Amazing Victorian Period Dress Masquerade Ball Gown
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10 Best Victorian Masquerade Costumes Reviews 2021
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Why You should Buy the Best Victorian Masquerade Costumes on Amazon
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For instance, the guide has information regarding the specs of the Victorian Masquerade Costumes you want such as brand, size, function among other features. In case you want a Victorian Masquerade Costumes with specific features, then Amazon has the best search tools. All you have to do is to key in the features you prefer and a list of laptops will appear on your screen.
Other Benefits of Buying Products from Amazon
There are numerous benefits of purchasing Victorian Masquerade Costumes and other products from Amazon. Here are some of the common benefits:
There’s no doubt that Amazon offers the best prices for most products. This is because the platform works in conjunction with a host of manufacturing companies and dealers. As a result, a lot of intermediaries are cut off hence reducing the cost of various products.
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How to Choose the Best Victorian Masquerade Costumes
As mentioned earlier, Amazon is one of the best platforms to purchase products like Victorian Masquerade Costumes. However, it can sometimes be a challenge to get the exact Victorian Masquerade Costumes you want, especially if you are using the platform for the first time.
Here are some of the things to consider when choosing the best Victorian Masquerade Costumes on Amazon:
Price is one of the most important factors to consider when buying Victorian Masquerade Costumes from Amazon. There’s no one who doesn’t want to get quality products and reasonable prices. With Amazon, you are able to compare laptop prices from different sellers and settle on the most favorable one.
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You also need to consider the functionality of a Victorian Masquerade Costumes before purchasing it. The functionality of any Victorian Masquerade Costumes usually depends on the specs it contains. The more sophisticated the specs are, the higher the functionality.
Old Customer Reviews
Most customers leave feedback with regard to their experience with the different Victorian Masquerade Costumes they bought from Amazon. The reviews are always displayed on the same page where the product is located. Looking at such reviews will help you to know whether the Victorian Masquerade Costumes you want to buy good or bad.
Black Flower Masquerade Gothic Victorian Dress
This dress has 16 pieces in stock.
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If the size you choose is out of stock,we will custom for you.
1.comfortable smooth brocade and satin dress
2.3D flowers accents overlay
3.lace up bodice to shape body very well
4.wide sleeves with extra wide accenting lace and beading
– Custom sizes is available,no additional fee.
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Masquerade Balls: A History – WardrobeShop
Everyone can picture a masquerade ball – a palatial party where women and men dress to the nines and pair their exquisite attire with unforgettable masks that cover all or part of their face. Equal parts refined and mysterious, there’s something truly enchanting about masquerade balls. They are one night where it feels like you can truly transform into someone else effortlessly.
Although everyone has seen images of masquerade balls, very few know the complex origins of this type of party. There are even events today that channel the decadence, charm, and over-the-top nature of these stylish parties. This blog post will cover the history of masquerade balls and give you plenty of ideas when it comes to hosting your own mysterious masked soiree.
Masquerade balls first originated in the 15th century during what is known “Carnival Season.” Carnival is a Christian tradition that originated around the year 1200. This festive season occurred annually during February or early March – immediately before Lent.
Because Lent was a season of solemn and sacrificial religious observation, Carnival was a time when people indulged in the things that they were required to give up during the Lenten period. This meant that they drank liquor, ate meat, and consumed buttery desserts excessively.
This time of celebration also involved elaborate public displays like parades, festivals, and outdoor parties. These decadent parties also included people dressing in costumes and masks – a tradition that became more and more elaborate as time went on. It’s from these Carnival costume parties that masquerade balls first originated.
One of the very first masquerade balls was the “Bal des Ardents” or “The Burning Men’s Ball,” which was held in 1393. This ball was a costume party thrown by Charles VI of France to celebrate a high-profile marriage that took place in his kingdom. The celebration included men wearing elaborate costumes made from flammable materials – if the men danced carelessly near a torch, they ran the risk of starting on fire.
By the 15th century, masquerade balls were a fixture of royal society in parts of Europe with a large Christian population. During the 16th century Renaissance in Italy, masquerade balls became an important fixture in high-society. But there was no place that they were more popular than the Italian city of Venice.
Although they originated much earlier, Venetian masquerade balls became an important tradition during the 16th and 17th centuries. Members of the aristocracy enjoyed decadent parties during Venetian Carnival, where they would dress in elaborate costume and hide their identity behind beautiful, glittering masks. Although these lavish events became obsolete after the fall of the Venetian Republic in the 18th Century, masquerade balls and elaborate masks are still an important symbol of Venetian history.
Why Wear A Mask?
Masks were incredibly beautiful, but they weren’t purely worn for adornment. They were genuinely meant to conceal the identity of the person wearing it. To make Carnival parties even more exciting – and perhaps a bit more scandalous – masks created somewhat of a game for the guests in attendance. People were meant to guess who was behind the mask, which added an extra layer of fun to the already raucous event. Pair this with the fact that everyone was wearing increasingly elaborate costumes or disguises and you have a fun, slightly mysterious event where no one was sure who the person that they were dancing with truly was.
Although they were first worn just for decoration, they eventually played an important societal role as well. Towards the end of the 18th century, Italians used masquerades to blur the lines between different social classes. Everyone’s identity being hidden behind a mask allowed for a refreshing sense of equality among those in attendance.
Types of Traditional Masquerade Masks
When it comes to the facial coverings worn by Venetians during their carnival, there are 7 different types of traditional masquerade masks. They include:
The Columbina is a type of mask that covers the wearer’s eyes, cheeks, and nose. They are often heavily decorated with jewels, feathers, intricate trim, and other adornment. Originally named after characters in Italian theatre, these types of masks are typically worn by women only.
The Bauta is an inherently masculine mask. The sharp edges and square jawline make it ideal for any traditionalist. Although Bautas adorned with intricate metalwork were worn at festive masquerade balls, plain versions of this mask also disguised the identity of Italian politicians during periods of voting or decision-making. It’s also surprisingly practical – the bottom of the mask points away from the wearer’s face so that his mouth is free to talk, drink, and eat.
The Volto is a mask that covers the wearers entire face. Worn by both men and women, the three-dimensional nature of the nose and mouth made it a surprisingly comfortable option. It’s also traditionally paired with a three-cornered hat. This style was incredibly popular at Carnival masquerades; it keeps the wearer’s identity completely hidden from others.
The Arlecchino is also known as the Harlequin mask. Incredibly colorful, these masks were often attached to large headpieces or elaborate collars. Their appearance is iconic, clown-like, and larger than life. Anyone who wore this mask played the part of the joker, and was expected to wear patched clothing that was adorned with bells.
– Dottore Peste
This instantly recognizable mask is a famous symbol of Venetian masquerades. This half-mask features eye-holes as well as a large, beak-like protrusion at the nose. It is also known as the “Plague Doctor” mask, as a French physician named Charles de Lorme wore this type of mask when treating plague patients in the 16thcentury. The exaggerated features make this design both surprising and unsettling.
A mask that is similar – although not identical – to the “Dottore Peste” mask is the Pulcinella. This type of mask is similar to the Columbina in the way that it only covers the wearer’s eyes. Attached is a slightly curved “beak” at the nose area. This mask is usually dark in color with very little adornment or decoration. Traditionally it is worn with loose-fitting black overalls.
The Pierrot is another full-coverage mask that is similar to the Arlecchino. This white, clown-like mask is representative of another character from Italian theatre. Because it is all-white in color, it is reminiscent of a traditional pantomime’s face.
Masquerades In Art
Masquerade balls are central figures in several different types of popular art. The most historic is William Shakespeare’s Romeo & Juliet, in which the title characters first cross paths at an Italian masquerade ball. They appear once again in a work by Edgar Allen Poe entitled “The Mask Of Red Death,” a haunting short story about a man that attends a masquerade ball. But perhaps the most popular cultural reference to masquerade masks is “The Phantom Of The Opera,” where the mysterious main character wears an iconic mask that covers half of his face.
Masquerades In The Modern Era
It’s easy to assume that masquerade balls have all but disappeared in the modern era. However, a closer look at contemporary events reveals that the influences of masquerades are alive and well.
Mardi Gras is a New Orleans tradition that takes place every spring before the Lenten season. A modern adaption of “Carnival,” masks are an important symbol of this event. Today, most people are unaware that Mardi Gras has religious origins, and use it as an excuse to gather, drink, and partake in general debauchery. Still, even these traditions aren’t a far cry from the ideals that Carnival was originally founded upon.
Save Venice Ball
Every year, members of the Manhattan elite assemble to attend a masquerade ball known as “Un Ballo in Maschera.” Hosted by Save Venice – an organization committed to preserving Venice’s artistic heritage – this social event is a tribute to elegant masquerade balls that were once held in the Italian city hundreds of years ago. Like most events of this caliber in New York City, there is a huge focus on fashion. It’s a night where actors, models, socialites, and other upper-crust society members wear designer dresses and pair them with gorgeous masquerade masks.
Throwing Your Own Masquerade Party
If you’re looking to throw a party that is unlike any other, consider hosting your very own masquerade ball. You are more than welcome to have a traditional theme that mirrors renaissance Italy, however there are plenty of ways to modernize this event as well. Holding a Roaring Twenties masquerade takes two exquisite time periods and brings them together flawlessly.
When it comes to attire, ditch silly costumes and opt instead for sharp suited looks and beautiful, glittering cocktail dresses. And instead of traditional masks, try a more modern take on this ritual. A contemporary mask that covers the lower-half of your face, for example, is exactly the opposite of a traditional masquerade mask – but still manages to reflect the beauty and elegance of the overall theme. A feathered headpiece is another way to bring traditional elements into a more modern overall look.
A Victorian Fancy Dress Ball: Popular Costumes of the Late 19th Century
The Kiss by Auguste Toulmouche, 1870.
During the Victorian era, fancy dress balls were one of the grandest and most fashionable ways for a society hostess to make her mark. These magnificent, costumed affairs were widely reported in 19th century newspapers, with a great deal of attention paid to who was wearing what. Guests dressed up as historical figures such as Marie Antoinette or Napoleon. They also wore more creative costumes—many of which were recommended in fancy dress advice manuals and costume books. In today’s article, we look at a few of these costumes and at some of the more famous Victorian fancy dress balls held at Brighton Pavilion, Warwick Castle, and Devonshire House.
In Brighton, the final week of the season was marked with a fancy dress ball held at the Pavilion. An article in the 1868 edition of the Kentish Gazette calls it a “gorgeous spectacle.” The belle of the ball was a woman dressed as “Starlight.” The article describes her costumes as:
“…a black tulle dress, gold starred, a necklace of star-set pearls, a coronet of the same gems, flowing hair, and black gloves.”
In addition to Starlight, the Brighton fancy dress ball of 1868 featured several “Watteau Shepherdesses,” many ladies in “Hungarian” costume, and a woman dressed as Titania from Shakespeare’s A Midsummer Night’s Dream. Of the more creative costumes, the Kentish Gazette reports two women dressed as “Winter” in gowns of “swan’s down flakes.” There was even a woman dressed as a telegraph—though her costume is not described.
1893 House of Worth 18th Century Revival-Style Fancy Dress Costume.
The men at the Brighton fancy dress ball wore, primarily, military uniforms. Among these, the Kentish Gazette states that “the Charleses and the Cavaliers” were well represented. In addition, several men came dressed as Mephistopheles and one came in the guise of a “Bedouin sheyk.” There were also assorted Zouaves, Highlanders, and even “a sprightly silken-clad Jester.”
By the 1880s the popularity of the fancy dress ball in Brighton was fading. At the close of the season in 1882 very few of the guests even bothered to come in costume, leading an 1882 edition of Truth to declare:
“…it becomes more apparent each season, here and everywhere else, that unless ordinary costumes are positively interdicted, it is no use to attempt fancy dress balls. ”
Our Imitative Aristocracy by Joseph Keppler, Puck, 1883.
(“Mrs. Knickerbocker Gives a Fancy Dress Ball, and, Following the Practice of the English Nobility Requests Her Guests to Appear in the Costumes Worn by Their Ancestors a Hundred Years Ago.”)
This may have been true for a short while, however, by the 1890s fancy dress balls were once again wildly popular. As author Herbert Norris explains in his 1933 book on Nineteenth-Century Costume and Fashion:
“Towards the end of the century there was a remarkable revival of interest in fancy dress balls. These picturesque functions were organized by the foremost hostesses of the nineties on an unprecedented scale of magnificence, and were attended by all the aristocracy.”
Of these, one of the most notable was the fancy dress ball given by Frances “Daisy” Grenville, Countess of Warwick, at Warwick Castle in 1895. This fancy dress ball featured costumes inspired by the reigns of Louis XV and XVI and, as Norris relates:
“The Countess herself appeared as Marie Antoinette in a dress of rose and gold with sky-blue velvet train powdered with gold fleurs-de-lis…”
Countess of Warwick as Marie Antoinette at the Devonshire House Ball in 1897.
(Photo by James Lafayette)
The Countess of Warwick would wear this same costume two years later at what was, perhaps, the most famous fancy dress ball of the Victorian era—the 1897 fancy dress ball at Devonshire House. The Devonshire House ball was held to celebrate Queen Victoria’s Diamond Jubilee. An 1897 edition of The Lady’s Realm calls it one of the “great fancy-dress balls” of the age. The Duchess of Devonshire herself dressed as Queen Elizabeth and, as for her illustrious guests, The Lady’s Realm reports:
“Lady de Grey was superb in an Eastern costume, Lady Warwick lovely as Marie Antoinette. Lady Dudley went as a Roman empress, and her beautiful jewels reset as a broad coronal across her brow. The Duchess of Sutherland, as Charlotte Corday, wore a comparatively simple costume, but none looked fairer than she, the simplicity of her dress only enhancing her grace and charm.”
Duke of Devonshire as an Ambassador from a Holbein Painting at the Devonshire House Ball, 1897.
(Photo by James Lafayette)
When it came to costumes for a Victorian fancy dress ball, the only limit was one’s budget and creativity—and, of course, the dictates of one’s host. Fancy dress balls where the guests were asked to appear in costumes worn by their ancestors or in costumes relating to a particular theme were very popular. The below photograph shows an Asian-themed fancy dress ball from 1886.
Photo of a Fancy Dress Ball in Coburg, Ontario by Harry Irwin, 1886.
Dressing up as an actual character from history—such as Louis XV, Queen Elizabeth I, or Charlotte Corday—was especially en vogue. As was dressing in a more generic historical fashion, such as costumes depicting a Roman woman or an “Eastern” woman in harem pants. The Turkish-style fancy dress costume shown below is a perfect example of this. Designed by the House of Worth in 1870, it is made of silk with an embroidered bodice.
1870 House of Worth Turkish Style Fancy Dress Costume.
As you may have noted from the descriptions of costumes at the Brighton fancy dress ball, not all costumes were as decadent as those worn by the Countess of Warwick. In addition to dressing as seasons such as winter, spring, and autumn, ladies expressed their creativity by dressing as fairies, comets, and butterflies. Some women attending fancy dress balls in the late 19th century even chose to come dressed as “Night.” Obviously, the interpretation of what “Night” looks like may vary, but in her 1881 book Characters Suitable for Fancy Costume Balls, Mme. Marie Schild gives two possible costumes.
Illustration from Characters Suitable for Fancy Dress Costume Balls, 1881.
Similarly, in his 1880 book Fancy Dresses Described, author Ardern Holt includes a lady’s costume for “Night.” He also suggests materials for costumes that are still popular today, including such Halloween favorites as witches and cats.
Illustrations from Fancy Dresses Described by Arden Holt, 1880.
Some of the costume ideas in Victorian era fancy dress books are quite whimsical. For example, Mme. Schild suggests a costume for a lady wishing to attend a fancy dress ball as an “Aquarium.” I found this particularly amusing in light of my recent article on the popularity of goldfish globes in the Victorian era (article HERE).
Illustration from Characters Suitable for Fancy Dress Costume Balls, 1881.
Men’s costumes could be just as creative—and as low budget. In his 1884 book, Male Character Costumes for Fancy Dress Balls and Private Theatricals, author Samuel Miller provides costume ideas for pirates, pioneers, and smugglers, as well as costumes for historical and literary figures such as Robin Hood, Robespierre, and the Three Musketeers. My favorite suggestion of all, however, is for a “Champagne Bottle.” Miller describes the costume as follows:
“CHAMPAGNE BOTTLE. Make a cap to simulate the cork of a champagne bottle, tied across to represent the wiring, and covered with gold foil; the nape of the neck should also be covered with gold foil, which can be done by lengthening the back piece of the cap and joining it to the robe. Wear a close-fitting black robe with the label of any champagne brand worked on the back and front.”
Illustration from Male Character Costumes for Fancy Dress Balls and Private Theatricals, 1881.
The fancy dress balls at Brighton Pavilion, Warwick Castle, and Devonshire House were not the only fancy dress balls of note during the Victorian era. When Prince Albert was alive, Queen Victoria herself held fancy dress balls at Buckingham Palace—including a “Juvenile” fancy dress ball in 1859 at which Princess Helena and Princess Louisa dressed as peasants and Prince Arthur and Prince Leopold dressed as the sons of Henry VI. There were also less prestigious fancy dress balls held at local assembly halls or at hospitals. An 1881 edition of the Illustrated London News even reports a fancy dress ball held at a lunatic asylum.
Brookwood Lunatic Asylum Fancy Dress Ball, Illustrated London News, 1842.
Clothed in fancy dress, a Victoria era party guest could pretend to be someone else. Costumes—especially those with masks—allowed their wearers to engage in flirtation, intrigue, and other brazen and risqué behaviors, the likes of which were generally frowned upon in polite society. With that in mind, it is easy to understand why so many in the Victorian era enjoyed attending a fancy dress ball—and why fancy dress balls continued to be popular well into the 20th century.
“Brighton Fancy Dress Ball.” Kentish Gazette. January 28, 1868.
“Fancy Dress Ball at Lunatic Asylum.” Illustrated London News. January 22, 1881.
Holt, Ardern. Fancy Dresses Described; or What to Wear at Fancy Dress Balls. London: Debenham & Freebody, 1880
Horn, Pamela. Pleasures and Pastimes in Victorian Britain. Amberley Publishing, 2013.
“Juvenile Ball at Buckingham Palace.” Belfast Morning News. April 14, 1859.
The Lady’s Realm. Vol. 2. London: Hutchinson and Co., 1897.
Male Character Costumes for Fancy Dress Balls and Private Theatricals. London: Samuel Miller, 1884.
Norris, Herbert. Nineteenth-Century Costume and Fashion. Vol. VI. Mineola: Dover Publications, 1933.
Schild, Mme. Marie. Characters Suitable for Fancy Costume Balls. London: Samuel Miller, 1881.
Truth. Vol. XI. London: Queen Street, 1882.
Vanity Fair. Vol. XXIII. London: Ranken and Co., 1880.
About Mimi Matthews
USA Today bestselling author Mimi Matthews writes both historical nonfiction and award-winning proper Victorian romances. Her novels have received starred reviews in Library Journal, Publishers Weekly, and Kirkus, and her articles have been featured on the Victorian Web, the Journal of Victorian Culture, and in syndication at BUST Magazine. In her other life, Mimi is an attorney. She resides in California with her family, which includes a retired Andalusian dressage horse, a Sheltie, and two Siamese cats.
What to Wear to a Masquerade Party – Essential Style Tips
Not sure what to wear to a masquerade party? Deciphering the dress code can certainly be challenge – particularly when you’re not sure how formal it’s going to be.
Fortunately, we’re on hand with all the masquerade ball costume ideas you need to put together the perfect masquerade outfit. Read on for advice!
How to dress for a masquerade ball
The beauty of a masquerade costume is that it’s a really easy one to put together as it only has two main components – a dress or tuxedo, and a mask.
The perfect fancy dress theme for lovers and haters of fancy dress, your costume can be as low-key or as extravagant as you like and if you’re not a particular fan of dressing up, you won’t look out of place if you don’t go all out.
Start with some black tie attire
Traditionally, masquerade balls were elegant and formal affairs so start your costume with whatever you’d normally wear to a black tie event – i.e. a ball gown for women or a tuxedo for men.
However, if you really want to get into the spirit of the event, you could go for a Renaissance-style masquerade dress or even this Satin Venetian hooded cloak for a truly mysterious look.
Of course, the dress code isn’t quite as stuffy these days as it was in the Renaissance period, so your dress can be shorter than the huge ball gowns the ladies used to wear.
Decide how extravagant you want to be
Once you’ve chosen the foundations for your masquerade costume, it’s time to decide how extravagant you want to be with your mask.
If you’re not really a fancy dress person and you want to dress fairly low-key, go for a mask like this that only covers your eyes. However, if you’re not one to shy away from standing out from the crowd, go for something a little more ostentatious!
From feathers, sequins and diamantes to all-out extravagant Colombia masks, there’s a mask for every look and absolutely anything goes. One traditional style is the zanni mask, a long-nosed jester’s mask where the length of nose indicates the wearer’s level of stupidity – choose whatever suits your style best and fits with how much you want to stand out!
Pick a mask that’s easy to wear
Our next important piece of advice for choosing a masquerade mask is to pick one that’s easy to wear. If you think it’s going to annoy you all night, or you think you’ll want to take it off as soon as you get to the party, pick a different one. The idea of a masquerade ball is to keep your identity concealed all night until the big reveal at the end of the party, so don’t ruin it by choosing a mask you won’t want to wear.
You’ll probably want to eat and drink during the party so if this is the case, go for a masquerade mask that only covers half of your face. That way you’ll keep your eyes and your identity concealed but you’ll be able to eat, drink and most importantly, talk!
If you’re worried about your mask spoiling your makeup, go for a masquerade mask on a stick that can be held up for photo opportunities but won’t touch your face. Eye masks with an elastic strap are easy to keep in place all night and if you don’t want to mess up your hair, go for a mask on a headband like this. Et voilà, your masquerade ball costume is complete!
We hope we’ve given you enough masquerade fancy dress ideas to make you the belle of the ball! Head over to Party Delights to choose your mask or stay on the blog for more New Year’s Eve ideas!
The real-life history behind Queen Victoria and Albert’s costume ball. ITV, PBS Masterpiece in the US, BBC First in Australia, TVNZ 1
In ITV’s Victoria we see the queen decide to throw a costume ball, inspired by her altruistic desire to help the failing Spitalfields silk industry (but also, admittedly, because it’s an excuse for a party).
But did this really happen or is the storyline invented?
Queen Victoria’s costume ball at Buckingham Palace
Just as we see in the drama, Queen Victoria DID decide to hold a ball. On 12 May 1842 at Buckingham Palace, over 2,000 people turned up for a great big party at a gathering called the Bal Costumé.
Victoria and Albert at the costume ball (ITV)
Prince Albert and Queen Victoria dressed as Edward III and his consort Queen Philippa of Hainault. The royal couple’s costumes were based on tomb effigies in Westminster Abbey, although their outfits were adapted to reflect the fashions of their own time. Other members of the Royal Household were also meant to take on the medieval theme, according to the Royal Collection.
And the costumes were, indeed, specifically intended to give work to the declining Spitalfields silk industry. The couple’s outfits were designed under the supervision of James Robinson Planché – an expert on historical costume – but created by the “genius and skill” of Mr Vouillon and his “expert and tasteful sister” Madame Laure (or that’s how the Illustrated London News reported it).
The ball was immortalised by the painter Sir Edwin Landseer, who painted a commemorative portrait. Here we see Prince Albert and Queen Victoria in the Throne Room, standing beneath a Gothic canopy decorated with a purple velvet cloth of estate. On it you can see the royal arms of Edward III. Albert is shown wearing the Sword of Offering from George IV’s coronation back in 1821.
Queen Victoria and Prince Albert at the Bal Costumé of 12 May 1842 by Landseer
Queen Victoria also drew her own little self-portrait in her diary before the ball, writing: “Went with Albert to look at the arrangement of the rooms for our great “Bal Costume“, — which were progressing well, but are far from being finished yet. Tried on my costume once more.”
And was Albert reluctant to host a costume ball? Absolutely not – in fact he was a driving force. He’d grown up in a court with a long tradition of fancy-dress parties, and the historian Ian Hunter has noted: “It was Albert’s influence that led to so much time and effort being spent not only on the ball itself but also in capturing the moment in the formal portrait. ”
This was only the first of three major costume balls. In 1845 the royal couple held a ball in Georgian dress, while in 1851 they went for the Restoration period.
90,000 Victorian Long Carnival Dress
With a black and white Victorian womens costume, transform into the elegant lady of yesteryear at the carnival and let your charm play at the next theme party in the 19th century.
The Victorian ladies dress from our webshop is a great piece that will instantly immerse you in the characteristic look of the 19th century. The upper part of the dress is elegantly designed in black and has a strict stand-up collar.The sleeves are puffy at the shoulders and convincing with black and white cuffs that match the skirt. Gorgeous ruffle appliques and gold buttons on the chest. The Victorian dress for women has a long zip at the back for easy donning and doffing.
The long skirt of a Victorian ladies dress strikes with black and white stripes – a real eye-catcher. The stylish big picture is stylishly rounded with extra wide ruffles at the hem and matching waist. Victorian clothing from our online store is perfect for anyone who loves time travel.
Cylinder and shoes not included in delivery.
Material: 100% polyester.
Scope of delivery: dress.
Sizes 36; 38; 40; 42-44; 44-46.
Shoulder width from seam to seam 38 cm;
Sleeve length 66 cm;
Bust 88 cm;
Waist 78 cm;
Length from shoulder seam 143 cm;
Optimal height from 170 cm.
Shoulder width from seam to seam 40 cm;
Sleeve length 69 cm;
Bust 96 cm;
Waist 86 cm;
Length from shoulder seam 144 cm;
Optimal height from 170 cm.
Shoulder width from seam to seam 42 cm;
Sleeve length 70 cm;
Bust 110 cm;
Waist 90 cm;
Length from shoulder seam 144 cm;
Optimal height from 170 cm.
Shoulder width from seam to seam 44 cm;
Sleeve length 71 cm;
Bust 120 cm;
Waist 96 cm;
Length from shoulder seam 144 cm;
Optimal height from 170 cm.
Shoulder width from seam to seam 46 cm;
Sleeve length 72 cm;
Bust 128 cm;
Waist 102 cm;
Length from shoulder seam 145 cm;
Optimal height from 170 cm.
ᗔWomen’s Prom Gothic, Victorian, Brocade Fancy Dress, Ball Gown, Halloween Vampire Costume
Caution: Make sure your measurements are barefoot.
Please leave us a message if you need a few inches in length to wear high heels. please do not measure the clothes we are waiting for underwear, we will take that into account.In order to make sure you get the perfect dress, it is recommended to supply us with other sizes if necessary, otherwise we will match.
1. We ship worldwide except APO or FPO. 2. Generally, we will ship the dress within 7 business days after you completed your order payment; If you made an order during Chinese festivals, or our busy season like the month before Halloween, it may take 5-15 days longer. Import duties, taxes and charges are not included in the item price or shipping charges.These charges are the buyer’s responsibility.
1. When you buy from us, we want you to be completely satisfied. For if there are quality problems, you can ask for an exchange or refund; Please state the reason for your return and provide as many details as possible, upload photos that clearly show the problem with the item (if applicable). 2. For the size of this issue, if the size of the dress was not in the specification as you ordered, you may choose to have it altered with a local tailor, in which case we will refund tailoring costs if the cost does not exceed the original price of the dress by 50% off.If the cost of tailoring exceeds the original cost of the dress by 50%, we will only refund up to 50% of the original cost of the dress. If the dress does not fit due to measurement errors, you will be responsible for all costs. Please note that we cannot process any products that are returned directly without any prior information to us. Before returning an item, you are encouraged to contact our after-sale customer service team and they will give you helpful advice.
It is important for us that our customers are satisfied. If you are satisfied with the items, please leave us a good rating. If you are not satisfied, please contact us before leaving any negative feedback. We can work together to resolve any dispute.
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90,000 romance of femininity and nobility – Fashion – Home
victirai “ or ” The Forsyte Saga “.But not only because we are fascinated by eternal stories of love, devotion, nobility and a sense of duty. There is another seemingly inconspicuous “highlight” in them: flowing fabrics, rustling crinolines, seductive but very elegant neckline, feminine corsets … What woman does not dream of trying on at least once all this splendor that appeared in Great Britain, and in all Europe along with the era of Queen Victoria?
Her beginning can also be considered the time of birth of a true English lady – the one that almost all women in the world strive to emulate.
Modesty and decency
Despite her high birth, the future Queen Victoria as a child was deprived of the luxury traditional for royal families. Her father unexpectedly passed away when the heiress to the throne was not even a year old, leaving behind nothing but debts.
The family lived in austerity for many years, and there was only one dress in the wardrobe of the future ruler of one of the world’s greatest empires. The new was made only when the girl grew out of the old.But no, even the most constrained, circumstances did not cancel the main postulate of high society: impeccability in appearance and manners.
Victoria forever learned the lessons she had learned as a child. And she considered women, who often change their clothes and jewelry, as frivolous spenders. Of course, when she ascended the throne, she dressed in luxurious attire and shone in the dazzling heirlooms of the British royal family, but this was only a tribute to prestige.
Restraint in clothing did not at all mean poor quality or unsuccessful style. After all, it is the British who own the famous phrase: “We are not rich enough to buy cheap things.”
In addition, no one and nothing can abolish youth, love and romance – and it was these feelings that permeated the so-called early Victorian era – the beginning of the reign of the queen, who was destined to rule Great Britain longer than all her predecessors and followers.
Charm of female weakness
So, Victoria, who took over the reins of Britain, is young, in love with her young husband and immensely happy. And the subjects cannot but feel this. The country is looking to the future and full of dreams and hopes. Naturally, the fashion of that time was focused on romance and youth.
Ladies’ toilets become emphatically feminine. The hourglass silhouette comes into fashion. Lush, intricate sleeves, a thin, wasp-like waist and a huge, long skirt that resembles a bell. Such an intricate design could hardly even be called a dress. It was even more difficult to ensure proper care of such a toilet. And it was very difficult to move in it.Not to mention the fact that not every woman painted this style. But the ladies, together with the skilled tailors, found a way out. The life of the dress (which, given the complexity of the execution, was not cheap) prolonged the good quality of the fabric and the restrained (read: non-marking) colors. And so that the image does not turn out to be depressingly dull, women of fashion refreshed it with snow-white collars and cuffs, skillfully complementing it with jewelry.
So that the style does not visually make the short woman even lower, high hairstyles came into fashion, and the corset, invented soon, was responsible for the thinness of the waist.
A fluffy and long skirt did not allow even thinking about a “flying” gait – only small, graceful steps could be made in it. But this complexity also turned out to be beneficial for women – charming helplessness in movements and manners literally drove men crazy, whose main virtue and duty at that time was to take care of and surround their fragile and helpless wives with maximum care. The payment for the wife’s wardrobe also fell on their shoulders.
By the way, during the reign of Victoria, men’s fashion has undergone minimal changes, remaining faithful to the severity of styles, coupled with maximum convenience – after all, a man led a much more active life than his beautiful and fragile half. The only test that brought together ladies and gentlemen for some time was a corset – according to secular decency, a man had to look athletic and fit, so this by nature and not always perfect figure also had to be corrected.The tuxedo, invented somewhat later (during the heyday of the Victorian era), greatly contributed to the elegance of the image.
Sip of Freedom
During the heyday of the Victorian era, Great Britain, along with all of Europe, took seven-league steps along the path of technological progress. And fashion also gradually became an industry. Village weavers, shoemakers and lone tailors were still in demand, moreover, their art was highly valued and considered almost elite, but clothes, shoes and accessories were already in full swing at factories. Their products were of high quality, looked quite decent, and at the same time cost much less than handmade items. Already many could afford fashionable updates.
The inevitable consequence of progress – emancipation – was already advancing on Europe, and even conservative British women could not help but succumb to its trends.
Of course, leaving the house without gloves even half a century later will be tantamount to appearing on the street naked, but the neckline, exposing the shoulders, is already firmly in fashion.For the British, who from time immemorial considered it the height of indecency even to bare their feelings, not to mention the body, such a fashionable trend was a very daring step.
High collars emphasized the proud posture of aristocrats, and a very deep cut on the chest was a great backdrop for luxurious necklaces.
The desire for special refinement and grace made the clerks of fashion tighten the woman in an even narrower and higher corset, which began under the bust and ended in the middle of the thigh.And the natural splendor of the hips, eliminated in this way, was compensated by a fashionable detail – a bustle, which was decorated with ribbons and fringes.
From the point of view of a modern person, it is at least illogical to first remove the natural splendor of forms in order to compensate for it in an artificial way using various tricks. However, fashion historians argue that in this way, in the fashion of the Victorian era, a harmony was achieved between feminine fragility and unapproachable pride – a magnificent cut helped the lady to keep a reasonable distance.
Flaunting wealth and success was still considered bad form. As well as using decorative cosmetics – in those days, only fallen women applied it to their faces.