intricate art and still fairly compact to fit in a variety of bags.
Your preferred medium will determine the type of sketchbook you should use. Mediums can be dry, such as graphite pencil or colored pencil, or wet, such as a marker, drawing pen, ink, or paint.
Dry media works well on most papers, so if you’re primarily sketching with dry media there may be no need to spend extra money on thicker paper meant for wet media. For wet media, heavier, stronger paper is a better choice.
Paper Type and Weight
Paper is categorized by type and weight. Paper weight refers to how thick the paper is measured in pounds (lbs) or grams per square meter (gsm). Generally, the higher the number of lb or gsm, the thicker and sturdier the paper. Lighter paper suits dry media, such as pencil, charcoal, and some pens. Medium weight paper is preferable for use with markers and inks. Heavier weight paper is used for painting.
Paper weight and associated paper type found in most sketchbooks are as follows:
- 25 lb/40 gsm: tracing paper, suitable for graphite or pen.
- 30-35 lb/45-50 gsm: newsprint, suitable for graphite or pen.
- 50-60 lb/75-90 gsm: sketching or practice paper, used for all dry media.
- 70-80 lb/100-130 gsm: drawing paper, suitable for all dry media and some markers.
- 90-110 lb/180-260 gsm: heavy-weight drawing paper, bristol, multimedia papers (similar to cardstock), suitable for use with markers and inks with little bleed through.
- Up to 140 lb/300 gsm or more: Watercolor or acrylic paint paper, suitable for all wet media.
In addition to paper type and weight, consider the paper’s texture, which is referred to as “tooth.” The more tooth a paper surface has, the rougher the texture. Toothy surfaces hold on to more of the drawing or painting medium. The paper in sketchbooks will range in texture, depending on the brand and the medium for which it’s the most suited.
Smoother papers are better for graphite pencil, colored pencil, and ink pens. Rougher paper works well with paint, charcoal, crayon and pastels, ink washes, or any work that utilizes the texture of the paper for aesthetic effect. Most multimedia sketch paper falls in between smooth and toothier papers to accommodate a variety of wet and dry mediums.
Most sketchbook paper features some sort of sizing, a substance that is applied to or incorporated in the paper to act as a protective filler or glaze. Sizing helps to slow some of the paper’s absorbency as well as reducing or eliminating bleeding and feathering (the pulling of ink or pigment via capillary action). Sizing also minimizes oxidation of the paper’s surface.
Some sketchbooks are bound in a way that allows you to easily remove your work for presentation. Most sketchbooks made for wet media have perforated pages that are meant to be torn off prior to use. This allows you to paint and let the work dry free of the pad.
Number of Pages
The number of pages in a sketchbook depends on the thickness of the paper. In general, sketchbooks with heavier paper have less pages, and those with lighter paper have more pages.
Your page need will depend on the medium you work with most often and how often you sketch. Some artists keep several pads going, dedicating each to a type of medium and/or theme. You may find it worthwhile to have several books with varying numbers of pages to cover all your drawing and painting needs.
Spiralbound vs. Hardbound
Sketchbooks are either spiral bound or hardbound. Spiral bound sketchbooks feature a plastic or metal spine. These books lay flat when opened. They are usually less expensive than hardbound books.
Hardbound books feature either a glue or sewn binding. Glue binding is less expensive to produce and makes it easy to tear out pages cleanly. These books aren’t as durable as those with a sewn binding and don’t open flat as effectively as their spiral-bound counterparts.
The other option for a hardbound book features signatures of paper, which refers to a group of pages that are folded, trimmed, bound together with thread, and attached to the spine with glue. These sketchbooks are sturdier and can lay flat once the spine is “broken” or worn enough due to repeated opening and closing.
While most sketchbooks have a paper cover, premium options feature a genuine or faux leather cover. Covers are also available in both cloth and plastic in a multitude of colors and styles.
Soft, pliable paper covers are the least expensive but offer very little protection for the art inside. Some sketchbooks, with paper front covers, have thicker cardboard back covers that can function as a drawing surface. Hardbound covers offer working surfaces to draw anywhere without the need for a table. If you want your sketchbook to serve as a portfolio, choose one with a hardcover to protect the paper within from wrinkling and other damage.
Sketchbooks are bound at the top or to the left, and can feature portrait or landscape orientation. While you can, of course, orientate your sketchbook in either direction to suit your needs, you might want to accommodate the location of the spine.
For spiral bound sketchbooks, it’s not difficult to switch the orientation, because the books can lay flat. A hardbound book will limit your drawing area due to the spine. However, some sewn spines will lay flat once broken in from repetitive opening and closing.
Our Top Picks
No matter what your medium of choice, there’s a sketchbook to help you bring your creative ideas to fruition. The ones listed here were selected for their quality, price, and type of medium best suited for the paper inside.
The Canson family has paper in its blood, as it has reportedly served generations of artists including Van Gogh, Picasso, and many more. The company’s XL Series Mix Paper Pad features 60 sheets of 98 lb heavyweight, fine-texture paper suitable for both wet and dry media. The pages are coated with sizing allowing for a smooth application without bleedthrough and with little feathering.
The XL pad is available in both portrait and landscape orientations. It features a metal spiral binding mounted to the side of the pad and a micro-perforated edge that makes removing papers easy. The 9-inch by 12-inch size is fairly portable yet large enough to handle most drawing and painting techniques.
Strathmore has had its hands in several designed this paper with the student artist in mind. While it labels its 300 series a medium-weight drawing paper, at 119 lb rating, it technically falls into the heavyweight category. The heavy paper makes it suitable for a variety of wet and dry media, including watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, pastel, and more.
The pad is available in a few sizes and features a metal spiral binding on the side with micro-perforated edges for easy removal. Though a bit pricier than some competitors, the heavier weight makes it a somewhat better choice for wet media.
Canson’s universal series is a solid choice for practice sketching and new artists. Featuring 65 lb fine texture paper, the versatile sketchbook suits a variety of dry media. It has excellent erasability and is smudge resistant.
This pad is constructed with durable, double-wire binding and the sheets are micro-perforated for easy removal. It’s available in several sizes and in both portrait and landscape orientations. The 100-page book contains 30 percent post-consumer content paper and is meant for dry media only, as pen or markers will likely bleed through the pages.
The Strathmore 400 series is designed to meet the needs of the advanced artist as well as the serious student who’s ready to move up. This pad features harder surfaces along with a variety of textures that work with a wider range of media and styles.
The 60 lb sketch paper features a uniform surface that’s ideal for sketching. It easily accepts pen and ink, pencil, crayon, charcoal, light paint washes, and markers. It has 100 micro-perforated wire bound sheets. The pads are available in several dimensions and both orientations, with the popular 9-inch by 12-inch size being suited to most drawing needs.
Drawing pens are filled with either pigment ink or dye ink, which being water based are both thinner than the thick, oil-based ink found in ballpoint or gel pens. Artists working with ink or marker may find that thin paper leads to bleedthrough, while wet media paper is unnecessarily thick. The happy medium is the Canson’s Marker Pad, featuring 18 lb semi-translucent paper with an ultra smooth texture ideal for ink, marker, and graphite.
The paper is bleedproof with limited feathering from the pigment. The 9-inch by 12-inch pad contains 100 acid-free sheets and is fold-over bound to make removing pages easy.
Using the correct paper is key to drawing with markers. Optimal paper for markers features a smooth surface for blending, has no bleedthrough, and won’t allow the ink to dry too quickly when using layering and blending techniques.
Canson’s artist series marker pad works well with pen, pencil, and markers. The ultrasmooth, semi-translucent paper is bleedproof and can handle both solvent and alcohol-based markers with ease. The pad features 50 sheets of 18 lb acid-free paper with a taped bound edge. It’s available in both portrait and landscape orientation and in a variety of dimensions. The paper maintains true color and brilliance without fading or wrinkling.
Sketchbooks intended for wet media must have thick, durable paper. Arteza’s expert watercolor pad features 140 lb dual-sided paper optimized for both wet and dry media applications. Better still, the double-sided papers have both a smooth and a textured surface. Though both sides are suitable for wet media, the side you choose will depend on the overall look you want for your result.
The paper is fade resistant and quickly absorbs water with no bleedthrough. The sketchpad features a glue binding in a portrait orientation with 64 sheets of paper. Its versatile 9-inch by 12-inch dimension gives ample surface to create while still remaining portable.
Drawing on black paper teaches the artist to see things in reverse, unlike white paper where the focus is on the highlights instead of the shadows. Black sketch paper allows both seasoned hobbyists and professional artists to test their skills.
Arteza’s black sketch pad features 90 lb acid-free paper with a fine tooth surface. It’s ideal for dry media such as graphite, color pencils, charcoal, oil pastels, gel pens, and chalk. The paper is held together by a twin-wire loop binding that flips all the way back so you can work one page at a time with ease. The sketch pad measures 9 by 12 inches with 30 sheets of paper in portrait orientation.
Toned sketch paper allows artists to create a wider range of values. Similar to black paper, drawing on toned paper lets you stretch your drawing skills, helping you focus on highlights and shadows to give drawing a more realistic look.
Strathmore’s 400 series toned paper is a solid choice for seasoned artists and students alike. It features 50 micro-perforated sheets of 80 lb weight paper fit for dry media applications such as graphite, chalk, charcoal, sketching stick, markers, china markers, colored pencils, pens, and white gel pens. The pad measures 9 by 12 inches and is wire bound on the side with a portrait orientation.
If you like to create on the go, consider the Strathmore Art Journal, a portable diary sketchbook designed for travel. The journal measures 8.5 by 11 inches and has 64 pages of acid-free, mix media paper with an attractive lightly textured, matte cover. It features a sturdy Smyth-sewn binding that allows pages to lay flatter, providing the user with more work surface to create.
The paper is a durable 90 lb weight and easily holds up to watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, pastel, and more. While the journal is available in two other dimensions, this size allows for portability and ample drawing surface.
FAQs About Your New Sketchbook
For more info on sketchbooks and what works well for most artists, read on for answers to frequently asked questions.
Q. How do I choose a sketchbook?
Choose a sketchbook that matches the medium you use most often in a size you’re comfortable both working in and carrying.
Q. What is the best size for a sketchbook?
The size of a sketchbook is subjective to the user. However, 9 by 12 inches is a popular size that will accommodate a good deal of drawing applications while still being fairly portable.
Q. What is a mixed media sketchbook?
Mixed media sketchbooks are designed to handle both dry media wet media.
Q. What is sketchbook paper made of?
Sketchbook paper is typically made from wood or cotton cellulose.
Best Sketchbooks for Beginner Artists in 2020: Complete Reviews with Comparison
UPDATED for 2020
Finding the right sketchbook for you can be especially confusing when you’re a beginner and are just being introduced to the vast world of art. It can be even more confusing when you don’t understand all the terminology, specs, and different types for different uses.
In this article, we’ve simplified things. We break down the most important things you should consider before choosing the sketchbook you need.
We’ve made it even simpler for those who want to get straight to the gist with our pick below:
But first, few tips:
Tips for buying your first sketchbook
Before buying your first sketchbook, you should do your research. This article tells you most of what you need to know before going off and finding your sketchbook, however, as you progress and run through a few sketchbooks, you will find that you are growing a specific preference to certain types of paper, texture, and sketchbook sizes. You may even like sketchbooks that look more like journals with hardcovers instead of the usually coiled sketchbooks.
So keep in mind that you might not enjoy your first sketchbook as much as you’d expect because even with the thorough research, some things you will only learn about your preference through trial and error. That being said, this is not always the case, in fact, your very first sketchbook could very well exceed all your expectations.
So without further ado, here are some things you may want to consider before buying your first sketchbook.
What is the right size?
Simply put, the right-sized sketchbook is one that is convenient for you. Now, from one person to another, that may vary greatly – which is exactly the point.
Some artists prefer really small sketchbooks that they can stow away in their back pockets and have them around whenever they please. This helps them create without interruption if inspiration comes on a whim.
Pocket-sized sketchbooks are perfect for rough sketches, quick on-the-go sketches, and impromptu sketches. You may even find it suitable for you if you like to make small sketches rather than big ones.
Others may prefer larger sizes, especially if they don’t intend on taking their sketches with them wherever they go. This also means that they get to make larger sketches and they will have more paper space per sheet for their imagination to run wild and for their pencils or brushes to follow.
If you’re not sure which size is for you, you can opt for a medium-sized sketchbook that both, gives you a large space to sketch while being manageable in a backpack.
Spiralbound or Hardbound?
When selecting the binding of your sketchbook, it’s going to mostly be a matter of preference. If you intend to journal-sketch, we recommend hardbound as spirals might get in the way.
Some prefers spiralbound sketchbooks, as they tend to lay flatter and they usually come with micro-perforations which makes tearing out the pages easier.
On the other hand, hardbound sketchbooks are typically safer, more durable, and you don’t risk the wire snagging on anything if you’re carrying it in a bag or a backpack.
Portrait or Landscape?
The majority of sketchbooks come in either portrait or landscape orientation, but you can occasionally find that some come in a square format.
It is a personal choice, but with purchasing a landscape format, you can sketch or paint horizontal sceneries without needing to go across the gutter.
What is the right paperweight?
To know what paper weight you need, you need to understand how paperweight affects your art. the heavier the paper, the denser it is, so this means that it’s thicker and more durable.
Thicker paper is usually cold-pressed and that would give it a slight texture, while thinner and lighter paper usually has a smoother surface. Some artists prefer a granulated feel to their sketches while others enjoy a smooth finish to theirs; paperweight affects that respectively.
While the weight affects the finish, it also affects the medium you are using – or rather, is affected by the medium you are using. Lighter weight paper is less likely to take wet mediums without bleeding through to the next pages or at least the other side of the sheet.
In addition to this, lighter weights cannot be used for watercolor drawings as it will warp when used with water or other solvents. Although you can work with lighter paper just fine, the standard weight or watercolor paper is 300 gsm. GSM stands for gram per square meter. Buying heavier weight paper allows for more versatility with your media.
However, some artists will opt for lighter paper for several reasons; one of which is the fact that they don’t intend to use solvents. Another reason would be because they pre-stretch their sheets before using watercolors so they don’t really need to have the standard weight paper for watercolors.
Lighter paper is also easier to carry around, which may not seem like a big deal until you’re lugging around a 150-sheet sketchbook that is starting to feel like a rock.
Speaking of paper, we have an in-depth article on choosing the right paper for your sketchbook (specifically for watercolor use but the similar principals apply to other medium too).
Best Sketchbook for Beginner Reviews
1. Canson XL Series Watercolor Textured Paper Pad
Canson has always led the market when it comes to providing beginner and intermediate artists with suitable sketchbooks for their creations. The XL Watercolor Series does not fall short.
The Canson sketchbook features an innovative cover that folds over in a way that keeps the sketchbook sheets intact, without any bends or dents. It contains 30 cold-pressed textured sheets made out of recycled materials in a sustainable manner that maintains the environment while providing excellent quality. The whole sketchbook is free of acid, chlorine, and lignin.
The textured side of the sheets is ideal for wet mediums while the back side features a smooth surface ideal for dry mediums; like graphite and colored pencils.
The paperweight for the Canson XL is the watercolor standard at 300 gsm. The thick nature of these sheets allows the artist to use a variety of techniques while sketching; the sheets will withstand several washes, meaning that you can layer up both wet and dry mediums.
- Withstands multiple washes, erasing, rubbing, and scrapping
- Differently textured sides make it suitable for a wider range of mediums
- Acid-free paper will preserve your sketches longer
- The rather large size of the XL series may not be an inconvenience to artists that prefer more compact sizes
2. Strathmore 400 Series Sketch Pad
This sketchbook from Strathmore features one of the best paper qualities on the list. This sketch pad includes 100 sheets finely perforated at the side to be easily torn out without any damage to your sketches. The sheets are also true to their size, meaning that the perforated part is not included in the size description and when you tear a page out, it will be the same size mentioned on the sketchbook’s cover regardless of the torn part.
The sketchbook has double spiral binding at the side to ensure durability as well as add to the aesthetic of the sketchbook. And to make things easier for you, the artist, Strathmore added a heavy-duty chipboard backing to the sketchbook to be used as a firm surface to draw on wherever you go.
The acid-free paper preserves your work for a longer time, while the fine tooth surface of these papers allows you to work with several dry mediums. The 400 series Sketch Pad is perfect for graphite or colored pencils, sketching sticks, charcoal, soft pastels, and more. It takes ink pretty well and pens will rarely bleed through to the other side of the sheets, however, markers do bleed through, sometimes several pages due to the light paperweight of 89 gsm.
- Fine tooth surface allows for experimentations with several dry media, textures, and styles
- Chipboard backing allows you to draw on-the-go
- Sheets are true to their size when torn out
- Can barely use any markers I this sketchbook as they will bleed through
3. Pentalic Sketch Book
The Pentalic hardbound sketchbook features a black beautifully-embossed hardcover with a leatherette texture to protect the sheets inside. When you open the sketchbook, the cover provides a firm surface while the spine allows you to lay the sheets completely flat for optimum convenience when sketching, drawing, or writing.
The sketchbook includes 110 sheets that can be used on either side and are excellent for dry media, making it perfect for more than just sketching. You can use several different mediums on these sheets without worrying about paper damage; however, the sheets will warp if you use them with wet mediums.
So the sketchbook will sustain graphite and colored pencils, pastels, charcoal, and more dry mediums due to the fact that the paperweight is heavy in nature; weighing 114 gsm.
The binding on this sketchbook is sturdy enough to keep the sheets from moving around while drawing so you won’t have to worry about smudges or smearing due to the sheets moving under your hand. The sheets themselves are also sturdy enough to minimize pencil marks and impressions on the next page.
- The sturdy binding will stop sheets from moving around, so it reduces smudging
- The spine lays completely flat when open allowing for two-paged sketches and drawings
- The hardcover provides a firm surface underneath the sheets to draw on
- The sketchbook will not sustain wet mediums or alcohol-based markers
4. Artist’s Choice Sketch
Artist’s Choice Sketch Pad,75 Sheets, Pack of 2
- BUY ONE GET ONE FREE – 2 Pack of 75 Page Sketchpads. 50% More than the Competition!
- High QUALITY 60lb (90GSMS) Paper – 100% Acid-Free and Neutral PH. Perfectly Textured for a Smooth Non-Reflective Finish
- DURABLE SPIRALED BINDING – Each Page has a Perforated Edging for Easy Tearing. Ideal for Framing or Presenting!
Like the previous Strathmore 400 series, this sketch pad has double-loop binding at the side that adds to the binding’s durability without making it bulky. On the binging side, the sheets have a perforated line that makes it very easy to tear out clean pages without having to worry about tears from the binding loops.
In the sketchbook is included 75 high-quality sheets, all with a finely textured tooth surface so that your sketches can have a beautiful, smooth, and non-reflective finish. And like most sketchbooks on this list, this one’s pages are also completely acid-free so that your art can last longer without fading away.
This sketchbook also has a durable board backing at the end of it to make drawing convenient at any place or time. And again due to the light paper weight of the sheets in this sketchbook, at only 90 gsm, this sketchbook is suitable for dry media but can barely take on any solvents or wet media.
The nature of these sheets makes them usable, however, as more than just a sketchbook. You will find it convenient to journal, write, or test colors in this sketchbook.
- Perforated lines aid in clean sheet tears every time
- Multi-purpose and can be used for many tasks aside drawing and sketching
- Finely textured tooth surface give a non-reflective finish to your drawings
- The sheets are not that durable due to their light weight and in addition to not taking wet media, it will wear out fast with multiple erasures
5. Strathmore 25-151 200 Learning Series Watercolor Basics Pad
This Learning Series sketchbook provides more than just a surface to draw and paint on; it teaches you how! In this sketch pad, you will find no less than 12 step-by-step instructed lessons to help you start watercoloring. This is especially helpful for beginners as it takes you through step by step to achieve the style, glaze, and colors you want.
In addition to that, in the sketchbook, you will find a page dedicated to teaching you how to mix colors to get the shades you want as well as links to online videos that will educate you further on how to approach watercolors. It’s basically a step-by-step guide for complete beginners.
Other than the several tips scattered all over this sketch pad, it includes 12 cold-presses watercolor-grade sheets that are made for wet media. The paperweight is 300 gsm which means you will not have to worry about the sheets warping when they’re wet. For added flatness, however, the sketchbook includes instructions on how to stretch your sheets using water and adhesive tape to make sure it does not budge while you color away.
The sketchbook is bound at the side with double-loops again for a simple and aesthetic look.
- Watercolor-grade sheets are thick enough to allow for experimentation with several wet washes and layering
- The sketchbook teaches complete beginners how to watercolor and produce beautiful shades
- You get the added bonus of 12 free online tutorials on watercoloring
- The sketchbook has only 12 sheets for your creations, which is not really much
6. Strathmore 25-111 Student Watercolor Pad
This student sketch pad is the perfect combination for both wet and dry media. The paperweight is 190 gms, heavy enough to take on some watercolors, while still light enough to not interfere with the textures of colored pencils. Using watercolor pencils with this sketch pad produces the most beautiful results.
Another great use would be for brush lettering, where the water will not spread or wrinkle the page for the most precise results.
It includes 15 cold-pressed sheets that have a slight texture that compliments your art. At an adequate size, the Strathmore 25-111 has a size of 9 x 12 inches that is both spacious yet handy and is easily packable so that you can have your sketchbook on you wherever you go.
This sketchbook was designed with student needs in mind where, in addition to having a suitable size, it can be used with several media, including watercolor, acrylic, gouache, ink, colored or graphite pencils, and many more. This makes it one of the most versatile sketchbooks on this list with a wide range of uses.
- Sheets are suitable for both dry and wet media
- Good size balance between large enough for drawing and small enough to take with you anywhere you go
- Water will not spread when using watercolors allowing for more precision
- Like the previous Strathmore sketchbook, this one has very little pages, at only 15 pages
7. Leda Art Supply The Perfect Premium Medium Sketch Book
This handy little sketchbook comes in a PU leather cover that is flexible enough to be versatile but strong enough to provide all-weather proofing to your art creations. The sketchbook also has an elastic band that can secure your sketchbook in a closed position or can hold down the pages in an open position. This, in addition to the fact that this sketchbook can lay completely flat when it’s open, makes it the most convenient to use amongst artists.
The Leda includes 160 smooth pages that work well with dry mediums, fine-tip markers, as well as light watercolor washes. If you intend to use large tip markers, however, you should know that they may bleed to the other side of your sheet. Other than that, you will find that the pages in this sketchbook rarely ever bleed, even with ink.
The thread-bound pages in this sketchbook are cream-colored, giving your sketchbook and authentic feel while accentuating your art’s colors and shades. The Leda also weighs a lot less than more bulky sketchbooks due to the light and flexible cover as well as the 130 gsm of paperweight.
- Part of the proceeds from purchasing a Leda sketchbook will go to charity
- Pages are smooth and cream-colored to accentuate drawings
- PU leather cover provides protection to your sketchbook without making it bulky or heavy
- Large tip markers may bleed through papers without a sacrificial sheet in between pages
8. Strathmore 400 Series Colored Pencil Pad
Like all Strathmore sketchbooks, the 400 Series sketchbook made for colored pencils is of exquisite quality. The 30 crisp-white sheets in the sketchbook have a fine-tooth surface for a beautifully added texture for your drawings. On the other side of each sheet is a smoother white surface so that the sketchbook can suit your style preference whichever way.
The sheets are perfectly suitable for dry mediums, but especially colored pencils since it’s made for that. The sketchbook has a paperweight of 163 gsm making it extra thick for dry mediums. This means that you don’t have to worry about the durability of these sheets; they can withstand multiple erasures and layers.
The sketchbook is wire-bound at the side, making it really convenient to turn the pages all the way around to tuck it back under the sketchbook providing an extra firm surface to draw, sketch, and color on. The wire also makes it super easy to tear out the pages without having to worry about uneven tears.
This sketchbook is also true to its size when torn out; the wire perforations are not included in the size description.
- Double sided with different textured surfaces to suit different coloring styles
- Wire-bound, making it much more convenient to turn pages and handle the sketchbook when sketching
- Durable sheets can withstand layering and multiple erasures
- Due to the light paper weight of the sketchbook, blending colors with water, alcohol, or other solvents will cause the papers to warp and crinkle
9. Strathmore 350-9 300 Series Sketch Pad
Another Strathmore sketchbook with impeccable quality, this sketchbook has a paperweight of 74 gsm making it perfect for quick pencil sketches. The sketchbook has fine tooth, lightly textured sheets that make for more pronounced sketches.
The whole sketchbook is very lightweight despite the fact that it carries 100 bright white sheets inside. In addition to that, you can buy a wire-bound sketchbook or opt for the glue-bound one. Either way, the papers are easily torn out – whether through the finely perforated lines at the top of the wire-bound version or by simply peeling the sheet straight out of the glue-bound version.
In both versions, the sheets are true to their size, so tearing a page out will not take away from its dimensions.
Due to the fact that the sheets are lightweight and durable at the same time, this sketchbook can be used for several arts in addition to drawing or sketching. You can simply tear pages out and create 3D paper art out of the sheets.
And like the previous versions, this sketchbook also has a heavy clipboard backing that makes drawing and sketching convenient anywhere you go. The sheets are also acid-free so this sketchbook preserves your drawing too.
- Lightweight makes it easy to take anywhere
- Clipboard backing makes it convenient to sketch in your sketchbook regardless of where you are
- Unlike previous models, it has many sheets for experimentation and rough sketches
- Not suitable for wet media
Essentially, the sketchbook you choose has more to do with your preferences than with the hype around each sketchbook. First and foremost, you should consider what medium you will be using in your sketchbook. And from there, consider the size, paperweight, and aesthetics of each compatible sketchbook.
You should also keep in mind the drawbacks of each sketchbook and contemplate whether or not it would inconvenience you while creating your art. Your comfort during use will determine much of the quality of the sketches you produce; if a sketchbook is uncomfortable or if it bothers you during use, it would take away from your ability to create beautiful art.
90,000 Drawings are born in love. An artist from Siberia – about illustrations for books | CULTURE: Person | CULTURE
22-year-old student of Omsk State Pedagogical University Ekaterina Kucherenko has created illustrations for the new book “Mom: a story of true love” by writer Evgeniya Rusinova. A girl from Tara ( small town in the Omsk region – Ed. ) told where she gets inspiration, what materials she uses in her work and why a modern artist needs social networks.
Create without getting tired
Yulia Milenina, AiF in Omsk: Ekaterina, when did you first start drawing?
Ekaterina Kucherenko: My story is not special, like most artists.I have been drawing for as long as I can remember. When exactly I first started drawing, I cannot answer. At first, it was just children’s drawings on what would have to be. Then the school began, and the notebook fields, the last sheets at the end of the notebook, albums became the space for creativity. I used pens, pencils, paints as materials.
I just adored the lessons of fine arts, but at the same time I did not think about drawing as a profession, I just did what I liked.
The girl has been drawing since childhood. Photo: From personal archive
My first orders were for pencil portraits, and when I got older, I discovered the world of digital drawing, which I had dreamed of for a long time.Then the portraits migrated there. Now, looking at them, I am amazed at my passion for this business and scrupulousness. I could sit for 8-10 hours over one drawing and not get tired. It lasted a couple of years.
After that I discovered for myself the world of illustration, stylization, where I could feel more free, take off the shackles of “realism”. And now more than three years have passed since then, and I am still happy with my choice.
– What did you like to draw in childhood?
– In childhood, when thinking was not limited by what I can, what I can, what I can do, I painted everything that I saw and sincerely considered myself a great artist.
Later, at the age of 9-10, came the passion for Japanese cartoons – anime. Then I liked drawing cartoon characters. I really loved drawing characters.
Then I began to draw only what was given better. Now I regret it. As a book illustrator, I would like to give myself a greater flight of imagination and not think that the drawing may not work.
– Where did you learn to draw?
– At the age of six I went to art school, but not to draw, but to play the piano.Then I wanted to go there with my girlfriend. I studied there until I was 13.
She graduated from the pop department, and already consciously went to the artist. I remember these times with great joy. Although I went there rather late, I’m glad I did it.
It was then that I began to think about seriously connecting my life with drawing. And four years of art school helped me to enter the Faculty of Arts of the Omsk State Pedagogical University.I am now completing my five-year education. Then I want to continue to engage only in self-education, to delve into the book business specifically, and maybe look for myself in something else.
Full immersion in work
– You recently created illustrations for the book Mom: A True Love Story. Tell us more about this project.
– The book “Mom: A Story of True Love” is a project to which I treat with great trepidation and love, although I am not yet a mother myself, but I think I managed to feel every spread of this book.
It all started with an offer from Phoenix to work on this book. I had several editions to choose from that could be illustrated, but that’s what I wanted. I did not know the author of this book, we personally do not know each other. But the project tied us together.
The work was easy, every spread was done with great love, and I was also very lucky with the editor. Her name is Inna Krivosheeva, it was with her that I had the closest contact throughout the creation of the entire book, and I received a lot of support from her.Both sketches and work in color – everything was coordinated with minimal edits. For Inna, this project has also become very significant and personal. Therefore, I can definitely say that the book was born in love.
The result is impressive. Photo: From personal archive
It took us about four months to complete the work on the illustrations, I think it could have been done faster, but different life force majeure decided everything for us. Then the illustrations were transferred for further layout and printing.
– Is this your first experience of creating illustrations for books?
– No, this is not the first book I’ve illustrated.She is already the sixth. Before that there was a series of three books “Tales with large letters”, a series of encyclopedic books “Tell me” about space and “Tell me” about nature. But so far “Mama” is my favorite.
Now the continuation of this series is in the works – a book about dad. She’s not ready yet, but I already love her as much as “Mom”. After finishing work on “Pope” I plan to take a break from illustrating books in order to pay more attention to the diploma, and later take a breath.
– Do you create your own postcards or stickers?
– I drew both postcards and stickers for other organizations, they successfully sell them to this day.Some of my favorites are aromatic postcards “Aromoform”. They look and smell very cool. I also drew postcards with Disney princesses, made stickers for the sticker store from the coral print printing house.
In the new year, I decided to print my own New Year’s cards. It was a series of three works that were combined in a triptych. Of course, printing them and sending them to different cities paid off for me, but the stack of postcards is still on my shelf. It was a good experience that made me and other people happy.But I also brought the understanding that I am not yet ready to print my products. This is a lot of work that requires time, investment, and advertising. Until I decided to postpone this case.
The author’s collection contains a wide variety of drawings. Photo: From personal archive
– What materials do you currently use for drawing?
– I draw on iPad using Apple pencil in Procreate. This is an incredibly convenient thing and I am happy that I was not afraid and bought myself this instrument.I used to draw on ordinary graphic tablets that work in conjunction with a computer, it was not very convenient.
I got my first graphic tablet when I was 14 years old, a gift from my current husband very well defined my future profession.
– You have a public “Vkontakte” and your channel, where you show drawings, teach how to draw characters. How have these accounts influenced your creativity?
– Social media is important for any artist who works remotely and wants to have regular orders and income.The attention of the audience is also important, because artists are the same artists who need a viewer. Few people want to draw “on the table”, feedback is very important for development. That is why I had a need to create these accounts.
Now my social networks are my bread, my people who follow my work and my outlet. It was social networks that helped me start working with publishers, participate in interesting projects, thanks to them they can find and notice me.
Nowadays, being an illustrator is not only drawing cool pictures, but also being able to present yourself, to interest people, to be your own manager, to be sociable and responsible, in my opinion, without the development of social networks it is impossible.
– Do you think an artist needs a creative education or can you learn to paint yourself?
– You can learn everything yourself, you can go a long way, become a famous artist, delight people without special education. But if there is an opportunity, education will never hurt, it will help to sort everything out on the shelves, to find yourself. After all, life is constantly changing and seemingly “unnecessary” knowledge from the university can be very useful.My specialty “Fine and decorative-applied arts” does not quite correspond to what I am doing now, and my expectations from studying at this university did not come true, but I do not regret it. Any experience that happens in my life leaves its mark on my work.
The artist must constantly improve. Photo: From the personal archive
– Do you have any idols?
– When I ask about this, I never give names. It’s generally my weakness to remember names.I do not admire hotel people, their creative destiny and so on, I see a lot of illustrations every day and draw a little from each.
I believe that this approach will not allow me to lose myself, being carried away by someone else. At the beginning of the journey, there was a moment when my illustrations looked like a parody of an artist whom I was fascinated with. I don’t want to repeat this, I want people to see me in my pictures, and not someone else.
– Is drawing for you a job or is it still an occupation for the soul, a hobby?
– This is a job that I love very much.My personal works and projects are a hobby. My hobby is music, as I said, as a child I was lucky enough to graduate from music school, it was also a wonderful experience that now allows me to have a multifaceted life.
– Many artists have a mystical feeling, as if someone were directing their imagination and brush. Do you have this?
– No, fortunately, in the moments of drawing, only I control my imagination and brush. Apparently such stories are invented by free artists to maintain the image.I don’t have to wait for the magical arrival of inspiration and that mystical muse to start painting. When drawing becomes work, waiting for inspiration is a waste of time. Of course, I didn’t come to this idea right away, but thank God I did.
Inspiration is always there
– What kind of atmosphere do you like to work in?
– Of course, when you do not live alone, and you already have your own family, you work in any conditions. But if we talk about what I like – I like to work in silence.I can’t imagine how others draw “to the TV series”. I even turn off the music in the background most often.
– Do you go to exhibitions? What are your inspirations in everyday life?
– Yes, I try to visit exhibitions, at least to broaden my horizons. But I will not say that I am strongly inspired by visiting them. In everyday life, I am inspired by life itself, everything that is around happens, it just slips by when you run somewhere, but it is worth stopping, paying attention to the moment itself, and you are already filled with this moment and can share it with pleasure through your work.
– Have you thought about organizing your own exhibition?
– It’s not that important to me. But such an experience has already been. Our joint exhibition with my husband “Cats and Books” was quite interesting. My husband presented his “catographies” on it, and I presented illustrations. Now in the Tara library there is an exhibition of my student works depicting women in oil painting technique, timed to coincide with March 8. And in the future, another exhibition of my works is planned at the Tara Art Museum.
– What advice would you give to people who are just starting their way in drawing, creativity?
– I would advise them to read this interview, in it I shared the thoughts that I came to after years. Now they form the foundation of all my activities. It is very important not to be afraid, not to be ashamed, to talk about yourself, and very loudly, not to wait for the moment when “Well, now I draw well, you can show yourself to the world.” You will waste a lot of time waiting for this.Draw, develop, follow your path no matter what. Don’t let anyone break your faith in yourself. Do not think, looking at others, that it was easy for someone, everyone goes through difficulties, just as you will have to go through them.
– Are there opportunities for growth and development in Tara? Not going to move to a big city?
– Tara is a small provincial town, but it is very rich in creative people. They are inspired by it and create.Fortunately, we live in a time when our success may not depend on where we are. Almost all my work is remote work. Therefore, my location does not matter to my growth and development.
Thoughts about moving to another city arise solely from the desire for a new experience, but still, for now, they remain only thoughts. How my life will turn out, even I myself do not yet know whether I will stay here or live somewhere else – it is not known, and it is not so important. What matters is what is happening here and now.
What I didn’t know about education / Blog of the Orbita company / Habr
I got here to study the experience of school teachers in pedagogy – and quite suddenly I discovered a bunch of principles that are important for project management. In the sense that I again want to introduce you to a strange person and tell you about his experience. So, meet an ordinary teacher in the Astrakhan gymnasium, Olga Anisimova, who tore me all the templates of what happens in an ordinary school.
She does not teach children how to solve a problem, she teaches them first to find the problem itself, then to estimate the range of options for the approach, and only then how to get an answer specifically.
She treats children as adults in many ways.
She allows herself to be mistaken, allows children to correct their mistakes and to argue with her reasonably. Moreover, she sometimes deliberately makes mistakes so that the children do not relax.
She allows you to prepare cheat sheets and cheat. Allows children to “push out” the answer of the one who has learned the topic. Uses gamification that children understand for motivation.
In general, everything is so imbued with common sense that it simply cannot and should not happen at school.At the damn school!
Systemic difference between Galadriel and Aragorn
Let’s imagine that we have an elf and a human. The first lives more than thousand years , and the second 72 years exactly . If you are in no hurry, then the education system is not needed either: sooner or later a new member of society will figure it out on its own. But if suddenly it “sorted out” begins to take up a significant part of life, such a system is needed. Another interesting mental exercise: Imagine that we need to train orcs with an average lifespan of 21 years.What would the system be for them?
Funnily enough, the “elven” system without dedicated training was used quite widely. In total, in 1833, there was a report to the Parliament of England on the situation of the working class (about which we know thanks to Friedrich Engels), which mentioned that children start working in factories at the age of 5-8 and their working day is about 14 hours.
The child ceased to be considered as a consumable only in the sixteenth century:
“The image of real children was absent for a long time in painting.Obviously, no one believed that a child contains a human personality … Indifference to childhood, according to F. Aries, was a direct consequence of the demographic situation of that time, which was characterized by high birth rates and high infant mortality. A sign of overcoming indifference to childhood, according to the French demographer, is the appearance in the 16th century of portraits of deceased children . Their death, he writes, was now experienced as a truly irreparable loss, and not as a completely ordinary event.»
Child (developmental) psychology – LF Obukhova
The K-strategy of human reproduction involves the improvement of the individual. The best medicine, the best nutrition, and the best education. But here for some reason we almost immediately rushed to the “Orcish” approach. In the conditions of total illiteracy at the start of the USSR, it was necessary to create a country of builders of the future. Terraformers, engineers, officers, chemists and biologists were needed, but most importantly, production workers. The solution for serving information is pretty straightforward: lossy compression.Divergent thinking fell into a loss, the frameworks of which could be obtained, in fact, in research institutes, but not in the basic school. Yes, our education at that time was progressive and cool. But since then, about everything has changed.
Convergent education path is when a problem has one party-approved solution. The divergent path is when a problem has multiple paths of solution, and they teach not so much a specific square-nesting approach, but how to creatively use the resources available. Teaching a child to think divergently is long and expensive, it is often much better to give working heuristics and release them into the big life.The approach is more than practical in fact, because in business it sounds like this: line staff work according to clear instructions, but the rest set themselves tasks. Yes, the instruction can be quite flexible, but it is better to implement the best practices in the form of a script right away than to wait until the person reaches them himself. If suddenly a line officer begins to show signs of heightened consciousness, then this is not a soldier, but an officer.
Divergent approach in practice
In business, the most important question is “why?”The answer to it changes the composition of projects within the company, the way projects are implemented, the approach to team building, and much more. In Eastern philosophy, there is a mindfulness exercise where a Taoist disciple voices his every action. By this, he simultaneously learns both decomposition and the allocation of different streams of thinking (that is, introspection), and, which is the purpose of the exercise, comes to the habit of not doing anything aimless or “automatic”. That is, as in a crisis, every expense of the company is considered manually for the purpose of necessity, so here every action is assessed according to whether it should be left during cleaning or thrown away.
So, we go back to general education school. The first thing that the beautiful Olga Aleksandrovna does is let the children set the very task of the lesson in the lesson. The coaches of Meteor do the same. For example, if a striker takes the ball to his near foot, and then it is immediately taken away from him, the bad coach will say “you took the ball badly”. Thank you, cap, from the new information for the child there was only the transaction “you crooked freak”. The coach will better highlight the specific phase of the error: for example, he put his foot badly, did not hit the timing, or even took on the wrong foot.Here the child already understands what he did wrong, but does not understand why. A good coach will allow the child to try several dozen more times in order to understand what can be improved in this particular movement: that is, the child must both find the problem and find the solution himself. Practice has shown that trained football players play much worse than those who are able to understand what is happening on the field. The Taoists would be brutally happy for them if they didn’t really care.
Or Olga writes the number 13 on the blackboard and asks what the topic of the lesson might be.Children dig deeper into the number and may decide that these are two-digit numbers, for example. And then it is interesting: someone says that you need to understand their history, someone says that you need to understand why they are called that (thirteen, not ten three, like twenty three), or figure out how to subtract 4 from it and 5, because on sticks it is naturally understandable, but without sticks and a calculator – no longer. At this moment, two things happen: firstly, Olga collects data about what is interesting to children, and how to tell the topic through this.Secondly, she immediately catches the misunderstandings, which the children have identified here – which means they will not remain “unlit”. Thirdly, they will now write down the goal, and at the end of the lesson they will check whether it worked or not. And if not, they will decide how to share the homework in order to achieve it together.
By the way, this gives one more bonus. If the child has been teaching all evening, and answered poorly, he can check for himself whether the result has been achieved or not. And if not, it is clear that the effort does not deserve an A. And then at home there will be an uncharacteristic scene “Mom, they gave me a three, I taught the whole evening, the teacher is a sheep”, and “I shook it, I didn’t answer, I didn’t say it, I was prompted here.”And, again, if the parents understand that they cannot be scolded for this, this is cool.
In Russian language lessons, the search for a problem does not always look so beautiful due to the humanitarian nature of the subject – when this does not work out, the teacher can set a goal. But our heroine never gives a ready-made solution. Just like leaders in business seem to understand that if you set a task without explaining why it is needed (and how to understand that everything was done correctly), it will be worse. At the moment, the society believes that such an approach is better than the old convention, and this is enshrined in the federal state educational standards of the new generation.
Around the next
Federal State Educational Standard of Primary General Education as amended by orders of the Ministry of Education and Science of Russia dated November 26, 2010 No. 1241, dated September 22, 2011 No. 2357:
That is, society now believes that children should learn everything on their own. The key role of the teacher – the teacher must show how you can find a way to solve the problem, demonstrate, teach. The old framework said that you need to show a sample of the result, give a goal, write down an algorithm for achieving and supervise its implementation at every stage.
That is, no physics teacher should be offended by the solution of the problem about the height of the tower and the barometer: “sell the barometer, and pay the builder for the drawing” – but should demand new and new solutions, together with the child evaluate their applicability, limitations, accuracy and the chances of success.
Teacher can be wrong
One of those things that pissed me off at school incredibly was not only the fact that no teacher was ever ready for alternative solutions to a problem, but also did not admit his mistake.Somehow my classmate was given a triple in physics for drawing on the blackboard a “wrong” diagram of an electric motor with a stator inside the rotor: “Nobody does this.” We spent a week in all seriousness to assemble the device according to this principle, showed – “hmm, yes, but I will not ferry.” Goodbye physics. In my first year at university, I took the value of the ordinate as the horizontal axis, because this way the graph fit better on the sheet. Despite the fact that it was completely correct, I had to rewrite the work.
In this regard, I am reminded of stories that are happening more and more often. The general outline is something like this: a child answers in a literature lesson on a standard topic “what meaning did the author put in this,” and the teacher tries to impose her thoughtful point of view on him. The only problem was that children are able to find the author on Facebook and ask directly.
Do you know how an official differs from an entrepreneur? If an official is not mistaken, he is good – but at the same time, you can not undertake anything risky (and generally do nothing at an extreme).A good entrepreneur makes mistakes as quickly and widely as possible – this is an experimental approach, and each mistake gives new information. The question is the controllability of the experimental conditions. To be wrong is a natural property of progress. Moreover, perfectionism is also often incompatible with progress.
But back to the children. Here’s another example: after the dictation, there is 5 minutes for self-examination, so that the child reads what he wrote again. Normal healthy children of generation Z do not read anything again, but simply give the finished work.Olga says the following: whoever finds all the mistakes at this stage may not do their homework (well, or get an additional point on another dictation). And this dramatically changes the attitude. Children are looking because the conditions of the game have changed immediately.
And also children should not take on faith everything that the teacher gives, but train their skills of this very rational thinking. Therefore, Olga often deliberately makes mistakes in what she writes on the board, waiting for the children’s reaction. In fact, by this she still keeps their attention – but the main lesson is that the real world can set you up at any moment, and, as Comrade Major said, “be extremely vigilant.”In general, she has something of a Taoist.
Children can argue with the teacher
Sometimes they are right, sometimes they are not – but the task is not to cut off and put them in place, but to parse in detail the premises, the type of thinking and why the child did not understand something (if he is wrong). The obvious problem is that children in elementary school are not very friendly with logic, and they do not have any apparatus for a reasoned argument. That is, the first thing that Olgasanna teaches is the basic principles of rational thinking.Thanks to Harry Potter and Eliezer Yudkowsky.
Here are the children arguing with the teacher about the stress in the word “imbovy”. The word itself arose at the moment when they were doing the “alphabet challenge” on a five-minute spelling – they wrote an adjective for each letter of the alphabet. Firstly, I was indescribably surprised that instead of telling the child that there was no such word, she set the task to make morphological and lexical analysis. Secondly, the children did this analysis, and came to the conclusion that, according to classical word formation, the stress should be on the second syllable.But the popular twitch streamers were cited as an argument, speaking with an accent on the first syllable. And Olga admitted that the language follows the native speakers, so there is no definite answer. Checkmate, traditional school!
Much funnier arguments with children about the appropriateness of education in general. These are the most difficult moments, because there it is necessary to maintain a balance between the authority of the teacher and the resentment of the student who is not convinced. And convincing children using children’s thinking is like negotiating with aliens.Yes, they are very trusting, yes, most of the situations simply do not arise with the high authority of the teacher – but there are times when the head nerd of the class asks an innocent question like, is it possible not to go to art or technology (works). And he argues his point of view by the fact that it will be useful to him in life about like a hedgehog a T-shirt. At one time I solved this question simply by setting a record of the Astrakhan Technical Lyceum for absenteeism (though I did skip in the university’s magnetostriction laboratory), but it seems that this path is not suitable for everyone.By the way, the teacher answered about the same question at the university – “figure it out, hand it over now and don’t go.” I passed and did not go, everything is fair. But in an elementary school lesson, Olga needs to load a child with a whole complex of thoughts: why is education at all, and that it is necessary to develop different skills and abilities, and that fine art is not about drawing a house, but about spatial thinking, and technology is not about “ fix a stool ”, but about working with plastic matter. And she has 136 hours on a subject, and she is not ready to argue the whole lesson.The natural solution is that it downloads all the expediency of learning in advance, and the children roughly imagine that they are actually preparing to take over the world, and in general they need it themselves. More precisely, this is a late motivation, the early one lies in the plane “mom will like it” or “you can do it”.
The motivation of the old framework is not to achieve results, not to get punished. “If you doubt the teacher, you will get a deuce, and then your parents will scold you” is a completely logical chain until the child realizes that grades are a useless abstraction.And this is happening pretty quickly now.
Can be discarded
Since a divergent approach to education assumes that the child will learn something, and not pass the exam in the proper form, Olga allows you to prepare cheat sheets. The agreement with the class is as follows: you can write off if she did not see it – it is legal. That is, it is absolutely the same as in all schools and in all grades in terms of the result, but different in the number of notes prepared by children.
And if anything, making a good cheat sheet is almost as difficult as understanding the material.If the tasks are divergent, and not for memory. In this regard, I adore my university programming teachers, who were allowed to use any sources for exams – but we never had problems either for erudition or for memory. Only practical things.
Here are the children going through the ancient Slavs in elementary school. There are quite simple things: appearance (clothes, for example), names, main occupations. Actually, there at the end you need to do a level test “Which name is more Slavic: Hans the Blue or the Big Nest?”
But then Olga invited the children to take a piece of paper and draw an Instagram profile of some Slav. Well, you know, with an avatar, a short biography and examples of posts. This is everything at once: the Russian language, and the testing of all knowledge, and the education of taxonomy between disciplines. “Today I nailed the tyn so that the Polovtsians would not come”, “I bargained for horseshoes from a Novgorod merchant, I’m going to tune the horse” – this is wonderful.
In the same way, homework can be taken in the form of a 60-second video for Tiktok – and in terms of the intensity of preparation of the work there will be much more than in the usual homework.
At some point, our coaches noticed that yes, it’s cool to praise a child after each successful action, but I would also like to fix it somehow. And they asked the methodologists to give them something. The methodologists gave an album with achievements, where you need to glue the appropriate stickers.
Olga also uses stickers, but without an album. If the child did something well, he gets a sticker with the character of the now popular cartoon. You don’t need to glue it anywhere, but you can change, sit proud, or do whatever you want with it.The reasons for receiving the sticker are interesting: usually it is a corrected mistake by the teacher, some kind of good addition to the answer, or personal progress. Personal progress can consist, for example, in the fact that after three triples, the child received a four. The atmosphere in the classroom is so cool that everyone claps and crawls to hug such a character, because he overcame and snatched a point from the system) The sticker here serves as a trigger. And in other cases – with a reinforced “you’re done” transaction.
This system is not the most sophisticated in terms of gamification of the process (there are also “ten points to Gryffindor”, and all sorts of complex systems), but it works well enough for children to approach the teacher after school and say:
– Olgasanna, and you did you see, did you see that Sasha pulled his hand four times today? Will you give him the sticker tomorrow, if he answers correctly?
Treat children like people
This is perhaps the hardest part.And this is not about “equal”, but about respect. The whole story about scientific disputes above and so on rests precisely on the fact that there is a productive atmosphere in the classroom. At Meteor, it is important to support it: there is something in the methodology, and the coaches themselves do not come with a finger. But when you have a specific sporting task like “beat the school next door”, it’s easier.
In class, Olga, during 1: 1 conversations, tries to sit next to the children (so that her eyes are approximately at their level) – this already forms trust.Then he does not press, but allows him to decide for himself. At the end of the lesson, during the tactical analysis of the game, the coaches also always sit so that their eyes are on a level with the children’s – this way the children express their opinion much better (and generally feel better).
Here is a boy in the art lesson did not want to draw. She sat down next to her and asked what had happened. He explains: “Mom said that I can’t draw, is there any point in hesitating?” In this situation, the authority of the parents should not be diminished – but also the child should not be left in a state of “I am crooked.”Then a series of questions: “What do you think? Why does mom think so? ” Then they managed to convince the child that this was one special case, and because of one failure it went like that. Then Olga showed right on the phone how different abstract artists paint. Like, like it? – “Well, not really” – “Do you know how much this picture is worth? Look, 50 million. ” At this moment, the child already understands that not everything is so bad. The dialogue continues: “What do you think you are going to do now?” Child: “I’ll probably try to draw, then I’ll talk to my mother again” – “Okay, then tell me how it went.”
And then everything depends on the mother. That time it worked out well.
The first obvious problem with this approach is the time . Subjects according to the standard have a limited number of hours, and explaining them in detail, simultaneously loading rational thinking, atmosphere and creative thinking, is still a task. One of the main problems of school education at this stage is when some in the class have already understood everything, and some have not yet. The class moves at the speed of the slowest.It is clear that the tightest will remain in the second year, but this is a very poor speed control tool. Systems with a consistent departure of students work much better (usually this is a good professional training – a la Olympiad at school) – but this is not possible in a regular classroom. That is, you will always have children with different learning rates – and at the same time it will be bad for those who do not understand, and for those who understand and miss.
If you read Goldratt’s Target, it clearly describes how this type of bottleneck production is managed.I’m sure Olga never managed production, but she made the decision exactly according to Goldratt: she did not sit “nerds in front, bully in the back”, but in pairs “nerd-hooligan”. Well, I’m oversimplifying again, but the diagram is like this.
As a result, someone at recess will not receive points, and someone in the lesson will understand the subject faster. Because smart children love to explain, and they know how to do it in exactly the words that the same child will understand. The rule applies: if one has decided everything, then he can help a neighbor on a desk.But the result is not the answer to the problem, but the independent reproduction of the solution by the neighbor with an explanation of why what step.
The classical scheme assumes that the “brake” will go to finish learning from the tutor, while the class has gone further. This is neither good nor bad, it’s just that the approaches have different objectives.
The second problem is parental resistance . Parents want their children to be taught exactly as they once did (in general). And here the teacher begins to work as a project manager, convincing not only his team, but also stakeholders that this is how it should be done.First example: homework to make a crossword puzzle from cartoons and games. There are two independent works for the whole class: Gravity Falls crosswords and with Minecraft jargon terms. The rest were done by the parents – because the children were clearly doing some kind of garbage that did not correspond to their ideas about beauty.
Or Olga took and explained linear equations to the children in the first grade. They are easy, if anything, my grandfather explained them to me in the first grade too, and they fit into the system very logically.Parents found out about this: “you want too much from our children.” We started to figure it out: was it difficult for the children? They did not understand and asked you? No, the children absorbed everything at once, no problem. It’s just that the equations from the parents’ point of view are for the third grade, and everything has its time.
The third problem is that despite the fact that the standards state the desire for divergent learning, in the exams we have the good old “choose one of the options” . This is the most flawed system possible, because in many subjects it is “find the excess in the row” or “continue the row”.Rows 2, 4, 6, 10 may well be continued with the number 11. What is superfluous in a set of “spoon, knife, saucepan, glasses” strongly depends on what the task is. Olga tries to get the children to find the solution conceived by the author of the problem, among others – but she does not only require it. Fortunately, she still does not need to explain to the children the logic of the compilers of the exam.
And yes, if we talk about exams, even in the tool “choose an option” there is a magically cool “Russian Bear”, which is so good that it drives the second generation of parents crazy.
The fourth problem – the school is not ready for digital learning . If anything, there are marathons on Uchi.ru, when children can take some tasks and do them. The class that solves all this bullshit better than others wins. That is, for the sake of this MMO, children begin to really understand the subject. Because it’s one thing when it’s just learning, and it’s another thing when you can bypass 3B from a nearby school! Even though her children won one such “Russian championship” in Russian, the parents were actively against such approaches.Because the telephone, and the telephone, spoils the eyes and kills all life in the child. Although the pandemic and remote control turned everything upside down, this problem is no longer so acute.
Well, and the last problem is the fact that after such primary grades, children will find secondary school . Where educators can come across far from adhering to the same educational ideas. This means that children who are used to being held out to be human may lose motivation to study subjects.
Olga Anisimova was with us today
In general, I just wanted to share with you that the school that we may hate is no longer the same.And the changes apply not only to private schools. But this future is still unevenly distributed. 90,000 What you can learn while hiking and traveling
Once, already on the way to the North Pole, during a short halt, I dropped a zest into the snow. It’s not so easy, you know, to pour all the raisins from the bag into your mouth when you are wearing huge icy mittens, so one of the raisins slipped out of the bag and fell to the ground. And, as it turned out, it was even more difficult to get her out of the snow. But I was so hungry and so hungry for raisins that I got down on all fours and, dropping my head and sticking out my tongue, scooped the raisins into my mouth along with the snow.The feeling of joy that it was in my mouth, and of its slow chewing, once again reminded me of what I already knew: it is extremely important for a person to be able to enjoy a small amount of food. When it is scarce, it tastes better than ever, and when it is even less, it tastes even better.
Within a few days, grandiose sensations such as a feeling of satiety and warmth, a good sleep, are taken for granted.
By the way, I must admit, upon returning home to civilization, everyday life surprisingly quickly returns everything to square one.In comfortable conditions, it becomes much more difficult to experience true pleasure, and it tends to be less intense and more expected. Within a few days, grandiose sensations, such as a feeling of satiety and warmth, a good dream … well, and just the joy of seeing another person nearby, are taken for granted. The Norwegians have a saying: there is never too much good. And there is. But I always try, with varying degrees of success, to enjoy the little things to the maximum.
I try to appreciate being at home, in my cozy warm living room and the fact that I can participate in the life of my family and feel happiness due to the fact that I have everything that I missed so much when I was away.The indescribable pleasure from the taste of the raisin pulled out of the snow seems absurd when there is a whole pack in the kitchen cabinet and the refrigerator is full of various goodies. As I said, I know perfectly well that a piece of chocolate tastes better than a bar, but if possible, I still eat it whole.
How to choose an album for drawing
The sketchbook comes to life, becomes bright
And turns into a cool gift,
Where are the memories and inspiration,
A little imagination and observation.
A sweeping stroke or lines sharpened,
Shadows, tones, colors white, blue,
And now they are embodied in images
Ideas, masterpieces, thoughts, creations.
Whether you are a traveler, designer, architect or student, you are sure to find the right album for your needs.
The sketchbook is undoubtedly the artist’s ideal companion. As a close friend, you will spend a lot of time with him and tell him your inner thoughts (through drawing, painting and writing).Many artists regularly fill their notebooks with many drawings. Some are so polished that their books feel like mobile art galleries. But, great spreads are not the point of keeping a sketchbook. These books are private places to record your doodles, ideas and observations without the pressure of sharing them with the world. If you want, that’s great, but above all, the sketchbook should be the place just for you.
So how are you going to choose the perfect album for you? Well, there are a few things you will have to consider …
Choosing the right sketchbook is a personal choice.
Think of your album as a second brain. It’s a safe place where you can work with ideas, development methods, experiment with new art, and dream about something inspiring.
Here, regular creativity is an integral part of the best ways to find the embodiment of your own true personality.
But which sketchbook should you choose? With the overwhelming abundance of options on the market, it can seem like a difficult proposition to make your way to what is right for you.
The best place to start your search is yourself. Identify the characteristics that are most important to you:
Start with dimension. How big or small do you like for work? Just think about which one suits you. Also consider practicality and convenience. Where do you usually like to draw? How do you carry the album? Will it fit in your pocket, backpack, wallet or anywhere else when you are on the move?
The orientation of the sketchbook refers in particular to the length of the binding. Its portrait orientation means it will be positioned vertically when open. Landscape, on the other hand, shows a horizontal position, where, when opened, the binding works in width. For the landscape, it is safer to be very long and thin when they are open – ideal for stretching horizons. Of course, you might prefer a square instead. Think about how you position your hands and supplies, and what your compositions most often require.
Paper is the real content of your sketchbook and can be broken down into the following different categories:
– Tools. Which do you usually prefer to use? If you plan on working with pencils or a pen, then sketching the paper will probably be right for you. If you are choosing light, damp media such as a marker, ink, or some watercolors, look for mixed-shape paper.If you are going to paint in watercolors, including using washing techniques, you will probably want to opt for watercolor paper.
– Weight. Anything lighter is best for mixed media and sketches. Think of it this way: the more water-based materials (watercolor, ink, etc.) you plan to use, the thicker paper you will need. Keep in mind that the nib and ink can be quite succulent and can easily be absorbed into the paper fibers.If the paper surface is thin, they will seep onto another page.
– Texture. Watercolor papers are particularly characterized by various finishes: hot pressed (smooth surface), cold pressed (moderate), and coarse (highly textured), respectively. But each manufacturer will have a slightly different finish. This will determine how your paint will look when dry. Pressed watercolor paper is a great solution for those who like to work with watercolors, pencil and ink.
– Color. Increasingly, there is a wider range of color options on the market when it comes to paper in your sketchbook. Consider the materials that you plan to use. White helium pens, pastels, white watercolors or gouache show up vividly on darker or colored papers. Just keep in mind that when you change the color of your paper, you are changing the scale of your composition.
An important choice when considering the durability and functionality of the album.Whether you will be using it for painting on your lap or if you like to fold it in half, pay attention to the thickness of the main sheet and the binding.
Every purchase you make is a kind of price or quality vote. It’s worth considering which companies you want to support, from where you buy your sketchbook to who makes it. If you’re unsure of where to start, head to your local independent art store.
Once you’ve figured out which drawing album is perfect for you, you probably want to buy it again after using your first one. If you are purchasing from a larger brand, this will not be a problem. If you choose to order from a third-party vendor, be sure to check with them for availability and availability to make sure you can get the same one again.
Many people run into the prices of sketchbooks made from quality raw materials. It’s very important to remember that you get what you pay for. 100%. Most of the time, it is meant for you to practice. On the one hand, working with the same paper you will use for your final cut is great practice for mastering paint behavior and brush technique, so you know exactly what to expect as you dive into the painting. But on the other hand, many artists feel too inhibited by good materials to really experiment freely because there is pressure.This can affect how much you pay more conveniently.
Once you’ve identified what specific features you are looking for, quickly check out the various sketchbooks on the market.
ENTERTAINMENT FOR CHILDREN OF THE SENIOR GROUP “ALL COLORS OF THE RAINBOW” Purpose: to keep children interested in drawing; consolidate children’s knowledge about basic and
Fun script for preschoolers
Municipal government educational institution Kurkinskaya elementary general education school »Scenario of entertainment for preschoolers Prepared by: T. KlimakhinaB. Caregiver odo July 2015 Targets:
“Day of Beauty” 2016.
“Day of Beauty” 2016. A holiday for senior and preparatory groups. Characters: Jury, Host, Wizard, Princess (adults) Pencils: Blue, Yellow, Green, Red, Brown, Purple
“In the studio of the artist Autumn”
“In the studio of the artist Autumn” Integrated lesson in the preparatory group for school in the MDOU “Kindergarten 93” of the Kirov district of the Moscow region “City of Saratov” Prepared and conducted by: preparatory teacher
KVN “Pencils and brushes”
KVN “Pencils and brushes” Teacher of additional education Possokhova M.D. Multi-age senior preparatory group Purpose: To continue to consolidate the ability to guess riddles, musical works
MBDOU “Cherlak kindergarten 2”
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“Day, night, day away!”
Municipal autonomous preschool educational institution child development center – kindergarten 125 of the city of Tyumen Abstract of educational activities with children 5-6 years old “Day, night, day away!” Educator
on the topic: “Entertaining mathematics”
Municipal budgetary educational institution Child Development Center – kindergarten 5 “Teremok” of the city of Novoaltaisk, Altai Territory Abstract directly – educational activities on the topic: “Entertaining
“HOLIDAY OF PAINTS” IN CLASS 1
MBOU “Verkhosenskaya secondary school” “HOLIDAY OF PAINTS” IN GRADE 1 Developed by: primary school teacher Pozdnyakova V.N. 2011 Presenter: We are starting our holiday. And what will it be called?
Abstract. Theme “Flowers for Mom”
State budgetary educational institution kindergarten 73 combined type of Primorsky district of St. Petersburg. Abstract of Continuous educational activities in artistic aesthetic
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MADOU, Nizhnevartovka DS 29 “Herringbone” Abstract of an open lesson on the topic: “Space” in a group of general developmental orientation for young children Educator: Demidova T.A. 2016 Objectives: to develop elementary
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“Journey to the Planet of Mathematics”
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Fairy tale Three princesses of the gouache kingdom
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Sensory development 1-3 years
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group 7 “Magic flower”
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|My Hobby||My hobby|
My name is Sergey.I’m thirteen years old. Everybody must have an ardor for something or an activity he likes to do in a free time.
My hobby is collecting stamps. In the childhood my father collected stamps too. I liked his collection very much and I decided to carry on the tradition.
My name is Sergey. I am 13 years old. Each person should have a hobby, an occupation that he could do in his free time.
My hobby is collecting stamps. My dad used to collect stamps as a child.I liked his collection so much that I decided to continue this tradition.
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|My Hobby is Football||My hobby is football|
As long back as I can remember I always like I always liked I like playing football and watching it discussing players, coaches, trainers and judges. My father took me to football lessons when I was 6 and I was the smallest player in the team and other boys were already 7-8 years old.Right now I’m 12 and I hope I can become a professional player one day.
As I remember myself, I loved football. I like how to play football and watch it, discuss matches, players, coaches and referees. Dad took me to the football section when I was 6 years old, and I was the smallest in the team, the rest were already 7-8 years old. Now I am 12 years old and I hope that I will become a professional player.
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|My Hobby Is Sport||My hobby is sports|
Sports are useful for everyone, for it is a pleasure everyone.Sport primarily trains our will, endurance, and will power, so to really like it, you need to possess all these qualities, as well as a great desire to improve yourself and to achieve your goals in spite of everything.
Sports activities are good for every person, but not everyone enjoys it. Sport, first of all, trains willpower, endurance and fortitude, therefore, in order to truly love it, you need to have all these qualities, as well as a great desire to improve yourself and, in spite of everything, achieve your goals.
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|My Family’s Hobby||My family’s hobby|
My name is Adrianna and I’m 14 years old. My family is not very big. It’s just me, my parents and the tortoise named George.
All the members have their own hobbies in our house. Even George has a hobby – to eat and to sleep. My hobby is dancing and knitting.
My name is Adrianna, I am 14 years old. My family is not very big. It’s just me, my parents, and a turtle named George.
Everyone has their own hobbies in our house. Even George has a hobby of eating and sleeping. My hobbies are dancing and knitting.
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|Singing Is My Hobby||My hobby is singing|
I was born in a very creative family a part of my life.My mother can play the piano very well, my father loves playing the guitar and singing for his friends. Often my parents turn on the songs of their favorite singers in our computer when they’re cleaning the house, cooking food and do other things.
I was born into a creative family, so music has always been a part of my life. My mom plays the piano beautifully, and my dad loves to perform songs with a guitar for friends. Parents often turn on the recordings of their favorite artists on their computers while cleaning, cooking, or other household chores.
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|Judo Is My Hobby||Judo is my hobby|
| 9000 phys2 Sport is the best way to help right way and to improve his or her immune system. That’s what my parents were thinking when they signed me up for judo.
They have chosen this martial art because when my father was little he used to go to the similar place.
Playing sports is the best way to provide your child with harmonious physical development and strengthen his immune system. This is what my parents were guided by when they enrolled me in the judo section.
They chose this martial art because dad once in childhood also went to a similar circle.
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|My Hobby Is Cooking||My hobby is cooking|
Borsch, goulash, Russian salad, rolls and pizza- just one mention of these dishes makes us feel hunger.However, I always find it interesting not only trying various culinary novelties, but cooking them as well.
Who among us doesn’t like to eat well? Borscht, goulash, Olivier salad, rolls and pizza – the mere mention of these dishes makes us feel hungry. But it was always interesting for me not only to try various culinary novelties, but also to cook them myself.
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|My Hobby Is Music||My hobby is music|
Music is a wonderful art that is created specifically to give joy …Every person has some favorite tunes that cheer him up and make him feel better. Sometimes one can mourn for a while to a music being in a melancholy mood, because it can help us to cope with our problems.
Music is a wonderful art created specifically to bring joy to people. Each person has some favorite melodies that lift their spirits and make them feel better. Sometimes music can also be a little sad, being in a melancholic mood, because this can help us cope with our problems.
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|Hobbies In My Life||Hobby in my life|
Hobby is an activity that you like doing. Unfortunately, nowadays a lot of people don’t have hobbies for different reasons. We work too much, spend too much time in offices and traffic jams. But even in our fast paced world it is very important to find time for things you like as they give you relaxation and positive emotions.
Hobbies are what we love to do. Unfortunately, today many people do not have hobbies for various reasons. We work too much, spend too much time in offices and traffic jams. But even in a dynamic world, it is very important to find time for your favorite activities, because they help you to relax and bring positive emotions.
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|Volleyball Is My Hobby||Volleyball is my hobby|
Volleyball that men both is a great team sport …I always liked women’s volleyball because it’s more spectacular and thrilling. I used to love watching the games on TV and I was always impressed by girls ’finesse and endurance.
One time I went to the summer camp and there was a volleyball court there.
Volleyball is a wonderful team sport in which both men and women can take part. I have always liked women’s volleyball because it is more entertaining and emotional. Earlier, when such matches were shown on TV, I watched them with pleasure, marveling at the agility and endurance of the athletes.
Once I went to a children’s camp, and there we had a volleyball court.
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|Basketball Is My Hobby||My hobby is basketball|
Basketball is probably the best game for This game has everything we need to fulfill our urge to compete and at the same time to keep our body fit.
I started playing basketball at school during PE and I realized that I liked it.
Basketball is perhaps the best game for boys. It has everything you need to satisfy our constant thirst for competition and keep our young body in excellent physical shape.
I first started playing basketball at school in physical education classes, and immediately realized that I enjoyed this activity.
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|My Hobby||My hobby|
Everyone should have a hobby.It helps you to relax and makes you feel better. My hobby is painting.
I have been fond of painting since my childhood. My mother still keeps a pile of my first painting “masterpieces” in her cabinet. I used that pile when I went to School of art and got accepted.
Every person should have a hobby, because this is a kind of a way to take a break from everyday affairs and cheer yourself up. Painting is my hobby.
I like to draw for quite a long time, since childhood.It is not for nothing that my mother kept in her closet a whole album of my first “masterpieces” related to the field of fine arts. With this album, I entered the art school, and I was accepted.
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|My Hobby Is Photography||My hobby is photography|
In order to preserve the memory of the important events , many people make photos.It became particularly easy to make photos with the advent of smartphones, because such a device is close at hand of every person.
I also previously liked to shoot on mobile camera everything that happened around, but in most cases the quality of the finished shots didn’t suit me.
In order to preserve the memory of significant events in their lives, many people take photographs. With the advent of smartphones, photographing has become especially easy, because every person always has such a device at hand.
I also used to love to shoot everything that happens around me with a mobile camera, but in most cases the quality of the finished picture did not suit me.
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|My Hobby is Swimming||My hobby is swimming|
When a person feels comfortable about him in any setting, that he takes to it like a duck to water.Precisely these feelings I have when I bathe in a swimming pool or in any other water body. I literally take it like a duck or a fish because I can swim fast and dive excellently.
When a person is comfortable in any environment, they say about him that he feels like a fish in water there. These are the sensations I experience when I swim in a pool or any other body of water. I literally behave like a fish in this environment, because I can swim quickly and dive well.
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|My Hobby is Dancing||My hobby is dancing|
There is a popular belief that every girl should be able to be a popular belief that every girl should … This point of view seems very correct to me, since plasticity and grace are the main components of female attractiveness.
Perhaps, these were exact thoughts of my mom when she first registered me for classes at a ballet school.
There is a popular belief that every girl should be able to dance. This position seems to me to be very correct, since plasticity and grace are the main components of female attractiveness.
This is probably what my mother thought when she first signed me up for classes at a ballet school.
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|My Hobbies||My hobbies|
My name is Olga.I’m 15 years old and I’m a high school student. I have several hobbies which make my day diverse and interesting. For example, almost every day after the lessons I go to the gym. It’s one of my favorite pastimes.
Moreover, I like swimming and skating.
My name is Olga. I am 15 years old and I am a high school student. I have several hobbies that make my day varied and interesting. For example, I go to the gym almost every day after school. This is one of my favorite things to do.
I also enjoy swimming and ice skating.
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|My Hobby Is Drawing||My hobby is drawing|
All people have different talents and inclinations Someone likes to play musical instruments, someone goes in for sports, and someone likes to write poems or embroider.
I like to draw more than anything else in the world.
All people have different talents and inclinations. Someone likes to play musical instruments, someone likes to play sports, but someone loves to write poetry or embroider.
Most of all I like to draw.
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|My Hobby is Needlework||My hobby is needlework|
During my grandmother`s knew , to embroider and to knit, as these activities were considered very prestigious.Today, of course, other interesting hobbies have appeared, but nevertheless an article in the hand-made style is still highly valued for its uniqueness and originality.
Needlework in our family is a traditional activity.
At the time of my grandmother, many girls knew how to sew, embroider and knit, because then these activities were considered very prestigious. Today, of course, other interesting hobbies have appeared, but, nevertheless, hand-maid products are still highly valued for their uniqueness and originality.
Handicraft is a traditional occupation in our family.
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|Gymnastics Is My Hobby||Gymnastics is my hobby|
was have been sport since I three That’s when my parents brought me to gymnastics for the first time and now it is my hobby.
We have chosen rhythmic gymnastics because it is the most feminine sport.
I have been playing sports since I was three years old. It was at this age that my parents first sent me to the gymnastics section, and since then it has become my hobby.
For training, we have chosen rhythmic gymnastics as the most feminine sport.
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|Karate Is My Hobby||My hobby is karate|
to every boy and protect himself.I think that was the reason why my parents decided to sign me up for karate.
I started doing this Japanese martial art when I was five years old.
Every boy and man must be able to stand up for himself. I think that’s why my parents decided to enroll me in the karate section.
I started learning this Japanese martial art when I was only five years old.
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|Reading Is My Hobby||My hobby is reading books|
I think to everyone has his own favorite thingUsually this hobby makes us happy and makes our life better. Some people are fond of sports, some people like music, some math and I like reading.
Books were my best friends since I was little.
Every person has a hobby. As a rule, such a hobby gives us joy and therefore makes our life better. Someone is fond of sports, someone music, someone mathematics, but I like reading.
Books have been my best friends from an early age.
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|Hockey Is My Hobby||Hockey is my hobby|
stadium There is a broken small goal our yard. The stadium is fenced with old crooked wood. In summer my friends and I often play football over here and in winter our parents cover it with water and when it gets frozen it makes it a great hockey field.
In our yard there is a small abandoned stadium, on the territory of which there is a rusty iron gate with a torn mesh. The stadium is surrounded by an old ramshackle wooden fence. In the summer, the boys and I often play football here, and in the winter, our parents flood the earth with water, and when the water freezes, it turns out to be a wonderful field for hockey.
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|Hockey Is My Hobby||My hobby is boxing|
The first time went when I was seven competition years old.The competition took place in our kids sports club that I went to just because everyone else used to go there. I was so impressed with young sportsmen that I was looking at them and dreaming of the day I would be able to step on the ring.
I first attended a boxing competition when I was seven years old. These competitions were held in the children’s sports club, which I attended for general development. I was very impressed by the wrestling of young athletes, and looking at them I dreamed that someday I would be able to perform in the same way in the ring.
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The magic world of Vasya Lozhkin
An exhibition of paintings by Vasya Lozhkin, the most fashionable and visually quoted artist in the Russian-language segment of the Internet, has opened in the Gorizont shopping and entertainment center.
Vasya has long been loved by many netizens, but it’s not a sin to get to know Alexei better …
Artist and musician Vasya Lozhkin (Alexey Kudelin) was born in 1976 in Solnechnogorsk, Moscow Region, graduated from the law faculty, but did not work in his specialty by joining the Witchcraft Artists community.
Since 2014 he has been living in Yaroslavl.
– In what state of mind do you write better?
– It is better to draw pictures in a good mood, nothing works out in a bad mood. Therefore, in the morning I try to be kind and positive. As for inspiration, I don’t really understand what inspires people. Drinking alcohol or using drugs, of course, is not. Sometimes I am inspired by a phrase from a book that will hook me, sometimes there is something else.Inspiration is impossible to understand and stimulate. It comes in waves, of course.
– What is the concept of the exhibition?
– Here are the paintings of 2020 and 2021, there are several pieces and older. Some of the paintings have already been sold, and I repeated them especially for the exhibition. But what is the concept, there is no specific topic. It is, rather, an introductory exhibition for Rostovites. After all, this is my first time in your city. The exposition was not formed by me, but the title “We will live – we will not die!” It was not invented by chance – there are too many troubles around us today, starting with the coronavirus and ending with that terrible tragedy near Taganrog, which I learned about recently.Therefore, I tried to look at life a little more optimistic, so that people would develop a certain immunity to negativity …
– You call your works “Funny Pictures” or “The Magic World of Vasya Lozhkin”. But, typing in the search engine “Antilubok”, you get the answer: “The genre in which Vasya Lozhkin works.” How did the name of this genre stick to you?
– I, like you, learned about Anti-Club from the Internet. On the net, as on the fence, a lot has been written.Usually they write something in a magazine, and other journalists pick it up. Although my pictures can be called popular prints, they are by no means anti …
– Once you said that you would never paint pictures on religious themes. How do you feel about “creativity” Charlie Hebdo ?
– These vile people will burn in hell. This is some kind of outrageous crap! Of course, it’s not for me to blame them. Anything can be drawn to my paintings too.And they attract. But the artists of Charlie Hebdo, in my opinion, have crossed all possible boundaries of decency and humanity.
– Your paintings are really interpreted differently …
– … and I can’t do anything about it. I remember once in Ukraine during the Orange Revolution they asked me: “Your orange cats are our symbol. Did you mean that? ” Well, what can you answer … Whoever hurts, he talks about it.I do not put very abstruse meanings into pictures; rather, I try to portray the emotions inherent in people at different moments of their lives. Well, interpret and interpret, so be it.
– Nevertheless, some time ago your painting “The Sixth Part of Land” (“Great Beautiful Russia”) was even officially recognized as extremist. Did it bother you?
– The story was like this. A certain person of radical views from Novosibirsk (I don’t remember his name) had some differences with the authorities.And he constantly posted something absurd on the Internet, using this picture of mine as an illustration and placing it in a certain context. And I am neither sleep nor spirit. So the picture was included in the list of prohibited materials. Then I looked at this list and was horrified – there is Bin Laden, Hitler, materials on how to make a bomb …
Being in SUCH company is not very pleasant, so I filed a lawsuit, which was long. But in the end, my painting was removed from this list.
– Do you sometimes make spelling mistakes in the inscriptions on your paintings on purpose?
– To be honest, this is some kind of jerk of mine.I really like the Belarusian spelling, where it is both heard and written. I have an unrealizable “ide fix” that someday “zhi” and “shi” will be written with the letter Y. It seems to me that this is correct. In Belarus, for example, they write TSIRK. Some things could be simplified, although I know that many will disagree with me. In a word, these are my personal harmless cockroaches.
– Have you had any desire to bring your characters to life, which just ask for animation?
– Animation is a very complex thing that requires huge costs – both financial and human.I had a conversation with people from Soyuzmultfilm, but there are so many bureaucratic difficulties, so many people are involved there. And the script is also very important. And my pictures are, rather, a kind of freeze-frame torn from the reportage, a frozen moment. And it is not necessary to revive it. Let each viewer figure out what will happen next …
– Who helps you in your work?
– There are definitely no assistants, so I’m waiting for my son to grow up. Will help pack the paintings, which I hate.Will help to clean up in the workshop, wash brushes, varnish paintings, go to buy canvases, paints. And this, in fact, is also a significant part of my work.
– Are you making more money selling paintings or on the Internet today?
– I don’t earn anything online, I don’t monetize my creativity. To be honest, I really don’t understand anything about this.
– Maybe in vain? Successful bloggers are all millionaires …
– No, not in vain. Look: no matter how critical we are of bloggers, it’s still some kind of work. You have to invest a lot of energy there in order to get something. And my soul does not lie in thinking about views, likes, the number of subscribers – in short, to take it seriously. This is a separate activity that is not interesting to me.
– In what genre do you embody your musical aspirations?
– I have a four-piece rock band.We play in the style of “pop punk” or just “punk”. Before I had an incredible number of groups – in Solnechnogorsk, and in Moscow, and now in Yaroslavl. I am the author of all the songs, the leader, I play the guitar and I sing. Such a “frontman”. In general, I always wanted to be a rock star, it didn’t work out. But the soul demands, and I can’t help myself. We recorded a bunch of albums, filmed clips. But the concert activity is not very active, several performances a year. Mostly by clubs. But this is a great joy, and there is an audience who goes to it.