Biggest Flagship in the World
Mall of Africa:
biggest flagship in the world
A birdseye view:
the impressive Mall of Africa
10th May, 2016
Last week saw the opening of our biggest flagship store in the world, with more than 100 thousand people through the mall on opening day.
The 2,623 square metre store is located in the Mall of Africa, in Waterfall, South Arica. Located between Johannesburg and Pretoria, the mall has been under construction for three years, taking 10 million bricks and 8,500 tonnes of steel to build.
South Africa is our fastest growing market globally and aims to double its business in the country over the next three years to 350 stores.
“Our South African operations have reported double-digit growth every month since opening our first store here in 2011. The region a key contributor to reaching our overall growth target of 20 percent year on year,” said Cotton On Group South Africa Country Manager, Johan van Wyk.
Africa Marketing Manager, Rob Hede said the store’s unique design was a great point of difference for the Group.
“The store expands on each brand’s latest store design, with it being one of the largest sites for Adults, BODY and Kids. Everything is blown out and scaled up, making the shopping experience really impressive. The permanent activation spaces like a kids play zone, DJ deck, pop-up record store and barber shop all increase dwell time.”
The store includes brands Cotton On, Cotton On KIDS, Cotton On Body, Rubi and Free, with factorie and Typo opening separate standalone stores in the mall.
The flagship is a standout in the mall of more than 300 shops, alongside other major international retailers such as Zara, H&M and Forever 21.
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Say it Creative lets you create custom gifts & personalize items. Typo is owned by Cotton On, which operates around 1200 stores across the world, including the US, South Africa, Germany, France, Greece, Singapore and Hong Kong, and of course Australia. Select Typo Socks, Mugs & Candles Deals. You can track the status of your order by logging into your account and click on my orders. Once you have selected the order that you wish to track you will be able to see if your order has been received by Mr Price Home, if it has been shipped to you and if it has arrived at the store of your choice. Shop hanging with my gnomies kids long sleeve t-shirts created by independent artists from around the globe. Buy custom mugs from South Africa’s favourite online mug shop. That is what makes a mug the perfect promotional item. Discover everything you need for camping, including hiking supplies, tents, coolers, sleeping bags, cots, survival & first aid, food processing, and more at Bass Pro Shops. 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Typo lands at Brisbane Airport
Get ready stationery and gift appreciators; Typo has opened its doors at Brisbane Airport!
Conveniently located at the Domestic Terminal (Central Area) next to Gate 25 on Level 2 and trading seven days a week, this is the first Typo store to open within an airport anywhere in the world.
Stocking essential travel items such as passport holders, travel wallets, neck pillows and luggage tags; as well as stationery, gifts, cards and artwork, Typo is a stationery store that allows people to define their unique space.
Expect tradition with a twist as Typo injects fashion into the classics. Whether stationery, artwork, cards or gifts, Typo offers irresistible products designed to inject personality in any space.
Brisbane Airport Corporation (BAC) General Manager Terminal Retail and Commercial, Andrew Brodie, said Typo was an exciting addition to the retail offering at Brisbane Airport’s Domestic Terminal.
“Typo is known for stocking fun, quirky and quality products that will keep both business and leisure travellers busy on flights. We’re pleased to be the first airport in the world to have a Typo store within our busy Domestic Terminal and we have no doubt it will be extremely popular with travellers,” Mr Brodie said.
Now the 10th store to open in Queensland, the Typo Brisbane Airport store will service the busy Domestic Terminal which saw more than 16 million passengers through its facilities last year.
Typo, on a global scale, has over 80 stores in Australia, New Zealand, USA, Malaysia, Singapore and South Africa.
Sometimes you need to create what you want to be part of, so be inspired and join the intelligent rebellion at Typo Brisbane Airport. Enjoy Typo in store or online at www.typoshop.com.au.
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Chateau Doyac and the Diversity of Terroir in the Haut-Medoc of Bordeaux
Aug 31, 2021
Photo: Château Doyac
In our continued exploration of the Médoc (which will culminate in
two free, live, online classes that I hope you’ll join or watch on
YouTube afterwards), on the Left Bank of Bordeaux, I spoke with
Astrid de Pourtalès, co-owner of Château Doyac. This
property is a Cru Bourgeois Supérieur located in the
northernmost part of the Haut-Médoc appellation that is unlike what
you think of when you consider this region. This show presents
a high level overview of a different part of the Médoc (versus
Meyney, where Anne Le Naour gives a very detailed view of
St-Estèphe) and a nice view of what a family owned château is
like in the region.
Astrid de Pourtalès owns the château with her husband Max and
her daughter Clémance. She discusses her experiences in being
fairly new to Bordeaux after a career in the New York theater scene
(they bought Château Doyac in 1998) and the bold move that Max
made to transition Doyac to an ECOCERT certified organic vineyard
in 2018 and then a Demeter certified biodynamic vineyard in 2019
(this is no small feat in Bordeaux, which has an erratic climate,
we don’t go into extensive detail but it is an interesting contrast
to the show with Sofía
Araya of Veramonte in Chile who discusses biodynamics in that
easier to farm area).
Astrid tells us how they came to buy the château, the measures
they took to improve it (including hiring famed consultant
Eric Boissenot, who consults for the majority of the Grands
Crus Classé in the Médoc), and the role her daughter, Clémance, an
agronomist, will take in the future to run things for this small,
high quality property that makes about 100,000 bottles/8,300
We discuss a number of high-level topics:
- What it is like in the very northern part of the Haut-Médoc
where the effects of the Atlantic and Gironde are stronger and the
soil has a big proportion of limestone (Doyac’s Sauvignon Blanc is
on my list to try – apparently it is reminiscent of Chablis – not a
typo she says it’s like a minerally Chardonnay!).
- We talk about the reasons Max pursued the organic and
biodynamic paths for Château Doyac and the results: better, easier
to work soils, and much improved vines and wines that demonstrate
elegance, acidity, and pure fruit character (right now the mix is
Merlot with Cabernet Sauvignon but in the future about 20% will be
Cabernet Franc, with 70% Merlot and 10% Cabernet Sauvignon.
Cabernet Franc is their most recent planting — it does well on the
limestone clay soils here).
- Astrid discusses their second wine, Espirit de Doyac and their
newest wines in Le Pelican line.
from Les Grappes: Astrid and Max de Pourtalès
Astrid mentions a few chateaux in the conversation. Here are
links that will be helpful if you missed anything in the
- Chateau de
Malleret, Haut-Medoc, France – the chateau Max’s father in law
owned (Holy COW this is a huge château and gorgeous!)
Thanks for our sponsors this week:
Access: Access to the best wines for the best prices!
For 15% off your next order, go to www.wineaccess.com/normal
To become a member of Patreon
go to www. patreon.com/winefornormalpeople
To register for an AWESOME, LIVE WFNP class with
Elizabeth go to: www.winefornormalpeople.com/classes
Johnson & Johnson HIV vaccine trial fails mid-stage study
In yet another setback in the decadeslong scientific quest for an HIV vaccine, a Johnson & Johnson HIV vaccine candidate failed to reduce the risk of infection in a clinical trial among women in southern Africa. The would-be vaccine uses the same underlying technology used successfully for COVID-19 and Ebola viruses, but this recent high-profile failure is another example of immense challenge of creating a vaccine against HIV.
The trial, called Imbokodo, was co-sponsored by the Bill & Melinda Gates Foundation and the U.S. National Institutes of Health. It included more than 2,600 women living in five African countries where women and girls have a high risk of HIV infection.
The vaccine was safe, researchers said, but ultimately, efficacy was only 25% — meaning people who received the vaccine had a slightly smaller risk of developing HIV, but the difference was so slight that the result might be chalked up to random chance.
Prominent scientists, including Dr. Anthony Fauci, have been searching for an effective HIV vaccine since the virus, which attacks the immune system and leads to a disease called AIDS if left untreated, was first identified in the 1980s. Today, nearly 38 million people are living with HIV worldwide. Although effective treatments can now help people infected with HIV live long and healthy lives, there is still no vaccine that can prevent infection.
Still, scientists say they aren’t giving up.
“The development of a safe and effective vaccine to prevent HIV infection has proven to be a formidable scientific challenge,” Fauci said in prepared remarks. “Although this is certainly not the study outcome for which we had hoped, we must apply the knowledge learned from the Imbokodo trial and continue our efforts to find a vaccine that will be protective against HIV.”
“The challenges associated with the development of an HIV vaccine are unprecedented in the history of vaccinology. After 40 years of global efforts, we still do not have an HIV vaccine,” said Dr. Dan Barouch, director of the Center for Virology and Vaccine Research at Beth Israel Deaconess Medical Center.
“This trial was not a home run but hopefully will guide the HIV field moving forward,” said Barouch, whose laboratory contributed significantly to the initial development of the investigational vaccine.
Despite the setback, the Imbokodo trial showed the vaccine was safe among people who received it — a hopeful sign. Imbokodo means “rock” in the South African language isiZulu, referring to a proverb about women’s strength and community.
“We are extremely grateful to the women who volunteered for the Imbokodo study, and to our partners, including the people on the front lines, all of whom are contributing every day to this enduring quest to make HIV history.” Dr. Paul Stoffels, vice chairman of the executive committee and chief scientific officer at Johnson & Johnson, said in prepared remarks.
The Johnson & Johnson HIV vaccine uses the same underlying “viral vector” technology used in its current COVID-19 vaccine. Scientists say the recent failure has no bearing on the technology itself, which has been used successfully for other viruses, including Ebola and SARS-CoV-2, the virus that causes COVID-19. Rather, HIV itself is a unique virus. It evades the body’s immune system, making it very difficult to create a vaccine that generates immunity against infection.
HIV activists and scientists alike say this result shouldn’t slow down other efforts to find an effective HIV vaccine.
“It is very disappointing that this particular vaccine candidate did not work in this trial, but the trial was well-conducted and got an answer quickly. HIV remains a global threat, and a safe, efficacious and accessible HIV vaccine is still needed to contribute towards curbing new infections and providing a durable end to the pandemic,” Mitchell Warren, executive director of HIV prevention advocacy organization AVAC, said in prepared remarks.
Another late-stage trial called Mosaico, which uses a slightly different vaccine approach and is being tested among men who have sex with men and transgender people in Europe and North America, will continue. Another study called PrEPVacc is combining HIV vaccine candidates with a once-daily pill called PrEP, which reduces the risk of HIV infection. Meanwhile, Moderna has said it will begin early-stage clinical trials of its own HIV vaccine candidate, which uses its mRNA technology, this year.
“This is in no way the end of the search for an HIV vaccine,” Warren said.
Copyright © 2021 ABC News Internet Ventures.
90,000 Riots, looting and chaos in South Africa. What are the reasons and will the army help?
Photo author, EPA
A wave of riots and robberies began in the provinces of KwaZulu-Natal and Gauteng
Tens of thousands of soldiers will be sent to different parts of South Africa to stop the mass robberies and riots . .. President Cyril Ramaphosa said the country had not seen anything like this since the protests in the 1990s, when apartheid ended.
Riots erupted following the imprisonment of former President Jacob Zuma. However, the reasons for what is happening are not only political, but also class. South Africa has a strong stratification between the very rich and the very poor.
What’s going on in South Africa?
Photo author, Getty Images
Stores and businesses looted by looters
Last week, unrest broke out in South Africa after former President Jacob Zuma was sent to prison.His supporters took to the streets to protest a court ruling that sentenced Zuma to 15 months in prison after failing to attend a hearing on a corruption case he is accused of. Zuma denies all charges.
His supporters demanded the release of their 79-year-old political leader and began by blocking the main roads – the country’s economic arteries – in Zuma’s home province of KwaZulu-Natal.
But political demonstrations quickly escalated into looting and looting, which then spread to Gauteng province.
Photo author, Getty Images
Riots began after the arrest of former South African President Jacob Zuma
Tens of thousands of factories and warehouses in cities and towns were looted. People lined up in long lines at stores and gas stations to buy basic necessities and fuel.
About 200 shopping centers were set on fire and their goods were stolen. A BBC film crew filmed the moment when a desperate mother was forced to throw her baby from the balcony of a burning shopping center in Durban.Fortunately, both were unharmed.
The moment when a mother throws a two-month-old baby out of a burning shopping center to save him
The death toll at the moment is 72 people. Dozens of people died in a stampede in the city of Soweto.
Fearing that violence could spill over to other provinces, the government announced an increase in army units sent to unrest-affected regions to 25,000 – ten times more than originally thought – to help restore order. It is the largest military deployment since the end of the rule of the white minority in South Africa.
As a result of the riots, 1,700 people were detained.
Photo author, Reuters
Shopping centers began to burn and rob looters
What are the political reasons for the protest?
Photo by Reuters
In some provinces of South Africa, sheer chaos reigns
According to the BBC Africa Service editor Nick Ericsson, chronic unemployment and social division in South Africa add fuel to the flames of anarchy.And he was fueled by a power struggle in the ANC and an attempt to force Ramaphosa to step down.
Within the party, there are two opposing forces – one led by incumbent President Ramaphosa, whose supporters are slowly rebuilding state institutions after a decade of corruption and looting under Zuma.
Photo author, Getty Images
The current president of South Africa, Cyril Ramaphosa, admitted that the poverty situation is critical
Another group sympathizes with the former president and wants Ramaphosa to step down.
However, Ericsson considers it unlikely that the ANC will split in two. He says that only the ruling ANC has access to tenders and financial kickbacks from doing business with the state. Those who oppose the current leadership know this and understand that the opposition party will not have such an opportunity.
But the real battle will be over who gets control of the ANC, and the question will be what happens to the recent anti-corruption, mismanagement and lack of accountability efforts if the faction that backs Zuma returns power.
Photo by Getty Images
Smoke rises from a burning building in Umhlanga, north of Durban
More than politics?
For many years, discontent grew in South Africa, which manifested itself in constant, but small protests about the ineffectiveness of the government.
People say that after nearly 30 years of ANC rule, the party has failed to deliver on its promise of a “better life for all” – jobs are scarce, electricity and water supplies are unstable, and the health and education system is poor.
According to BBC Africa Service correspondent Farouk Chotia, low incomes and unemployment – 32.6% among adults and 46.3% among young people – are time bombs.
The Zulu king – the main mouthpiece of power in the province of KwaZulu-Natal – said he understood the popular depression caused by poverty and unemployment, which led to chaos, but called for an end to the unrest that “dishonored the country.”
In a statement this week, Ramaphosa said the authorities need to tackle “deep levels of unemployment and poverty.”
Photo by Getty Images
Many shops had to close for security reasons, people lost their jobs
What will be the long-term consequences of the protests?
The situation in KwaZulu-Natal and Gauteng will remain very serious even if the looting stops.
Supply chains have been disrupted, the port has been hacked, many small businesses have gone bankrupt, and people have lost their jobs.
Shopping malls, which are ubiquitous in South Africa, have been looted, gasoline is issued on cards, and vaccination centers have been destroyed – just as coronavirus vaccination in the country began to gain momentum.
In the provinces, fearing marauders, people began to barricade themselves, setting up checkpoints on their own, and winding barbed wire around the border passages through which marauders could pass.
In some provinces visited by BBC correspondents, there is almost no police force, and even if there is, no one relies on it. In areas essentially left to fend for themselves by the authorities, residents survive as best they can, fighting marauders and helping the elderly and children get food.
The situation is complicated by the fact that young people who have no work and who know that the police do not care about them continue to engage in robberies.
Photo author, Getty Images
25 thousand soldiers must help end the riots and looting in the provinces of South Africa
Residents of wealthier areas also do not expect help from the government. They use the WhatsApp messenger to form groups, where they negotiate the construction of roadblocks where cars are searched for stolen goods.People clean the streets themselves and take care of the elderly and children.
Obviously, much of what happened in the past week has little to do with the imprisonment of the former president.
Many experts say that the reasons for the protests and robberies go back far into the past – in decades of corruption and incapacity of the government. And now, according to a BBC journalist, the tragedy is that young, frustrated, unemployed and hopeless people have become pawns in the hands of those who want to regain power.
HP News Ideal printer for printing on the go
Moscow, Russia, July 1, 2005 – HP (NYSE, Nasdaq: HPQ) today announced the new HP Photosmart 335 compact photo printer. New model weighing less than 1, 4 kg, allows you to print the highest quality photos literally everywhere. With a large number of interfaces, it is ideal for printing photos right on the beach or at home.
The latest addition to HP’s popular line of portable photo printers, the HP Photosmart 335 Compact Photo Printer is designed for maximum mobility and convenience.The printer has five memory card slots that support all common formats  and a front USB port for connecting PictBridge cameras and most USB flash drives. This makes it ideal for situations where you want to print a shot or movie you just captured. And with the optional Bluetooth adapter 2 , you can print images directly from Bluetooth-enabled phones and PDAs.
The HP Photosmart 335 Compact Photo Printer uses standard power supplies and is ideal for travel.For maximum mobility, you can purchase a battery that lasts up to 75 photos on a single charge. In addition, a dedicated carrying case for the printer and a car power adapter are available. Additional accessories include the HP Photosmart Car Adapter, which charges the optional battery in your vehicle, and HP inkjet cartridges and paper.
The printer has a user-friendly interface and a 3.8 cm LCD screen for viewing photos.You can also print 9-frame video storyboards. The delete button allows you to free up space on memory cards, and HP Real Life technologies – perform image processing (remove red eyes and lighten dark areas of images) without a computer.
At home, you can use the HP Image Zone Pack to process, organize, and archive photos on your computer.
Printer uses HP 135 or 134 Tri-color Inkjet Print Cartridge with HP Vivera Multi-generation Vibrant Ink 3 .For professional black and white photos such as landscapes and architecture, you can install the optional HP 100 Gray Inkjet Print Cartridge in your printer. Novice photographers will appreciate the HP Photo Kits for cost-effective low-volume printing.
On HP Premium Plus Photo Papers, specially designed for use with HP inkjet printers and cartridges, you can print 10 x 30 cm panoramic photos and 10 x 15 cm photos in just 60 seconds.
The HP Photosmart 335 will ship in August 2005 with a suggested retail price of $ 175 (actual prices may vary).
 Memory card slot compatible with CompactFlash, IBM Microdrive, Memory Stick ® , Memory Stick Duo ® (with adapter), Mini SD (with adapter), Secure Digital / MultiMedia and XD-Picture Card TM .
2 Wireless printing requires the optional HP bt300 / 400 Bluetooth Wireless Print Adapter (sold separately).
3 Testing by Wilhelm Imaging Research, photos printed with HP 135/134 Tri-color Inkjet Print Cartridges on HP Premium Plus Photo Paper HP Photosmart 325 printers or equivalent HP 3-color Inkjet printers have a 82-year fade-resistance … For a detailed description of testing and factors affecting its results, see http://hp.com/go/premiumplusphoto and http://www.wilhelm-research.com
Printer ships with the following cartridge:
The following cartridges are compatible with the printer:
HP 134 14 ml Tri-color Inkjet Print Cartridge (C9363HE). Resource – 160 photos, 10 x 15 cm.
15 ml HP 100 Gray Photo Cartridge (C9368AE). Resource – 80 photos 10 x 15 cm.
HP Waterproof 10 x 15 cm glossy photo paper with cut-off tab, 60 sheets (C7894A)
- Premium quality photo paper
High quality glossy photo paper fade 10 x 15 cm borderless, 60 sheets (Q1980A)
HP Premium Glossy 10 x 15 cm borderless, 20 sheets (Q2503A)
HP Premium Glossy 10 x 30 cm No margins, 20 sheets (Q6573A)
HP is a global provider of key technologies for businesses and end users. The company provides IT infrastructure solutions, global services, personal computer systems for large enterprises, small and medium-sized businesses and consumers, as well as printing devices and image output. For the last 4 quarters, which ended on April 30, 2005, HP generated $ 83.3 billion in revenue.
For more information on HP, visit www.hp.com
This press release contains forward-looking assumptions and statements that are subject to risks and uncertainties.All statements other than past events are to be regarded as forward-looking statements. Risks and uncertainties include the possibility that the actual market performance of certain goods and services may differ from those predicted, deviations in the development schedules and characteristics of these goods and services from those planned, as well as other risks mentioned from time to time in HP reports to the US Securities Commission (SEC). ), including but not limited to HP’s 10K Annual Report for the fiscal year ended October 31, 2002. filed with the US Securities Commission on January 21, 2003, and subsequent reports. If any of these risks or uncertainties are justified, or if assumptions are proved incorrect, HP’s results of operations could differ materially from the expectations set forth in the forward-looking statements. HP assumes no obligation to correct forward-looking statements.
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Ordering, unsubscribing and random typos
Well, another week has passed and we are in a hurry to please you with the fifth issue of Mobile Mondays! This time we’ll show you how to sort applications on your phone by folders, how to clean up unnecessary files and important documents, and how to unsubscribe.
iPhone Tip. How do I create folders?
We were surprised to learn that many smartphone and tablet users do not know how to create folders with applications. As a result, hundreds of applications are scattered across dozens of screens, so finding something quickly becomes simply unrealistic. As if your belongings were evenly scattered across different parts of the room instead of being stacked in a closet on different shelves depending on the purpose.
It’s time to correct the annoying oversight and start the constant heading of mobile education. So, how to create folders on iOS, and what to do with them then:
- Touch and hold any application icon on the Home screen until it wiggles.
- Drag it over another application that you also want to add to the folder.
- After adding all the applications you want, tap the folder name to change it.
- If you want to move a folder to another screen, tap and hold it until it starts swinging, then drag the folder to the screen you want.
If you have created a folder, for example, with instant messengers, there is no need to be afraid that some message will go unnoticed – the folder “shows” all push notifications and notifications of applications inside it. Like this:
Let’s add another little life hack on our own: you can change the name of a folder not only by clicking on it, but also using 3D Touch on the folder itself. 🙂
Android tip. How do I create folders?
Here, too, everything is pretty simple. If you want to create a folder on Android, follow this instruction:
- Press and hold the desired icon until it “bounces” under your finger.
- Drag it over another icon and hold it until a folder appears.
- To rename a folder, touch its name.
Folders on Android, just like folders on iOS, display all alerts and notifications that come to applications inside.
ABBYY advice. How do I unsubscribe in apps?
Users often do not want to activate a subscription in applications, because they cannot figure out how to cancel it (yes, it happens). We will help you understand the complex rules of mobile stores using the instructions for disabling a subscription using the example of FineScanner.
There are two ways to turn off auto-renewing subscriptions – from your smartphone and from your computer. Let’s talk about the first method, from an Android smartphone:
- Launch the Google Play Market application.
- Click on the “Menu” button in the upper left corner and select “Account”.
- In the Subscriptions section, find the application you want.
- Click on the “Cancel” button and confirm the cancellation by clicking on “Unsubscribe”.
- That’s it!
Unsubscribe from iOS smartphone:
- Go to the App Store application in the “Updates” section and click on the account icon (blue silhouette or your photo in a circle in the upper right corner).Log in to your account.
- Click on “Subscriptions”.
- Find the subscription we need and cancel it.
Detailed instructions can be found here.
Method number two – cancellation of the subscription from the computer.
- Go to play.google.com/store/account.
- Scroll down to the Subscriptions section.
- Select the desired subscription and click “Unsubscribe” on the right side of the row.
Detailed instructions here.
- Open iTunes on your computer.
- If you’re not signed in, sign in with your Apple ID. If your Mac has a Touch ID sensor, you can use it to sign in when prompted to authorize.
- From the menu bar at the top of your computer screen or iTunes window, choose Account -> View My Account.
- Enter your password or tap Touch ID, then press Enter or click View.
- Scroll down to the Settings section, click the Manage link to the right of the Subscriptions option.
- You can select one of the subscription options or click the unsubscribe button to unsubscribe. If you cancel your subscription, it will expire at the end of the paid period.
Detailed instructions are available here.
IMPORTANT! Uninstalling the app does not automatically end the subscription . To end your subscription, you need to cancel it in your account.If you uninstall the app but do not cancel your subscription, you will still be charged. This is how Google Play and the App Store work.
App of the week. Clean Master – Free up space on your phone
Clean Master is an application for cleaning your smartphone from unnecessary things. You will be able to clear the program cache, uninstall applications and clear the search history from your phone. You can also stop running tasks, free up RAM to speed up your smartphone, and extend battery life without granting superuser rights.
Among the tools built into the application, there is a task manager that relieves the smartphone of background processes that slow down the device. Another very useful tool is the residual files collector. It allows you to free up additional space by erasing files left over from remote applications.
Clean Master is only available on Android, but here’s a great counterpart for iOS.
First hand. Advice from a colleague
Author of the rubric Mikhail Shubin, head of the marketing and sales group
Imagine a situation: you have prepared a layout of a leaflet, checked everything a hundred times, and send a print run of 100 thousand copies.copies. And … suddenly you realize that in the title, in the most conspicuous place … a letter is missing! Shock, horror, tears!
One of the reasons for the popularity of these kinds of errors is that when we read the text, our brain “thinks out” it a little, relying on the context. If a letter is missing somewhere, it is likely that we will feel that everything is in order (until we send the circulation to print, haha).
The recipe is simple: to get rid of the context, that is, to make sure that the words do not add up to some definite thought.To do this, as a rule, it is enough just to take and read the text one word at a time from the end, that is, backwards. With this way of reading, the brain sees each word separately, and it is much easier to find a typo.
If the circulation is very large and important, then you can use an additional tool – copy the text into a separate document, change the formatting of the text (for example, align to the center) and print. A different format of the text, as well as reading from paper, will help to “rebuild” the brain a little in order to start noticing mistakes in the text.
And of course, read the text again from the end and ask a colleague to do the same. “Measure seven times and cut once” – golden words!
That’s all, folks! See you next Monday! P.S Previous issue is here.
90,000 BOOK NEWS, JUNE 2021
Do not be afraid of anything
“Don’t be afraid! The Big Book of Fear is Not Just for Little Cowards ”
An interactive book on fear for little cowards and big brave men. A VERY great book! You can read it from the beginning, from the end or from the middle – the order is not important. Fear is simply an integral part of our life.
Has it ever occurred to you that you don’t need to be afraid of fear?
Do you know what happens to your brain when you’re scared?
Are there people who are never afraid?
Can Fear Be Abused?
Do you know that elephants are afraid of mice, and sharks are afraid of dolphins?
Look at fear from different angles. Think of it as anxiety, panic, phobia, but don’t forget about courage.Boy Martin will help you in this, who lives a lot of adventures with fear. Some of them will surely make you cry. Those who are afraid of wolves can safely go to the forest. But it will be easier for someone who learns to recognize his fear, call it by name and understand where it came from ..
Mice, bullets and dogs
Kik is terribly afraid for his dad: he is a doctor, and he is now far away, where the war is going on, saving lives. But his life is also in danger: he can get sick, get into an accident. And although he does not participate in battles, there are also stray bullets. And although, as Mom says, the likelihood that something will happen to them is extremely small, Kik wants to make her even less. She comes up with her own formula for calculating probabilities, it remains only to apply it in practice … The story of the Dutch writer Marjolaine Hof about the fear of a little girl of losing her father and attempts to overcome this fear was translated into 15 languages, was awarded prestigious awards: the Dutch Golden Pen and the Belgian Golden Owl “(In the nomination” Literature for Children “and the reader’s sympathy award)
Paris, 1830s.Nine-year-old Sophie lives in poverty with her seriously ill mother. Somehow they are interrupted by sewing underwear to order. One day, to help her mother, Sophie undertakes to carry the sewn shirts to a wealthy area of Paris. So she gets to the house of the famous ballerina Celine Varens. Becoming a pupil of a ballerina, Sophie gets to know her entourage: the old aristocrat and revolutionary Citizen Marquis and the slave boy Toussaint, brought from the colonies. And Sophie also becomes a nanny and guardian angel for her little daughter Celine, the heroine of an adventure that we will follow with bated breath.
The French Nanny is a novel by the famous Italian writer Bianca Pitzorno, delicately woven into the canvas of Jane Eyre and written in the best traditions of the classic novel, full of original references to the works of culture and art of the 19th century.
Time to sleep, but you can’t sleep? Then count the sheep jumping over the fence! Count, count, or the top will bite the barrel!
Someone, you! Or a lamb . .. Oh, they staged a battle! Who will win – the wolves or the sheep?
And if you have a good laugh before going to bed, will you be able to fall asleep? So check it out with the new book “Bayu-bye!” Victoria Spiryagina!
In human clothes
“Dressed as a Man” is a story about a pelican who dreamed of becoming a man.The boy Emil reveals to him the strange world of human beings living in a big city.
The collection also includes the story “The Sphinx or the Robot” – a book whose chapters can be read in any order. And yet this is a completely coherent story of the girl Lydia, who lives in a world where the laws of physics stretch and turn inside out, creating a parallel reality. Strange things happen there, but Lydia treats them with childlike spontaneity and openness – and the reader, together with her, opens the world and looks for answers to questions.
The story of a little uncle
“ The Story of a Little Uncle ” – a fairy tale parable by Barbro Lindgren with illustrations by Eva Erickson. Two classics of Swedish children’s literature told a story for children and adults about the loneliness and warmth of live communication, about the fact that sometimes it is enough just to invite another into your world for life to find joy and meaning.
The story was written in 1979; in the illustrations by Eva Erickson, the little uncle has become especially loved by readers since 2010.And we met this book at the Frankfurt fair and could not help but publish it, it is so sincere and light. Do you want her story to help the little ones talk about affection and jealousy? Do you want the book to give an incredible feeling of compassion and sympathy for lonely elderly people, or do you want it – it will just be a simple light fairy tale with delightful Scandinavian cozy pictures.
A misfortune happened to Pulik – he left the owner.Yes, that’s right, I ran to check the trash heaps, and when I returned, that one was gone. The search for the lost owner leads Pulik to an unusual place, a canine commune, which found refuge in an abandoned train on the siding of a small suburban station. There is everything you need for life, but most importantly, here Pulik finds friends.
French illustrator Claire Lebourg transforms the story of an abandoned dog into a happy fairy tale with wonderful humor, but after reading it I want to take care of pets and stray animals even more.
Delightful watercolor illustrations create a cozy world of dogs (and one cat). The story of Pulik most of all resembles a touching full-length cartoon, which you will certainly want to watch (that is, reread) many times.
Bertik and chmukh
Looks like nine-year-old Bertik will have a disgusting summer. Recently, everything has not gone well: mom and dad have divorced, mom loves Richard, who looks terribly like a hippopotamus, and even summer holidays have to be spent at Richard’s rotten dacha with unfamiliar children.Bertik and Chmukh is a therapeutic reading not only for children and adolescents who find it difficult to come to terms with the changes in their lives, but also for sad and angry adults who need help and support. The Czech writer Petra Soukupova, laureate of literary prizes, readers of “Samokat” know from the children’s detective story “Who Killed Snowball?”
Oscar the Mole is a chef, but all his life he dreamed of becoming a private investigator.He already knows how to find the right path in the pitch darkness and knows that the key to the solution is the ability to notice important little things …. Here are just a case for which he could take up, sorely lacking!
And then a whole squirrel suddenly disappeared!
Isn’t this a great excuse to prove yourself in action?
Every year, with the approaching cold weather, thousands of swallows gather on the road.Birds nesting in Europe fly to winter in Africa, in warm regions. Together with a swallow, hatched in the spring under the roof of a farm in Ireland, we made an autumn flight across the seas, mountains, desert and rainforests to the southern tip of the African continent, and returned to Europe the following spring – an exciting, dangerous and full of discovery adventure.
90,000 Yesterday and Today – Session Magazine
Leontina Sagan has directed three films in twenty years; one, the first, entered the history of world cinema.Girls in Uniform, 1931. Created at the end of the era, in the last breath of the Weimar Republic, this film briefly and brightly flashed on world screens – and glimmered in the scissors of the censors; sent by the Nazis to the furnace of degenerate art, returned among the other ghosts of the great German cinema when Siegfried Krakauer and Lotte Eisner began to dig it out of ashes and ashes; and then, some forty years after its creation, it experienced a rebirth and became a cult. Feminist reflection highlighted lesbian love as a protest: women who love women breathe freedom on the screen.Leontine Sagan was on the “lists of women filmmakers” (next door to Lois Weber, Alice Guy-Blache and Ida Lupino), “Girls in Uniform” – in the programs of thematic festivals. The immutability of the cult status, coupled with the socio-political engagement of contemporaries, right-wing whistleblowers, left-wing historians, feminists and lesbian cinephiles of the end of the century, covered the film with a multi-layered cap of contexts, under which the text remained – and remains – a matter of secondary importance.
Girls in uniform.Dir. Leontina Sagan, 1931
And Leontina Sagan directed one cult film and returned to where she came from. To the theatre.
One of the best sound films of one of the best cinematographies in the world, shot by a woman who thought of the theater. “Girls in Uniform” is just a screen version of her sensational performance.
One of the main protest films of the Weimar Republic on the eve of the Nazi victory was filmed by a native of Austria-Hungary who came to Berlin from South Africa.Jewish.
And one more thing: lesbians are right. Desire, naked and intolerant of objections, once arising, turns out to be valuable in itself and goes beyond all boundaries. One of the most obscene and erotic shots in the history of cinema – Manuela’s look at Fraulein von Bernburg – is shot in a super close-up.
Making her first and last protest film, Leontina Sagan discovers that there is nothing more bourgeois and authoritarian than the frame of the shot.
● ● ●
About the borders of Leontine Schlesinger understood from her youth.While crossing continents, repeating the bizarre trajectory between Vienna and Pretoria, which connected her parents: her mother belonged to the Viennese Jewish bourgeoisie, and her father developed diamond mines in South Africa. While studying at a German Christian school for girls in an English-speaking colonial country, a stranger among strangers. While she was growing up as a foreigner, she was destined to survive both of her homelands on the way.
She was born in Budapest on February 13, 1889.
When the ruins of the First World War are divided by the border between Budapest and Vienna, and Austria-Hungary turns into the myth of the history lost by Europe, Leontina Schlesinger will long be named on the posters of German theaters Leontina Sagan.Germany, in which she will live a little over twenty years, she will leave in 1932: Alexander and Zoltan Korda will invite her to London to shoot “People of Tomorrow”. In the mid-thirties, David O. Selznick would call her to Hollywood. She, of course, will go to America, why not – to work and see the country. To return to England on the eve of the war and stage musicals: Ivor Novello would simply send her a telegram. “Children in Uniform”, an English adaptation of the play “Yesterday and Today,” Sagan and his girls will take to Australia and South Africa on tour.
She will be grafted from myths. Tomorrow Austria-Hungary will disappear, and the day after tomorrow colonial dreams and feverish dreams of escape will spawn the promised lands, on the maps of which one-way roads will be drawn.
Today, a Jewish woman from Budapest, having taken shorthand and typing lessons, works as a secretary at the Austro-Hungarian consulate in Pretoria and is waiting to come of age to go to Berlin for Max Reinhardt’s courses.
● ● ●
Sagan knew that it was imperative to learn from Reinhardt ever since she saw Nochlezhka at the Maly Theater, when she was still a schoolgirl, on one of her European trips.And everything is going as well as possible. Having passed the Reinhardt school, she performs on stages in Bohemia, Dresden, Vienna. He teaches in a theater studio and puts on his own performances. Works in theaters in Frankfurt. Returns to Berlin. And soon he puts on there “Yesterday and Today”, his main performance, based on the play of the same name by Christa Winslow. When producer Karl Fröhlich proposes to transfer the performance to the screen, Leontine Sagan is in her early forties.
Leontina Sagan and Alexander Moissi in Henry IV.Dir. Hans Peppler, 1925
It has already been written about all kinds of disagreements between Sagan and Froelich on the set of Girls in Uniform (see Andrei Andreev’s article “Girls of Tomorrow”). A resonant and daring production based on Winslow’s autobiographical play on the theme of female emancipation and lesbian relationships as its extreme manifestation, created in the sexual capital of the world, in an atmosphere of rapture with freedom and universal promising emancipation, undergoes all kinds of changes that smooth out the rough edges.Even the “leftist” specificity of the production does not save one from suspicion of reaction: “Girls in Uniform” is filmed at a specially created small film studio, on a cooperative basis, and it seems they should not be inferior to the performance in radicalism. And here you go, as shaded by a conservative producer’s hand.
Girls of Tomorrow
“Subsequently, Hertha Thiele mentioned that the version with suicide was still filmed, but did not enter the picture due to“ excessive pathos ”.Nevertheless, the fact remains: that Chekhov’s gun, which invariably fired in the last act of Leontina Sagan’s performance, remained motionless on the wall in the film. Freedom has lost its high price. ”
Two small clarifications: Karl Fröhlich will be right, and Leontina Sagan will figure out that even the early sound film is not quite a theater.
And if Sagan, settling in an unknown territory in a situation of unforeseen restrictions, is forced to re-invent the formula of protest, it is because, while Sagan thought and spoke the language of German theater for twenty years, German cinema was developing its own language.
She, working on stage in an era when the theater is already defined by Bertolt Brecht as a platform for protest, must get to the basics and find that the frame is not exactly a ramp, but from a certain point of view, something opposite to it. The frame is incorporeal and irrevocable. Leontina Sagan is behind the camera, transforming her wonderful living flesh and blood girls into two-dimensional shadows. No one will go on tour to carve authenticity again and again, in city after city, from the clash of masks, from the proximity of the body under the tangible weight of the costume, among the scenery set the day before, from the density of the joint presence in the space of watching and showing, separated by a ramp as dynamic a condition of dialogue, a border – as a territory of utterance.Cinema is not about the here and now; cinema is not today. Only yesterday and tomorrow. Ghosts will go on a journey. Manuela will not be able to get up after committing suicide; the actress will not come out to the stage to address the public. Ultimately, will suicide of the shadow in the shadow world be a gesture of protest — and isn’t that “too pathetic”? Love is devoid of flesh, and the situation of power is determined by the way the camera looks – yes, Sagan is forced to re-invent the formula of protest.
● ● ●
“Yesterday and Today” is the story of fourteen-year-old Manuela von Meinhardis, who was left without parents, whom her aunt assigned to a boarding school for officers’ daughters.Discipline and hierarchy reign there, dating back to the headmistress, an old Frau of tough Prussian military dressing. Manuela falls in love, and not without reciprocity, with her mentor, Fraulein von Bernburg, who, breaking the rules, uses her own methods of education, unforgivably free and humane. In the face of resistance to the alien world of commands and prohibitions, a girl’s orphan love develops into a violent tragic feeling, provokes a scandal and incurs personal punishment. In protest, Manuela climbs the forbidden staircase, the main local image of power, to commit suicide.In the play, she threw herself down, in the film they would have time to save her.
Karl Fröhlich insists on replacing the actress.
It is easy to believe that when Margarete Metzler, who played the role of Fraulein von Bernburg in the play, entered the stage in a stylish man’s suit, hugging a handsome broad-shouldered figure, with her side parting and defiantly heavy cheekbones, it was she, and not Manuela, who became the central figure performance, as it was a readable mask. This is women’s freedom: her costume, her hairstyle, her right to the roughness of gesture – right here and now, in Berlin and today, she looks like butch .The appearance of the actress, her plasticity, the timbre of her voice, sounding from the stage, in themselves become an ideological text.
Margarete Metzler and Gina Falkenberg in the play “Yesterday and Today”
It is unlikely that Fröhlich, insisting on replacing Metzler with the “feminine” Dorothea Wieck, thought eighty years ahead and assumed that in the thematic lesbian lists his film would be somewhere in the neighborhood, for example, with Adele’s Life. And no one, except perhaps by misunderstanding, can no longer reproach him for the fact that Fraulein von Bernburg does not look like butch , because the model butch & femme has long become a cliché.Guided by the producer’s common sense, he was probably only ironing out the rough edges. I just thought that Margarete Metzler had no place in this film.
So there is no place for Margarete Metzler in this film. To complete the image of a lesbian mentor, before whom exalted girls rise and fall, Fraulein von Bernburg would have had to give a gong in his hands, and such a film has already been shot. It’s called “Diary of the Fallen,” and it was played by Valeska Gert. Georg Wilhelm Pabst, who defined the look and rules of Weimar cinematography in the second half of the twenties, brought Geert to the screens as a personification of the process that is now commonly called “objectification”.If Fraulein von Bernburg walked among the students in her stylish suit, she would instantly become an object of attraction. Manuela in love, possessed by the object of attraction, herself would inevitably turn into a puppet.
The costume of “freedom” outside the theater, on the screen, would denounce freedom as a game, as a variety show; uniforms would also turn into a costume; the only way out of the game would be, for example, to undress to a white shirt, become a light spot and free – presumably alone. The perfect path to the longed-for final suicide.
Actually, Sagan had almost no chance. Translated into the language of Weimar cinema, the story of a student’s attraction to a teacher was doomed to turn into a story of obsession. Cancellation was demanded by the very concept of “object of attraction”. The main challenge required a solution: finding a cinematic way to see girls – all girls – as subjects. “We’re talking about a living person,” says Fraulein von Bernburg in an argument with the headmistress, while Manuela struggles up the stairs in a fever of white light.Fraulein von Bernburg’s argument is not obvious. This is exactly what needs to be proven.
● ● ●
In the film Girls in Uniforms – girls in uniform. Their uniforms are simple baggy black striped dresses. The regularity of the installation of the Prussian monuments that open the film, the regularity of the arches under which the girls march, trampling the streaks of shadows, the regularity of the parade, which takes the form of either a choir or a meeting of a princess within the walls of the boarding school, the regularity of barracks beds and showers, the regularity of statutory gestures and military scores – the essence is the same, translated into the language of contrasting chiaroscuro.Black stripes are local uniforms.
Punishment of Manuela for drunken outrageous shouts in the face of the headmistress looks like being imprisoned in a cage of chiaroscuro. Like the hard forging of a stair rail, shading a white figure to the bed.
Headmistress, of course, in black.
Under the uniform – white girls’ bodies in white nightgowns.
The photogeny of Dorothea Wick, with her pale transparent face and thin dark lips, does not contradict the boarding style as a style, just as her methods for the time being do not contradict those of the headmistress.She is just organic curved shadows and soft focus. She came to soften the order, not destroy it.
Through the empty night corridors of the boarding school, Manuela wanders like a white ghost, reflecting the light of her exaltation.
The catch lies here. Fraulein von Bernburg and Manuela, as a couple, do not fall out of the system set by local rules.
Dorothea Vick in the film Girls in Uniform
Sagan begins to break the rules.
It is her camera that zooms into the girl during the choral singing and discovers that she is fooling around and singing some nonsense. It is she who “left-handed” shamelessly mounts the headmistress’s orthodox tirades about the Prussian spirit and the benefits of hunger with girls lying in the grass and dreaming of homemade sausages. This panorama of her in the shower is determined not by space, but by chaotic fermentation among scattered clothes and various little things, and crumbles into close-ups of soapy heads, cheerful, un-ironed faces or holes in a sock.Sagan allows girls to exist out of time, play without getting into the rhythm, get out of space, break the harmony of the frame, be ugly and ridiculous, grimace, crowd, jump on the beds and replay, parodying the authorities, giggle and hug each other; Sagan emphasizes in every possible way the only thing that they have in common under the uniform – their inconvenience for the imposed style. With the density and authenticity of their existence, they very soon reveal that black shadows are just stripes on bad fabric, and it’s great to throw firecrackers from a high director’s ladder.There are many half-naked girls in the film touching each other: sex appeal, nicht ? Let’s face it, unlike movie stars on postcards in their lockers, these girls have sex appeal sparsely.
In the very way the girls exist on the screen and the way Sagan’s camera is looking at them, there is a conflict with the boarding style that gave birth to Manuela’s black-and-white disease. Contrasting chiaroscuro as a punishment works only for her, together with Fraulein von Bernburg lit up in soft focus.The girls are filmed differently. This is not Pabst or any new thing. These are Zlatan Dudov and “Kule Wampe”, which will be released in a year, where Herta Thiele will be at home. Or, for example, the Soviet “Our Girls” by Galai and Brown, published a year earlier. This is the proletarian roughness of the texture, the “unkempt” of assembly gluing, the transparency of natural light – and that, the other, non-hot whiteness.
The refusal to admire and the uncomfortable detail of female existence on the screen is redundant even for this style; they are the most obvious thing that defines Sagan’s gaze.When in 1958 Gueuza von Radwanyi staged a remake of Girls in Uniform, he, almost like a carbon copy, reproducing the sequence of plot moves, manages to turn Sagan’s film into a vintage postcard, where the girls, even when alone with each other, have perfect posture, even in the heart of perfectly pinned curls. , every gesture is neat and woven into the mise-en-scene like lace on a nightgown. Admiring this weaving, the director will grow Manuela’s passion performed by Romy Schneider on the screen like some kind of outlandish flower of the color of a virgin blush.
Girls in uniform. Dir. Gueuza von Radwani, 1958
Girls in uniform. Dir. Leontina Sagan, 1931
Sagan needs each of these girls, with their right and opportunity not to fit in. But coming up with a style that they, so glorious and detailed, will all fit together is not enough. Because the conflict of styles itself would not provide anything in the film – only the distance between the boarding school and its inhabitants, the gap between the body and the uniform.The girls get along well with the local order, they are simply uncomfortable. Their joint moments of freedom also fit into the system, like the ingenuous “I’ll go see our parade” of a rude servant, built into the sacred scene of the princess’s meeting and removing both the ritual and the hopeless hope of breaking it. Or as the whispers of teachers, subside in bow when the headmistress appears. Everyone falls silent in time. They are all well-mannered. And freedom, turned into style, is also an idea, just for the time being a little more human, a little less cruel than any other.And it fits just as well into a slogan as any other.
● ● ●
There is a film in which the heroines Hertha Thiele and Dorothea Wieck are obsessed with each other and which ends in suicide. It is called “Anna and Elizabeth” and was staged in 1933, right after “Girls in Uniform”, Frank Wiesbar, in the near future – one of the leading directors of the Third Reich. Elizabeth, the heroine of Dorothea Vic, kills herself, getting up from a wheelchair and believing in Anna as a miracle of resurrection.For homosexual motives, this film was banned during the filming process, but Wiesbar manages to finish it. Something has irreparably changed. Over the head of Gerta Thiele, in the ecstasy of prayer that lifts her eyes to grief, a black halo opens; mysticism thickens in the air with the waxy density of dead time. When in one shot Elizabeth throws herself off a cliff, in another Anna manages to shout: “Now!”
And this is a direct reference to Girls in Uniform. Instead of “Manuela!” Fraulein von Bernburg, who suddenly rushed to the stairs, could also shout “Now!”, a moment before committing suicide.In the midst of an argument with the headmistress, she turns around, knocked out of the mise-en-scene by some kind of irrational anxiety. And the face of Manuela, hovering over the void, facing her, appears as a sudden vision, merging, almost without gaps, with her face.
Girls in uniform. Dir. Leontina Sagan, 1931
Hertha Thiele in the film Sagan the Guide; Manuela is a character who must provide a short circuit in the film. Being organic to both methods of shooting, Hertha Thiele begins to provoke overflows, and, in principle, the only one, in every frame, at every angle, in every gesture is subjective.Her attraction to Fraulein von Bernburg is pure, personal, inner impulse; Manuela with her desire attracts Fraulein von Bernburg to a close-up, looking at her during the lesson, and at her will on the border of death dissolves into her beloved image. But her subjectivity is equal to the gaze of a stranger, hypersensitive and responsive to the clash of styles, her unacceptable suicide is an attempt to forever break out of the frame, to cancel this strange movie itself. The only time Gertha Thiele and Manuela are equal to themselves, not obliged to respond to style, is when they are wearing theatrical costume.The protest as a theatrical monologue thrown in the face of the headmistress from the impromptu stage, “behind the scenes” of Schiller’s school production, is the first blow to the system.
Hertha Thiele in the film Girls in Uniform
Unlike the play “Yesterday and Today” and the film “Anna and Elizabeth”, there is no suicide in “Girls in Uniform”. They manage to save Manuela, and this, of course, is h appy e nd – with all the necessary irony.If not for one “but”. While Fraulein von Bernburg argues with the headmistress, and Manuela climbs the stairs in ritual ecstasy, the empty night corridors, offices and nooks of the orphanage are filled with chaos and noise: all the girls rush to search at once. A series of overlaps worked. The regularity of the alternation of styles finally collapsed. The final image of a successful protest is, of course, not the rise of Manuela, but the girls who saved her, who filled all the spans. At the film construction level, the hierarchy is broken here.However, this is not even more important. From an ecstatic readiness for death, Manuela is pulled out by the scream of her friends, returning the height to her physical dimension, just like when they threw firecrackers down the stairs. Suicide does not happen, because it becomes meaningless: Manuela will not disappear while other girls in uniforms crowd below; except that a white doll, a ritual doll – a sacred sacrifice will fall down to them. The idea will have to pay with reclaimed humanity.
In his article, Andrei Andreev refers to the “cheerful anarchist” finale of Jean Vigo’s “Zero for Conduct”, exposing the “Girls in Uniforms” in a failed protest and deathly silence, meeting dark new times.Why not then go two steps forward: in Atalanta, Vigo, along with his hero, enters the last border where the young anarchists disappeared, climbing the roof, and discovers there a void, beautiful and like death. And does not go through the last free times.
The girls do not take off their uniforms and do not leave the orphanage, but Sagan already knows that there is no last border. In her film, there is the only truly defiant shot that can be considered prophetic: a panorama of girls pressed against the wall in white shirts and striped disheveled dresses.The only time when they, not obliged to respond to style, are equal to themselves. The second blow, equal in strength to the exit to the theatrical ramp. They do not take their eyes off the camera, which has become subjective – the system that has accepted the gaze. Yes, the protest of these people is sad and silent. We will see such panoramas after the war. Sometimes names will be announced behind the scenes.
Girls in uniform. Dir. Leontina Sagan, 1931
● ● ●
Leontine Sagan will work in the theater for the rest of his life.Children in Uniform, staged at the Duchess’s Theater in London, will tour Australia and South Africa; she will stage several plays for the Oxford University Drama Society; will become the first director at the Royal Theater in Drury Lane; together with Ivor Novello since 1939 they will make seven very successful musicals.
Leontina Sagan will not be successful with cinema. Could it have happened differently after “Girls in Uniform” is a rhetorical question. People of Tomorrow, her second film set in England, is lost.He is on the British Film Institute’s “75 Most Wanted Films” list (let’s share their hope). Sagan’s third and final film is the musical biopic Jolly George about the Irish impresario and director of wild musicals George Howard. Obviously, Sagan was attracted here as a director of musicals with Novello, and her directorial method can only be identified by the stage mise-en-scenes and their somewhat more free-than-usual editing. Yes, and in this film, her characters are human in costumes.But the cinematography of Korda is the cinematography of “private lives”, and the year is already 1946.
Leontina Sagan in the 1940s.
In 1947, Leontina Sagan returns to Pretoria with her husband and opens the South African National Theater. She will live until 1974. He will remain on the stage until 1963. He will publish his autobiography “Light and Shadow”, in which he will tell how many borders were crossed and what the house looks like: the African landscape as der Heimat in the memory of an elderly Jewish woman.
|31.08.2021 [Company News]|
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90,000 Violence and lawlessness spread across South Africa
The two provinces of South Africa were engulfed in violent riots, looting and robbery, during which 72 people have already died.The authorities dispatched the military to help the police restore order.
It all started with protests a week ago after former President Jacob Zuma was imprisoned. The protests overnight from Wednesday to Thursday escalated into violent clashes with police, looting shops, arson and blocking highways. Stores and gas stations had to be closed.
In the streets, the riotous crowd threw stones, and the police responded with rubber bullets.At least 72 people were killed in the riots. The army was involved in suppressing the violence and chaos, but the state of emergency in the country was not declared.
In South Africa’s main port, Durban, hundreds of looters looted shops and warehouses on Tuesday, and set some on fire. The bodies of 10 people killed in the chaos during the robbery were found at a shopping center in Soweto, a Johannesburg suburb, on Monday.
The African Union urged urgent restoration of order.According to government reports, the mobilized military was deployed mainly in strategic points around hospitals and airports, as well as in the Alexander suburb near Johannesburg.
According to media reports, civilian squads have formed in the affected areas to prevent looters from plundered and destroyed commercial areas from entering residential areas.
Reuters considers looting and robbery to be a consequence of anger over poverty and inequality, which, 27 years after the fall of apartheid, has been reinforced again by severe restrictions due to the COVID-19 epidemic.
This was the largest wave of violence in South Africa in recent years.
Jacob Zuma, 79, was President of South Africa from 2009 to 2018. He is accused of corruption and money laundering. It is assumed that during his nine years in power, Zuma worked for the benefit of the three brothers of businessmen Atula, Ajay and Rajesh Gupta, who profited from state resources. Both the former president and businessmen deny the accusations. Earlier, when Zuma was vice president, he was accused of rape, but the court acquitted him in 2006.