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Review Of Top 10 Best Mobile Repair Box 2022 Buyer Guide

Last Updated on November 9, 2021 by KWS Adams

Finding the best mobile software box via online shopping is one thing that many find uneasy. Yes, it is because of the availability of the different mobile software suppliers which all claim to offer high-quality repairing tools, and which in some cases end up not being or even working as claimed. In this review, I am sharing with you the top 10 best mobile flashing boxes on the market with some being the latest, while others being old but working very great.

The best mobile phone flashing box is one that will offer what it claims to do, and at an affordable cost. This will include fixing the different smartphone issues ranging from reading flash, writing flash, reading NV, reading password, Imei repairing, formatting, reading code, wiping data, unlocking the phone, reading pattern, rebooting recovery, temporary root, fastboot reboot, Google lock unlock, read Gmail ID, back up and restore contacts, reset Gmail, unlock the bootloader, wipe cache, clear settings, remove FRP, remove network code, reset user lock and many others.

Additionally, the same should have all mobile software set up free to download as this helps in fixing arising errors, in addition to adding the latest mobile phone manufactured on the list of supported devices. Like we know, many new mobile phones are introduced each day which goes by, having the best mobile flashing box which supports upgrades and fixes is the only way one can avoid having to purchase or buy new repairing boxes, flashing equipment and tools as the old ones are too updated.

Another important factor in the best all-in-one mobile flashing unlocking box is the support of the different CPU types. Yes, CPU types like Mstar, RDA, Spreadtrum, MTK, Microsoft, CoolSand, CDMA, Qualcomm, Blackberry, SKY, HTC, Infineon, TI, Philips, AD, ZTE, Anyka, Samsung and etc. This should too be from the best mobile box supplier since many would offer money-back and product guarantee and warrant.

Here is the top 10 best mobile phone repair unlocking box 2022 buying guide.

#1 Z3X Box for Samsung Unlock, Flash Box with Cables

Why on this list? The Z3X Box for Samsung Unlock, Flash Box with Cables is a 4.6/5 rated tool and supports a range of Samsung mobiles including but not limited to the latest and old models eg, the Samsung N7000, N7005, N7100, N7105, N8000, N8010, N8013, N8020, P1000, P1010, P3100, P3110, P5100, P5110, P6200, P6201, P6210, P6211, P6800, P6810, P7100, P7500, P7501, P7511.

Others include A117, A127, A137, A167, A177, A226, A227, A237, A401, A411, A412, A437, A501, A551, A561, A637, A657, A701, A706, A707, A711, A717, A727, A736, A737, A746, A747, A747N, A766, A767, A777, A797, A801, A811, A817, A821, A827, A836, A837, A847, A867, A877, A885, A886, A887, A897, A927, A927 and others. But you can also free download Z3X box setup online.

#2 Volcano Box Full Set for Repair and Flash Device for Chinese phones

Why on this list? With an average rating of 3.+/5, Volcano box is known to be one of the old and best mobile flashing boxes available on the market. It supports many CPU types including MTK, Infineon, SPD, Infineon, ADI, MSTAR supporting more than a single service eg, Read, Write, Flash, Auto-Format, Safe-Format, Custom-Format, NV Backup, Import, Export PhoneBook, Repair, Signal, Decrypt Barcode, Software, USB Read/Write, Repair invalid IMEI for all the above.

The box comes packed with Volcano Box, Cables: USB A to B cable Volcano main cable with activation code Adapters: P-03A P-03B P-04A P-04B P-05A P-05B P-07A P-08A P-10A P-10B P-10C P-10D P-12A P-12B P-12C P-14C P-14D P-14E P-14F P-14G P-14H P-16A P-16B P-18A P-18B P-20B P-20C P-20D P-24A P-30A P-30B Universal adapter thus making you enjoy your experience.

#3 UFS Turbo Box

Why on this list? UFS Turbo Box is a multi-device support mobile flashing box and is fully known for its super service to those who have used it. It supports almost all android Samsung, Nokia, LG and Sony Ericsson mobile phones. It has the latest modules of different devices and the latest multiplatform phone servicing tool from Saras Factory.

It supports Custom VBat, VPP, RX, TX, and BSI connectors, factory Programming Mode, and has High-Speed UART communication up to 3.686.400 Bauds. This I am sure is enough for you to understand why UFS Turbo Box is on this list.

#4 Miracle Box with Miracle Key Dongle

Why on this list? When we talk of mobile flashing tools or boxes, many people would think of the Miracle Box or the Miracle Key Dongle. Yes, because Miracle has made a name for its support of almost all devices with all services. Be MTK, SPD, CDMA, Qualcomm, LG, Mstar, CoolSand, RDA, Android, Samsung, Huawei, Blackberry, HTC, Nokia and etc, this will do you what you want. It is the latest updated and performs many functions related to flashing of all phones.

With Miracle, you can do all ranging from Repair IMEI, Huge firmware files archive, Auto pin finder feature, and many others you know with this one single tool. Stop worrying about network-locked phones, you can unlock them. Be forgotten pattern, bad imei, or what, you can solve them all.

#5 NCK Dongle

Why on this list? I have known NCK dongle for some good time. And I have too used it for different purposes. It being rated at 4.7/5 at Amazon is no new thing as it deserves it. When you think of removing network locks and calculating codes, this device is a must consider.

NCK dongle is an unlimited phone flashing, mobile unlocking, and code calculation tool which you can use for both Read/Write firmware, Format phones, Reset factory defaults, Read the info and provider ID, Reads LG Correct Code, repair Alcatel One touch IMEI and more other services. Yes, trying it out is the only way to know how it works and why I recommend it.

Addition 5 mobile flashing box / tools

In addition to the above, the following below are well-known and proven tools that can do good than you can imagine. From experience as a mobile phone repairer under AOTLLC, I can tell what is good and what isn’t.  GSM Aladdin key, GPG dragon, Infinity box, and SPT Box are the others. But still, those are not all, there are thousands of others you can check-in and buy as per your choice.

Different factors including price, who is selling, where you are buying from, the specifications, features, supported list of phones, supported services and much more can help you in answering the question of what the best mobile flashing box is. You should always take your time, review all services, inquire from the seller if possible so that you only buy what you know other than ordering a regret. Over to you..

Related

Frequently Asked Questions | United Center

GENERAL GUEST SERVICES INFORMATION

The United Center, home to the Chicago Blackhawks and Chicago Bulls, is the largest arena in the United States. Construction began in April of 1992, with the ribbon cutting ceremony being held on August 18, 1994.

The arena is located at:
1901 W. Madison St.
Chicago, IL 60612
(312) 455-4500


FREQUENTLY ASKED QUESTIONS

  • Are cameras, iPad’s, video recorders or selfie sticks allowed inside the United Center?

    Following is the general camera policy that can be changed based on a specific request from the attraction or promoter:

    Sporting Events: non-flash, still cameras of any type may be used to take pictures of sporting events or events where house lights are illuminated during a performance as long as it does not interfere with other guests view. Any tripod or other photography equipment may not be used or placed in any area of the building without a building issued media credentials. Selfie sticks are not allowed inside the arena. No video recording devices, audio recorders or cameras with detachable lenses are allowed. 
    Concerts and Other Events: no professional cameras, video recording devices, audio recorders or selfie sticks are allowed. Please contact Guest Relations at (312) 455-4500 for specific event information.
     

  • Am I allowed to leave and re-enter the venue?
    No. The United Center has a strict no re-entry policy for all events. For questions please visit the nearest Guest Relations booth, located at the entrance of Gates 2 and 6, the Lexus Club Level at Section 221, and on the 300 Level across from Section 325.
     
  • Does the United Center offer wheelchair escort service?
    Yes. Guests may request assistance at all main entry gates (2, 3, 6, 7, 4 and 8). For all other accessibility questions, visit the Accessibility section below or visit the nearest Guest Relations booth, located at the entrance of Gates 2 and 6, the Lexus Club Level at Section 221, and on the 300 Level across from Section 325.
     
  • Does the United Center offer Hearing and Visual assistance?
    Yes. Assistive listening devices (personal headsets) are available at the Guest Relations booth at Gates 2 or 6. A valid photo ID is required for use. Sign language interpreter services are also available free of charge. Please contact the Guest Relations Department at (312) 455-4509 and note that a two-week notice is required.
     
  • Does the United Center offer any assistance for those with sensory sensitivities?
    United Center is proudly certified as a sensory inclusive venue in Chicago. United Center staff has been trained by medical professionals on recognizing guests with sensory needs and how to properly handle a sensory overload situation.

    Additionally, the arena has sensory bags available for guests to check out at Guest Relations Booths located inside Gates 2 and 6 on the 100 level, Section 221 and Section 325. Sensory bags include noise canceling headphones, fidget tools, verbal cue cards, and weighted lap pads. A designated quiet room is also available to guests at Section 115. 

  • Do I need a ticket for my child?

    For Bulls, Blackhawks and Feld Entertainment events, children under 36” do not need a ticket but must remain on the lap of an adult. One child per lap.

    For all concerts events, all guests, including children, are required to have a ticket to enter the arena.

    For collegiate and any other event, call 312-455-4500 for specific details.

     

  • Can I take public transportation to and from the United Center?
    Yes, there are many ways to get to and from the United Center. Visit our Directions & Parking page for specific details.
     
  • Where is the accessible parking lot?
    Accessible parking at the United Center is located in Lot G at the southwest corner of the building. Vehicles displaying a current handicapped license plate or window placard are permitted to park in Lot G.  
    Visit our Directions & Parking page for a map and more information.
     
  • How can I get a birthday or special message on the Scoreboard?
    Scoreboard messages are available for $100 with the proceeds going to the respected team’s charity. For the Chicago Blackhawks, call (312) 455-7000. For the Chicago Bulls, call (312) 455-4000. Messages are not available during concerts and special events.
     
  • I have special dietary restrictions. Can I bring my own food or beverages inside the United Center?
    Outside food or beverages are not permitted inside the arena. The United Center is proud to offer gluten-free, kosher, vegetarian and vegan menu items. Visit our Dining & Catering page or download the United Center Mobile App for a listing of special dining locations.
     
  • Where can I smoke at the United Center?
    Smoking of any type is not permitted anywhere inside the arena or on the United Center campus.
     
  • Is there a Lost and Found at the United Center?
    If you have lost an item during an event, please visit the nearest Guest Relations booth. Guest Relations booths are located at the entrance of Gates 2 and 6, the Lexus Club Level at Section 221, and on the 300 Level across from Section 325. After an event you may call (312) 455-4504 Monday through Friday 10:00 AM – 4:00 PM. Please leave a voicemail with the item description, date it was lost, and your contact information. Please click here to visit the Lost and Found page. 

GENERAL GUEST RELATIONS INFORMATION

Accessibility
Arena Information
Directions & Parking
Food & Beverage
Media Information
Ticketing
Security

ACCESSIBILITY

Accessible Seating
To purchase accessible seating, please call the United Center directly at (312) 455-4509. Please provide as much information as possible when speaking with our representatives so that we can better service your needs and ensure a great experience. 

Animals
Only certified service animals or service animals in-training for guests with disabilities are allowed in the arena.

Hearing Assistance
Assistive listening devices (personal headsets) are available at the Guest Relations booths at Gate 2 or 6. A valid photo ID is required for use.

Sign Language Interpreters
A two-week notice is required for providing a certified sign language interpreter free of charge. Please contact the Guest Relations Department at (312) 455-4509.

Wheelchair Escorts
Wheelchair escorts are available by asking any United Center team member of visiting any Guest Relations booth.

ARENA INFORMATION

Address
The United Center is located at 1901 West Madison Street, Chicago, IL 60612.

American Express® Card Member Entry

American Express Card Members now have the luxury of entering the United Center through the dedicated American Express Gate. Show your American Express Card at the American Express Gate 30 minutes prior to gates opening so you and 3 ticketed guests can get into the arena extra early. Doors to the United Center open 90 minutes prior to regular season Chicago Blackhawks and Chicago Bulls games. The American Express Gate will be accessible for designated events at United Center including all Chicago Blackhawks and Chicago Bulls home games. The gate will not be accessible for concerts or special events at this time. Terms apply. For full details and map, click HERE.

 

ATMs

BMO Harris ATMs are located on the 100 Level next to the Team Store at section 117, inside the Box Office lobby (East Atrium), inside the Atrium located in the southeast corner, Lexus Club Level section 221, and on the 300 Level across from section 327.

 

Cameras
Following is the general camera policy that can be changed based on a specific request from the attraction or promoter:

Sporting Events: Non-flash, still cameras of any type may be used to take pictures of sporting events or events where house lights are illuminated during a performance as long as it does not interfere with other guests view. Any tripod or other photography equipment may not be used or placed in any area of the building without a building issued media credentials. Selfie sticks are not allowed inside the arena. No video recording devices, audio recorders or cameras with detachable lenses are allowed. 
Concerts and Other Events: No professional cameras, video recording devices or audio recorders are allowed. Please contact Guest Relations at (312) 455-4500 for specific event information.

Charitable Donations
For information on Chicago Bulls charitable donations or to request a donation, please visit bulls.com. For information on Chicago Blackhawks charitable donations or to request a donation, please visit blackhawks.nhl.com.

COVID-19
For more information on COVID-19 as it relates to United Center and its events, please click HERE.

Elevators
Elevators are located next to Gates 3 and 7.

Employment
For open positions at the United Center, or to submit a resume for future consideration, visit our Job Opportunities page.

Escalators
Escalators are located at Gates 2, 3, 6 and 7 and provide access to both the 200 Lexus Club Level and 300 Level.

First Aid
First Aid stations are located on the 100 Level across from section 115 and on the 300 Level across from section 327.

Gate Times
Gates generally open 90 minutes prior to the events and games. Family shows may vary. For a specific gate opening time, please visit the show’s event page.

Guest Conduct
The United Center intends to provide all guests with a safe, comfortable, and friendly environment. Our family atmosphere prohibits foul or abusive language, and any violation of these policies may result in ejection. Guests with obscene or indecent clothing or who are seemingly intoxicated will not be granted access into the arena.

Guest Relations
Guest Relations booths are located at the entrance of Gates 2 and 6, the Lexus Club Level at section 221, and on the 300 Level across from section 325.

Merchandise
The Bulls Market/Blackhawks Store is a complete merchandise store located on the 100 Level across from Section 117. Satellite merchandise stands are also located throughout the arena. The Bulls Market/Blackhawks Store is generally only open for Chicago Blackhawks and Chicago Bulls games.

The Madhouse Team Store, located in the public atrium, is available for fans during atrium hours daily. 

Michael Jordan Statue
The Michael Jordan statue has been returned to its permanent location inside the new United Center atrium and is accessible to the public during the atrium’s hours of operation. Hours of operation are as follows:

Atrium Hours

Monday – Friday: 10 AM – 5 PM

Saturday and Sunday: 10 AM – 5 PM
**PLEASE NOTE: The Atrium may have adjusted hours on specific dates. Please view hours HERE.**

 

Restrooms
Restrooms are located on all levels. Family restrooms are located on the 100 Level in the First Aid room across from Section 115/116, and on the 300 Level at the top of Section 303/304. For a map of restrooms by Level, download the United Center Mobile App.

Re-Entry
Re-entry into the arena is prohibited during all events.

Rooms
Banquet and meeting rooms are available for special events. Contact Levy Restaurants at (312) 455-7412 for information and availability.

Sensory Inclusive Venue
United Center is proudly certified as a sensory inclusive venue in Chicago. United Center staff has been trained by medical professionals on recognizing guests with sensory needs and how to properly handle a sensory overload situation.

Additionally, the arena has sensory bags available for guests to check out at Guest Relations Booths located inside Gates 2 and 6 on the 100 level, Section 221 and Section 325. Sensory bags include noise canceling headphones, fidget tools, verbal cue cards, and weighted lap pads. A designated quiet room is also available to guests at Section 115. 

 

Scoreboard Messages

Scoreboard messages are available for $100 with the proceeds going to the respected team’s charity. For the Chicago Blackhawks, call (312) 455-7000. For the Chicago Bulls, call (312) 455-4000. Messages are not available during concerts and special events.

Seating
All seating in the arena is assigned; guests should retain their ticket throughout the event and be prepared to show their ticket when entering the specific seating area.

Smoking Policy
Smoking of any type is not permitted anywhere inside the arena or on the United Center campus.

Tours
No Tours until further notice. Due to current health precautions as it relates to COVID-19, the atrium will be closed to the public until further notice.

Zamboni Rides
For information on Zamboni rides during Chicago Blackhawks games, call (312) 455-7000.

DIRECTIONS & PARKING

Parking

  • Lot A–Fan Parking
  • Lot B–Fan Parking
  • Lot C–Fan Parking
  • Lot E–Uber Zone
  • Lot F–Fan Parking
  • Lot G South–ADA Parking 
  • Lot K–Fan Parking
  • Lot D–Fan Parking 
  • Lot J–Fan Parking
  • Lot H–Fan Parking

All official United Center parking lots are conveniently located near the arena and can be accessed from Damen Ave. , Madison St., Adams St., Warren Blvd., Wood St., Monroe St., and Washington St. For information and directions, visit our Directions and Parking page. Vehicle assistance is available if you parked in an official United Center lot. Please stop by the Security Desk in the East Atrium for assistance including battery jumping.

PLEASE NOTE: Parking lots open to public two hours prior to event time.

Uber Zone
Our Uber Zone is temporarily unavailable. Drop off and Pick Up have been relocated to the following locations:

UBER Drop Off – Located at Monroe and Wood St.
Pickups – Located at Monroe and Wood St 

  • Madison and Damen (Line up on South of Madison)
  • Taxis, limos, bar trolley Monroe and Wood St, Paulina St for drop off and pickup

 

To increase and streamline the fan experience for guests who take Uber to and from the United Center, the new Uber Zone is located at the corner of Madison Street and Wood Street (Lot E) and will combine the three former Uber locations around the arena. Traffic leading to the three prior Uber pickup locations 1) Zone A, previously located on Wood Street & Washington Blvd. near Lot A, 2) Zone D, previously located on Monroe Street & S. Paulina Street near Lot D and 3) Zone F, previously located on Monroe Street & Seeley Ave. near Lot F will now be directed towards the one new Uber Zone in Lot E.

 

FOOD & BEVERAGE

Dining Options
The Blackhawks, Bulls, United Center and Levy Restaurants have curated a collection of Chicago’s best dining options accessible to every guest that walks through the gates. We are dedicated to setting new standards for the fan experience with a world-class roster highlighting some of the city’s best loved and exclusive menu items right inside the United Center. Keeping with tradition, longtime fan favorites will continue to be a staple of our dining options. Check out our new food and beverage options at chicagosplate.unitedcenter.com.

MEDIA INFORMATION

Press Inquiries
To request information about a specific event or to request media credentials, please visit our Press Inquiries page.

TICKETING

United Center Box Office Hours:
Monday – Friday: 11 AM – 6 PM
Saturday: 11 AM – 4 PM
Sunday: CLOSED
**On event days, the Box Office will open at 11 AM and close at the start of the event.**

 

Children
For Bulls, Blackhawks and Feld Entertainment events, children under 36” do not need a ticket but must remain on the lap of an adult. One child per lap.
For all concerts events, all guests, including children, are required to have a ticket to enter the arena.
For collegiate and any other event, call 312-455-4500 for specific details.

Children 12 and older must show proof of vaccination or a negative COVID-19 test.

Children 11 and under do not have to show proof of vaccination or a negaive COVID-19 test.

 

All guests over the age of 2 are also required to wear a permitted face mask that completely covers their nose and mouth for the duration of their visit to the United Center.

 

Group Sales
Group sales are available for all events. For non-Chicago Blackhawks and Chicago Bulls events, please call (312) 455-7469. For Chicago Blackhawks events, visit blackhawks.nhl.com. For Chicago Bulls events, visit bulls.com.

Lost, Stolen and Counterfeit Tickets
The United Center can only guarantee the validity of event tickets purchased from unitedcenter.com, the United Center Box Office, Ticketmaster.com, Ticketmaster Outlets, TicketExchange or by calling (800) 745-3000. Fans who obtain tickets from unauthorized dealers or from other fans run the risk of buying lost, stolen or counterfeit tickets which will not be honored for admission, and will not be eligible for any type of refund or exchange.

Mobile Ticketing
You now have the convenience of using your smartphone as your game ticket. You no longer need to bring your physical tickets to the game. Your smartphone is your ticket to the game. This includes season tickets and single game tickets purchased online or forwarded by email through authorized outlets including Chicagoblackhawks.com, Chicagobulls.com, ClickTix, TicketExchange, Ticketmaster.com or other United Center approved outlets. Check out our Mobile Ticketing Guide for step-by-step instructions and FAQs.
**Tickets in the form of a .pdf cannot be scanned on your smart phone at the gates — Tickets in the form of a .pdf must be printed on paper in advance for entry

Premium Seating
The United Center Premium Seating areas feature 167 Executive Suites on three levels, one area on the Club Suite Level containing (34) Budweiser Champions Club Boxes, 5 Super Suites on the Penthouse Level, and the BMO Harris Club on the Club Suite Level. To inquire about leasing an Executive Suite, Champions Club Box or seats in the BMO Harris Club, please call (312) 455-4120. To inquire about renting an Executive Suite or Super Suite for a particular event, please call (312) 455-4119.

Purchasing Tickets
Tickets may be purchased in person at the Gate 4 Box Office, by calling Ticketmaster at (800) 745-3000, or visiting ticketmaster.com. The United Center Box Office accepts cash, American Express, Discover, MasterCard, and Visa. For details and a listing of Ticketmaster Outlets, visit our Box Office Information page.

Will Call
Will Call pickup is located at the Main Box Office located in the East Atrium. A valid photo ID is required when picking up tickets.

SECURITY

 

Proof Of Vaccination Or Negative Test 
All guests entering the United Center, including fans at Chicago Bulls and Chicago Blackhawks games, are required to present proof of full vaccination or a negative COVID-19 test to gain access to the arena. Please see below for FAQs.

Mandatory Mask Policy
All guests entering the United Center over the age of two are required to wear a face mask that completely covers their nose and mouth. Permitted masks must be worn at all times while inside the arena except when actively eating or drinking.

Backpacks & Bags
Guests may enter the arena with a small purse or personal bag up to 10” x 6” x 2“ in size. Backpacks are prohibited. Limited exceptions for medical or diaper bags will be allowed.

Entry Inspections
All guests entering the arena are subject to visual inspection, bag check, and metal detection conducted by United Center security. Guests will be required to walk through metal detectors at all gates. This revised procedure will replace wanding at the entrances.

Lost and Found
If you have lost an item during an event, please visit the nearest Guest Relations booth. To inquire about a lost item after an event, please click here. Unclaimed items will be disposed of after 24 hours.

Prohibited Items
Guests of the United Center are prohibited from entering the arena with the following:

  • Air horns or any other artificial noise makers
  • Animals (excluding service animals)
  • Banners, signs or flags
  • Bags
  • Bottles or cans
  • Cameras with detachable lenses
  • Fireworks
  • Laptops
  • Laser pens or laser products of any type
  • Outside food or beverage of any kind (alcoholic beverages included)
  • Poles or sticks
  • Projectiles
  • Selfie sticks
  • Weapons of any kind, including guns, knives, ammunition, explosives, pepper spray and mace.
  • Any other item deemed unacceptable by the United Center. The United Center will not store any of the aforementioned items.
  • PLEASE NOTE: Additional restrictions may be required on certain event days.

Strollers
Strollers must be checked in at any of the Guest Relations booths located at Gates 2 or 6, the Lexus Club Level at section 221, or on the 300 Level across from section 325.

The United Center reserves the right to change or modify these policies at anytime and without notice. The United Center is not responsible for any property that is lost, stolen or damaged. For the most current information, please call (312) 455-4500.


CWS Ticket FAQ’s | NCAA.com

TICKET QUESTIONS 

Can I reenter the TD Ameritrade Park Omaha if I leave?
Re-entry is allowed during the Men’s College World Series through any gate. 

Does my baby need a ticket?
Any lap child under the age of 24 months does not need a ticket.

How do I purchase a ticket?
Reserved tickets went on sale to the general public on Monday, June 7 at 10 a.m. CT. This is a MOBILE TICKET ONLY event. All tickets, including those purchased at the box office, will be mobile. The box office will be open on game days starting at 10 a.m. for ticket sales or you may purchase online at NCAA.com/CWSTickets. Each person may buy up to eight (8) tickets for each game. 

How do I use my mobile ticket for entry?
For help accessing your mobile tickets or to learn more about downloading and transferring your tickets, please view the Mobile Ticket User Guide. Screenshots or recordings of tickets are not valid for entry. Fans coming to the game with friends or family should transfer their tickets prior to arriving at the ballpark. 

Why can’t I purchase General Admission tickets? 
Due to COVID-19 health and safety protocols, the GA process is not available for the 2021 Men’s College World Series. 

If I purchase an ADA seat, how many additional tickets may I purchase to accompany me?
When you purchase an ADA seat, you may buy up to three seats to accompany you.

Is it illegal to purchase tickets from scalpers?
No, however ticket buyers should be especially cautious of buying tickets from scalpers as they are not a guaranteed ticket. According Omaha Municipal Code it is unlawful for any person to resell or attempt to resell a ticket to an event at TD Ameritrade Park for an amount greater than the face value. It is unlawful to scalp tickets on Stadium property and anywhere within one-half mile of the Stadium. 

What forms of payment can I use at the box office?
TD Ameritrade Park Omaha will be cashless, including transactions at the box office. Reverse ATMs will be available. 

A Guide to On-Camera Flash

An on-camera flash is an indispensible accessory for many photographers; it provides additional light when conditions become too dark to handhold your camera comfortably, allows you to achieve more balanced exposures in daylight conditions, permits freezing of fast-moving subjects and can also be used to control or trigger other flash light sources. Additionally, a flash can be used as a highly effective creative tool to establish an aesthetic that elevates your imagery when lighting conditions are considered less than stellar. The benefits of an external on-camera flash far outweigh those provided by a built-in camera flash, while the only drawback is keeping an additional piece of equipment.

On-Camera Flash versus Off-Camera Flash versus In-Camera Flash

The term on-camera flash simply refers to a type of strobe light (flash) that can connect directly with your camera. While it is referred to as “on-camera” this does not require the flash to be physically mounted on your camera. On-camera flashes can, and often are, used off-camera. This differs from other strobe-light sources, such as studio pack strobes and monolights in that these types of strobes are not meant to be physically connected to your camera (except under rare and unusual circumstances involving convoluted methods of adaptation). Additionally, on-camera flashes usually have a self-contained power supply, although external power sources can sometimes be used to improve performance or battery life.

On-camera external flash also refers to the type of external flash that can be used on your camera, compared to a built-in flash that is integrated into many cameras. An on-camera external flash performs better than a built-in flash in almost every regard with the one exception that it is not built into your camera. The ability to take the flash off your camera results in a significantly greater number of lighting options; far more than simply providing a blast of flat light to the scene to facilitate an adequate exposure. It is often not desirable to have your flash pointed squarely at the scene at hand; more often than not you will want to bounce the flash light off other surfaces and point in other directions to control the look of your flash. When using an in-camera flash, you are forced to use the flash at the given angle from which it extends.

Most built-in flashes are also located near the camera lens, which can often result in the red-eye effect  when photographing subjects in dimly lit conditions. Red-eye occurs because pupils dilate in dim light, the built-in flash is aligned with the lens’s optical axis, its beam enters the eye and reflects back at the camera from the retina at the rear of the eye, which is quite red. Being able to use an on-camera flash source off-camera, from a different angle, will help to eliminate the red-eye effect in your photographs of people.

Guide Numbers, Manual Usage, Controlling Flash Power and Sync Speeds

Before delving into the automatic technology that is contained within most contemporary flashes, it is best to understand how to manually control and grasp a flash’s power. This is directly related to having an understanding of exposure ratios—how shutter speeds and apertures affect and balance each other—even though auto-exposure metering is available and often utilized for determining the best exposure settings.

“Guide numbers are the standardized, numerical way of determining the power of a flash, with a higher guide number representing a more powerful flash…”

Guide numbers are the standardized, numerical way of determining the power of a flash, with a higher guide number representing a more powerful flash. A guide number is the product of multiplying the f/stop of an exposure with a given distance, at ISO 100; or GN = f/number x distance. This calculation directly refers to the Inverse Square Law, which states that a specified physical intensity of light is inversely proportional to the square of the distance from the source of the physical intensity. For example, a given intensity of light will be 1/4th the intensity at twice the distance from the source, 1/9th the intensity at three times the distance, 1/16th the intensity at four times the distance, and so on. Since f/numbers fractionally relate to the intensity of an exposure, they perfectly fit into the guide number equation as a variable for determining flash exposure.

Simplifying this a bit, a realistic example would be if you have a flash with a guide number of 100, photographing a subject 25’ away will require the use of f/4 for proper exposure. Likewise, a subject 50’ away requires f/2 or a subject 5’ away requires approximately f/22. Since guide numbers are typically expressed at ISO 100, you can further determine your exposure if using a higher sensitivity, such as ISO 800, as a subject 50’ away would require an aperture of about f/5.6. Another variable to consider is that all of these values assume you are using your flash at full power; often, you can control the flash output of your strobe in increments to either save on battery life, provide faster recycle times, or to control your exposure more when working in closer situations. This flash power variable can easily be compensated for in the guide number equation by reducing one of the other variables. For instance, if using a flash with a guide number of 100 (at ISO 100) at 1/4 power and photographing a subject at 25’ away, you will now require an aperture of f/2 (which is 1/4 the original example’s given aperture).

ISO 100

It should also be noted that in most instances, controlling your exposure in-camera when working with flash should only be done by modifying your aperture. This is because the precise duration of a flash is substantially less than most shutter speeds; if you compensate for your exposure by using a faster shutter speed you will not see any change in exposure because the flash is essentially performing the role of the shutter. Additionally, unless using a leaf shutter (a shutter contained within the lens, featured on many medium and large format lenses), it is likely your camera’s focal plane shutter will not be capable of producing a fully-exposed image at shutter speeds shorter than about 1/250th of a second (depending on your camera).

The fastest recommended speed at which your camera can record an image when using flash is called the “sync speed.” If you make an exposure faster than the sync speed while using flash, the shutter will likely not have enough time to clear the image path of the sensor or film while the scene is fully illuminated by the flash. This will result in blocked or blacked-out areas of the image (the part of the shutter that couldn’t clear the path in time). Conversely, you can make exposures longer than the maximum sync speed and still produce a fully-exposed image; however, depending on this length, other consequences or benefits may occur.

Fill-Flash and “Dragging the Shutter”

While flash is often used to illuminate a scene entirely, either because of low-light conditions or because you are using a small aperture to gain additional depth of field, flash can also be used in combination with ambient exposure to provide additional creative benefits. Relating back to sync speed, if you’re using a shutter speed that is similar to what would be required of an ambient, regular exposure, in conjunction with flash, you will be mixing both ambient and flash light. This technique is called dragging the shutter and can be utilized to highlight specific objects or subjects within a scene. An example would be photographing a field or bush at dusk; while the foreground and surrounding areas are very dark, there is more light available in the sky regions of the scene. A way of rendering this type of scene would be to use your flash to illuminate the nearer regions, and then letting your shutter stay open longer to capture the ambient light of the sky. This will provide exposure to adequately render both the darker and brighter portions of the image within a single frame. Additionally, this technique works well for freezing movement in darker light; by using the flash to freeze and illuminate the moving subject, and then keeping your shutter open to properly expose the background.

Similar in concept, but using the opposite protocol, is fill flash. Fill flash is a technique in which you use your strobe to essentially fill in areas of the scene, either because they are darker than surrounding areas or to intentionally darken the background to better illuminate a nearer subject. This technique can be used during daylight or in well-lit situations, even if the ambient exposure is appropriate for handheld use, where there is a discrepancy between the exposure values of the foreground and background (i.e. backlit or silhouetted subjects).

To properly use fill flash, first meter your subject and then meter the background. This difference in exposure values is what is to be made up by use of flash exposure. Once you have determined the difference, you set your camera to properly expose the background values (knowingly you will be underexposing your subject) then you set your flash to account for the difference in stops between the two regions. This will render both areas of the image properly, giving you a more balanced, evenly lit exposure. This tool can be further manipulated to intentionally render your nearer subject brighter than the background, to give it more prominence. In order to accomplish this, you follow the same steps as outlined before but simply set your camera’s exposure settings to purposefully underexpose the ambient regions and have the flash properly illuminate your main subject; thus producing an image with a well-lit subject and darkened background.

TTL Flash Metering

All of the previous tools and systems can effectively be utilized with your flash when set to manual operation. By using a flash in manual mode, or a flash that does not possess automatic exposure capabilities, you are in full control of determining both your flash’s power and your camera’s exposure settings. This is ideal for creative use, and becomes easier the more familiar you are with certain working situations; however, it sometimes cannot be the most practical or fastest method, considering the availability of automatic flash metering. Automatic in-camera calculation of flash metering is usually done using a TTL, or through-the-lens method. This method of determining proper flash exposure is very similar to how a camera’s exposure meter works; however, it takes into account more variables, such as flash power and even subject distance if used in conjunction with a compatible lens.

TTL flash metering initiates when the camera’s shutter button is pressed, which then instantly triggers the connected flash. This flash then sends out a burst of light, a pre-flash, which will strike the subject and reflect back through the lens. This returning light is directed to an exposure meter, which will determine how long the true exposure should be to properly expose the subject. Modern TTL systems are able to control both a camera’s and a flash’s exposure settings to provide well-exposed results, taking much of the guesswork and experimentation out of flash photography.

This method of determining proper exposure when using flash is also codependent on the type of flash and camera you are using, with both variables needing to “speak the same TTL language.” Different camera types all have proprietary TTL systems, such as Canon’s E-TTL II or Nikon’s i-TTL, and then TTL-enabled flashes will specify which TTL system they support. Additionally modern TTL systems will also work in conjunction with certain lenses, which further benefit TTL accuracy by being able to factor in your camera-to-subject distance. Depending on where your focus point is set, the flash will deliver enough power to properly expose a subject at that distance. For intentional over- or under-exposure when working with TTL flash metering, most flashes incorporate an exposure compensation system similar to that of a camera, allowing you to vary the “correct” amount of light output by a certain number of stops. Exposure compensation, as well as dedicated settings, also allows you to control fill-flash amounts when working with TTL, further enabling more controlled and consistent flash shooting.

Bouncing Your Flash and Using it Off-Camera

On-camera flashes can roughly be divided into two classes: those that feature moving (rotating or tilting) flash heads and those that do not. The strobes that do not have a moving flash head have the benefit of being more compact, but outside of that their usability is significantly less than that of a strobe featuring a flash head that can tilt, and even better, one that can rotate. A flash with no movements is similar to an in-camera flash you might already have, and when mounted on your camera, it will always output light in the same square, front-facing direction. These flashes do often have more power and manual controls than your in-camera flash, though.

However, once you add the ability to move your flash head, you can suddenly gain much greater control and a variety of options regarding how to direct the light falling on the subject. Light that is pointed directly at your subject is typically very harsh light, producing deep shadows and having a quick light fall-off from your subject to the background (Inverse Square Law). To render a similar scene with softer light, you can tilt your flash head to bounce your light off a nearby wall or the ceiling in order to broaden its directional quality. Once the flash light strikes a wall or a ceiling, that surface is being converted into a much larger light source than your flash itself. This omnidirectionality helps to lessen the effects of the Inverse Square Law, since the light source is larger, and will produce less harsh shadows with more even lighting.

Even better than the ability to point your camera-mounted flash away from your subject is the ability to remove your flash from the camera entirely and point it in any direction and at any angle you wish. This can be accomplished in a number of ways; either by way of a wired connection or a wireless connection. A wired connection simply requires running a sync cord between your flash and your camera. Make sure to have a cable with compatible connections to both your camera and your flash. Flashes often have a kind of proprietary connection, or sometimes also support more standardized connections such as a household plug or a miniphone, photo, or sub-mini jack. These cables usually feature a PC connection at the other end to provide a connection to your camera. If your camera does not have a PC sync socket, there are also adapters available that slip into your hot shoe and provide a PC connection from there. Cables that connect your flash to your camera are available in lengths from 6” up to 33’ in either coiled or straight designs. It is best to assess how you plan to use your flash off-camera before deciding upon length; if it is too short you won’t be able to get far away from the camera, if too long the cable will become cumbersome to handle. If you’re not handholding the flash, you can easily remove the flash from your camera and mount it to either a stand or a flash bracket. A flash bracket enables you to place your flash off to the side or above the camera, and usually gives you a bit more freedom as to the orientation in which you can place your flash and the direction you point it. Brackets typically attach to your camera from the tripod socket and provide you with an additional method to hold your camera/flash system.

 

The other method of tethering a flash to your camera is to use a wireless receiver/transmitter system or a slave, which employs radio, infrared or optical triggering methods to communicate between your camera and your flash. A wireless system affords you the most creative control, as the boundaries of how far away your flash and camera can be are practically limitless, and you can also work with multiple flashes for more creative lighting setups.

Wireless Flash Control

Wireless flash is a complete entity unto itself, but as a briefing, there are essentially three types of wireless triggers: infrared, radio and optical. Beginning with the most basic, optical triggers (commonly referred to as slaves or optical slaves) are a small addition to your flash that enables wireless triggering once the slave detects a flash of light. These slaves come in an assortment of connections, typically household plug, 3.5mm or 1/4” jack, PC connection or via a hot shoe. Determine which connection type is compatible with your specific flash before considering anything else when using an optical slave.

“Radio remotes have the advantage of being completely non-reliant on optics and do not require a line of sight or certain lighting conditions to function properly…”

Once properly paired, you simply connect the slave to your flash and utilize another flash in order to trigger it. These are ideally used in a situation with multiple light sources, since optical slaves require one burst of light to trigger them; however, you can effectively use them in single-light situations by programming your in-camera flash to fire at a very low power (1/64th or less if possible) and assume that the flash with the optical slave will completely overpower this small amount of light. It should also be noted that many modern flashes contain a built-in optical slave, which eliminates the need to add an optical slave; they are mostly for use with older flashes or in circumstances where you might need an especially highly sensitized slave. One other note regarding optical slaves is to account for the pre-flash that will occur when using TTL flash metering. Often, the slave will react to this pre-flash, as opposed to the intended “main flash,” and your lighting sync will be off. Some optical slaves have a function to automatically ignore this pre-flash, while on others, you must manually disable the pre-flash either through your camera or the master flash you are using to trigger the optical slaves.

The other method of wireless triggering is through the use of an infrared or radio system. One of the main advantages of these is that you do not require a hard-wired flash in order to wirelessly trigger a group of flashes or even a single flash; your entire lighting setup can be controlled from a transmitter connected to your camera. When working with a wireless transmitter and receiver system, you will connect one unit to each flash needed and one to your camera; this provides a remote method of communication between your camera and flashes to trigger flashes, and sometimes a means to even control the power output of individual flashes. This method can also function well if using a single unit on your camera and main flash, then utilizing optical triggering to set off subsequent flashes. Another benefit to these triggering systems is that some flashes contain a built-in infrared receiver, saving you the need to attach an auxiliary one. When working with radio transmitters, it is less common for flashes to have built-in receivers, unless working with proprietary transmitters and higher-end flashes.

An infrared triggering system is similar to an optical method, but as the name implies, it utilizes infrared wavelengths to transmit the flash signal. This has a benefit over an optical trigger, as you do not need an on-camera or directly tethered flash to trigger your exposure, which can affect your exposure and limit the means of how you light your image. An infrared transmitter is essentially a low-powered flash with an IR filter over the front of it; when it emits a burst of light, the IR filter attenuates most of this light and converts it to an infrared signal. Infrared remotes work best in indoor situations when there isn’t an abundance of ambient light to disrupt the infrared transmission, and they also usually require your infrared receiver to be in direct line of sight of the infrared transmitter. With these drawbacks in mind, IR systems do have the advantage of being able to handle extremely fast sync speeds, due to the lack of time needed to compensate for a radio transmission.

The last, and most sophisticated method of wirelessly triggering flashes, is through the use of a radio transmitter and receiver system. Radio remotes have the advantage of being completely non-reliant on optics and do not require a line of sight or certain lighting conditions to function properly. They can operate across numerous channels, which greatly enhances photographing with wireless flash in situations where multiple photographers are working. Their other main benefit is that some radio systems integrate full TTL compatibility, which gives direct connection between the flash and your camera for controlling flash exposure. Many radio slaves also have dual functionality, deeming them transceivers, which allows the same units to be placed on either cameras or flashes. Transceivers can usually be set to transmit or receive, which helps to further dial in the specific purpose of them under certain circumstances.

Additional Battery Power

As previously mentioned, one of the defining characteristics of an on-camera flash is a self-contained power source. This power source, often AA batteries, is stored inside the flash and can be replaced easily during the course of a photo session. This convenience is certainly appealing when compared to portable strobe packs featuring batteries that alone can weigh more than 20 lb; however, AA batteries are also not that powerful. Flash is a power-craving tool that requires battery power and quantity in excess of typical camera batteries. Rather than favoring a dependency on numerous AA batteries, it is beneficial to use an external battery pack if you use flash on a regular basis. Auxiliary battery packs are often compact in size, for carrying in a pocket or attaching to a belt, and connect to your flash via a dedicated cable. Packs contain an internal, rechargeable battery; a removable, rechargeable battery; or in some instances, are simply a means to bundle several AA or other common battery type together to more efficiently provide longer battery life versus changing out batteries from the flash itself. In addition to longer battery life, battery packs also often allow for faster recycle times—meaning you can fire your flash more rapidly with less time in between bursts. Often only higher-end flashes will support the use of an external battery pack, since they are more typically put through longer shooting times and more strenuous conditions.

Other Features to Look for When Purchasing a Flash

As it would when looking for any other camera equipment, purchasing a flash should be heavily dependent on your needs to ensure it has the features you will use and will best suit the applications for which you intend to use it. Additionally, it is usually preferable to work with a flash best suited to the specific camera type you use, either by way of using the same brand or a third-party manufacturer with camera-compatible accessories and connections. This is especially prevalent in regard to TTL systems, with not all TTL-compatible devices being TTL-compatible with your specific camera or flash. Like cameras, too, flash choice should also take into account the build quality and how it will withstand the conditions in which you typically work. Certain flashes feature full weather-sealing, which could be necessary for working in adverse conditions.

Flash Accessories and Light Modifiers

As mentioned previously, when talking about bouncing flash and getting the flash off your camera, is that a flash’s artificial light and straightforward angle are often not the most flattering or aesthetic sources. In addition to directing your light source at something other than your subject, you can also use numerous other tools to affect the way the light strikes your subject. These on-camera light modifiers come in a wide array of shapes and sizes, all serving to alter your light in various ways.

Diffusers

The most common type of add-on light modifier for your flash is a diffuser, in either bounce, flat, dome, or wide-angle styles. These diffusers work by placing a translucent box or substrate in front of your flash, helping to soften and spread the light a bit more evenly than an undiffused flash head. You will likely lose at least one stop of power from your flash, but your light will have less directionality and more of a softer, less high-key appearance.

Mini Softboxes

A mini softbox, as the name suggests, is a smaller version of a softbox that is designed especially for use with an on-camera flash. A softbox converts your flash into a larger, softer light source to help lessen the intensity of shadows and produce a more wrapped-light quality. The differently shaped softboxes will produce differently shaped catch lights in subjects’ eyes; otherwise the different shapes will function similarly based on corresponding dimensions or surface area of the softbox.

Bounce Cards

Many flashes feature a built-in bounce card that slides out over the flash head, but if not or for more control and adaptability, auxiliary bounce cards are available. In terms of light quality, a bounce card is something between a diffuser and a soft box. It produces light akin to bouncing your flash off the ceiling or a wall. These reflector cards extend from the top of your flash head and block light from spilling in all directions, and subsequently create a larger, softer light source.

Grids and Honeycombs

Grids afford more control and a tighter light output from your flash. The honeycomb pattern helps to limit the overall spread of light and concentrate it into a more organized beam. Grids are often available in an assortment of sizes or degrees, with the smaller measurements referring to a tighter, more refined light spread.

Snoots

For an even narrower beam of light than a grid, a snoot can be used to create a small circle of light. The longer the snoot, the smaller the circle of light will be. Additionally, snoots often feature an attached grid spot at the end for an even narrower beam angle. Both grids and snoots, and a combination of the two, will produce a harder light quality, greater contrast, and more dramatic shadows due to their limiting of the light spread.

Extenders

A flash extender is essentially a Fresnel lens that concentrates the flash light into a tighter beam to be thrown at greater distances. It is similar to the idea of a telephoto lens for your flash, and some flashes even have telephoto/Fresnel lenses built into them to serve this purpose. An extender is different than a snoot in that it does not merely restrict the light from spilling; instead it focuses the light into a tighter area to simulate the angle of view of longer lenses.

Color Filters and Gels

Color filters and gels are used over your flash head to alter the color of light being produced. Most flashes emit light that is daylight-balanced (between 5000 and 6000K), which is fine for general purposes. When working under mixed-lighting conditions, however, such as fluorescent or tungsten-lit rooms, the difference in the color of light between your flash and the ambient lighting will be much more apparent. By covering your flash with a colored gel, you can more closely approximate the surrounding color temperature for more balanced lighting. These filters, often sold in kits or packs, can contain a range of colors that typically include CTB (color temperature blue) and CTO (color temperature orange) filters.

These specific filters, and more often the CTO, are frequently used to balance your strobe’s light accordingly; a full CTO will convert your flash light to approximately 3200K for tungsten lighting, and a full CTB will convert it to approximately 5600K for daylight use (if using a flash that is not already balanced for daylight). For more information on balancing mixed lighting conditions, refer to this B&H In Depth article. Additionally, many of these kits include many other colors to choose from for more creative applications where you want to use a colored light source as opposed to one appearing “white.” These filters and gels can be affixed to your flash in a large variety of ways, ranging from dedicated filter holders for your specific flash to simply taping the gel over the flash head.

Ringlights and Macro Lighting

One other specialized type of lighting is an on-camera ringlight, and other types of on-camera lighting well-suited to macro applications. While all ringlights are technically “on-camera,” these refer to those that feature self-contained power and other features as noted earlier. A ringlight is a unique lighting tool that is donut-shaped and goes directly around your lens. This circular light is perfectly aligned with the axis of your lens and helps to provide nearly shadowless lighting, since the light is coming from all angles directly surrounding the lens. When used with more powerful studio strobe battery packs, a ringlight is a popular tool for fashion and portraiture work, but when confined to an on-camera source the light output is typically fairly limited and best suited to macro and close-up applications. The other, and even more important, reason that ringlights are best suited to macro work is that they constitute an effective solution that provides even lighting to subjects where your own or your camera’s shadow would be in the way if you were using off-camera lighting. Since the light is positioned on the same plane as your lens, you are able to light anything that your lens can focus on. In addition to ringlights, there are also twin-light setups that position two separate light heads off to either side of your lens, but still on a similar plane as your lens. These dual heads can be positioned to induce a more physical, 3D quality than a ring flash since they can be tilted or moved slightly to create more dimensionality with objects. Finally, there are also twin-light setups that are attached to a ringlight to provide the benefits of both systems, including the flat, even lighting of a ringlight but with the available dimensionality of a twin-light configuration.

Flash is an entire co-existent realm to available-light photography, and can be utilized to better highlight or give a more interesting visual appearance to subjects. Flash can provide additional dimensionality and texture to subjects in a way that cannot be achieved with natural light. An on-camera flash is a practical and lightweight option for using additional light when making photographs, and serves to be much more expansive than a flash that is simply confined to be atop your camera. When used in conjunction with controlling the power output, light direction, placement, shape and color of the light output, an on-camera flash is undeniably an important tool to have for many, if not all, photographers.

If you have any questions or concerns about flash photography and what equipment is right for you, please contact a B&H Sales Professional via live chat, over the phone or in our SuperStore.

Admission Tickets | Minnesota State Fair

Tickets Are On Sale Now!

Purchase Tickets!

Pre-fair discount admission tickets for the 2022 Minnesota State Fair are on sale now at the pre-fair discount price of $13. Tickets are available via free print-at-home or mobile download delivery options. Or, if you’d like hard tickets mailed to you, select “regular mail” delivery for an additional fee; order by Dec. 13 to ensure mail delivery by Dec. 23.

Tickets are valid for any age guest (age 5+) on any one day of the 2022 fair, Aug. 25-Sept. 5. Children ages 4 and under are always free!

Important Information

The tickets available online are valid for fair-time admission on any one day of the 2022 Minnesota State Fair, Aug. 25-Sept. 5. Admission discounts may be available at the entrance gates on several discount days throughout the fair’s run; admission pricing may be less expensive if you purchase admission during the fair at the entrance gates on these discount days. No refunds will be given if you pre-purchase tickets and discover you qualify for a discount at the gate.

Limit 12 tickets per order. Multiple orders may be placed for a maximum of 24 tickets per customer (includes mailing and IP address). The Minnesota State Fair and Etix reserve the right to cancel any orders that exceed the per-customer ticket limit.

No refunds or exchanges. Ticket holder agrees to comply with all Minnesota State Fair policies and protocols (including health, safety and security) in place at the time of the 2022 State Fair, and acknowledges that policies and protocols may be updated between time of ticket purchase and the State Fair, as the Covid-19 pandemic evolves and the State Fair finalizes its 2022 plans. If the 2022 State Fair is canceled, gate tickets will be deferred to the following year.

For the 2022 fair, only tickets purchased for 2022 will be valid; tickets purchased for prior years (including 2020 and 2021) will not be accepted.

Print-at-Home Card!

Print a free card to give with your gift of State Fair admission tickets! This card prints in color on one side of an 8 1/2″ x 11″ sheet of paper. Fold paper in half and then in half again to create your card!

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What You Need To Know | Screen Rant – Screen Rant Screen RantCovid-19 Vaccine ‘Passports,’ Passes and Apps Around the Globe – The New York Times The New York TimesRedmi 9 Power 128GB 4GB RAM Price in India, Full Specifications (18th Oct 2021) at Gadgets Now – Gadgets Now Gadgets NowFLASH REPORT #158 – COVID-19 Response and Recovery | News | City of San Jose – City of San Jose, CA City of San Jose, CACan Nokia 808 camera beat Xiaomi Mi 11 Ultra? – Nokiamob NokiamobInfinix Launches All-New Hot 10S: The Ultimate Smartphone Entertainment Experience – Egypttoday EgypttodayTop 10 Best of Type C Flash Drives 2021 – Bestgamingpro – Best gaming pro Best gaming proFLASH REPORT #163 – COVID-19 Response and Recovery | News | City of San Jose – City of San Jose, CA City of San Jose, CABest 5G Mobile Phones Under Rs 20,000 in India: Mi 10i, Realme X7, Realme Narzo 30 Pro, and More – MySmartPrice MySmartPriceFLASH REPORT #160 – COVID-19 Response and Recovery | News | City of San Jose – City of San Jose, CA City of San Jose, CAOppo Reno 6 Pro 5G: Price in India, Full Specifications at Gadgets Now – Gadgets Now Gadgets NowOPPO A74 5G: A future proof 5G offering from OPPO at a pocket friendly price point – Digit DigitSamsung Galaxy A52 5G IP67-Certified Dust and Water Resistance Tipped – Gadgets 360 Gadgets 360FLASH REPORT #154 – COVID-19 Response and Recovery | News | City of San Jose – City of San Jose, CA City of San Jose, CAHow to use Adobe Flash after it gets discontinued – Fast Company Fast CompanyFLASH REPORT #153 – COVID-19 Response and Recovery | News | City of San Jose – City of San Jose, CA City of San Jose, CAIndie shoot ’em up platformer ‘My Friend Pedro: Ripe For Revenge’ brings the shooter to mobile – NME NMEOnePlus 7 Pro: How ‘waterproof’ is it really? – CNET CNETThe best waterproof phones in 2021 – Tom’s Guide Tom’s GuideNokia C10 and C20 officially announced – Nokiamob NokiamobInfinix phone with 160W fast charging support could launch soon. 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Box Office Information | STAPLES Center

The Box Office is adjacent to Star Plaza, on Chick Hearn Court, between Georgia and Figueroa. Contact the Box Office by phone at (213) 742-7340.

Box Office Hours

The box office will open every Tuesday from 12pm-4pm for walk up sales.  All tickets purchased at the box office will be delivered via mobile delivery, no printed paper tickets will be distributed at the windows. 

Visit your specific event page for full details on purchasing tickets online. 

On event days,  our box office windows will open 3 hours prior to the start of the event.*

*Please note on some events that begin prior to 12pm, the box office may open only 2 hours prior to the event. Be sure to check the event page for specific information.

Microsoft Theater and The Novo Ticket Sales

Advance tickets sales for Microsoft Theater and The Novo events are available for purchase at the STAPLES Center Box Office during operating hours. The STAPLES Center Box Office will stop selling Microsoft Theater or The Novo tickets on the day of a Microsoft Theater or The Novo event, 3 hours prior to the event start, at which time tickets can be purchased at the Microsoft Theater and The Novo Box Office directly.

Box Office Purchases

Tickets may be purchased directly at the Box Office during operating hours. STAPLES Center accepts the following methods of payment: Cash, American Express, Mastercard, Visa and Discover. When purchasing tickets with a credit card, you must show a valid photo identification to complete the transaction.

Visit our purchase agreement page for full details. 

Online Purchases

Tickets may also be purchased online:

  • STAPLES Center Online: A link to buy tickets is available for each event on the specific event page. Please visit the All Events Page to find your specific event. 
  • STAPLES Center accepts the following methods of payment: American Express, Mastercard, Discover and Visa.

90,000 is a new word in the world of mobile photography. Profoto C1, C1 Plus / Accessories / Photographic news

Date of publication: 09/18/2019

Those who like to take pictures with smartphones have one thing in common: they are ready to do anything to catch the right light for their pictures. Now there is what
help them make great shots in any circumstance.

Profoto has always strived to create the best light sources for the world’s best photographers. And they never deviated from this path even one step.“Some things have changed, though,” says CEO Anders Hedebark. “From now on, Profoto is targeting absolutely all photographers, regardless of whether they use a professional camera or a smartphone. Because we understand very well that the key to great pictures is great light. ”

The Profoto C1 range introduces completely new light sources for smartphones. They are very compact, mobile and give smartphones what they have always lacked – high-quality and pleasant light in the pictures.

“Profoto realized that now there are a lot of those who do not consider themselves a photographer, but at the same time often take pictures and largely depend on high-quality images, which are necessary for the success of the business and the presence on the Web. Bloggers and public figures are a good example of such people. This is why Profoto has developed the Profoto C1 line and the incredibly user-friendly Profoto Camera smartphone app, ”continues Anders Hedebark.

The C1 range provides light that is close to natural and with pleasant, delicate diffusion.This is achieved in part due to the circular shape of the flashes. But the main advantage of both C1 Plus and C1 is maximum simplicity.

“At the end of the day, they should be as easy to use as a smartphone. You simply connect to them in the Profoto Camera app and immediately shoot in automatic mode without worrying about the settings. This is all thanks to the advanced algorithms built into the Profoto Camera that calculate the flash power and exposure based on the ambient light, ”says
Mr. Anders.

The

Profoto C1 Plus and C1 literally challenge you to play with light. It is very convenient to navigate with them, trying different lighting angles. And to take a photo, just press the small white button on the flash itself or touch the smartphone screen.

The

C1 Plus is compatible with a range of light shaping tools such as a domed diffuser, color filters and honeycomb grids, which also fit the older A1 and A1X models. All of them seriously expand your creative possibilities, and due to the magnetic mount, they can be installed and removed instantly.If you decide to switch from a smartphone
on a DSLR or mirrorless camera, the C1 Plus will continue to be relevant as it is compatible with all Profoto AirTTL radio syncs. This means you can use several C1 Plus at the same time and even combine them with other Profoto light sources.

To summarize, the Profoto C1 line gives absolutely any photographer the freedom to realize their creativity and take high-quality pictures. Profoto is committed to making the world of professional photography accessible to everyone who wants the perfect shot.This is a world where you can endlessly experiment with lighting and discover your talent.

Anders Hedebark concludes: “With the advent of the Profoto C1 range, smartphone photography will never be the same. Now the ability to shape beautiful, natural looking light is literally in your hands. This is the key to ensuring that everyone can bring their creative vision to life. Light is the soul of photography, and Profoto light sources will change the way you work with lighting. ”

Benefits Profoto C1 Plus

Three main advantages of the Profoto C1 Plus flash:

  1. Lets you take professional-quality pictures of everything
    one touch.
  2. Delivers beautiful lighting quickly in any
    setting.
  3. Encourages experimenting with light.

Take professional-quality pictures with just one touch

  • Profoto Camera allows you to make the lighting in the frame both natural and accentuated. You just have to point the camera and shoot.
  • You can take a picture with both the C1 Plus and the iPhone.
  • Try different light and shadow patterns in constant light mode.

Achieve beautiful lighting in any environment

  • C1 Plus is very light and fits in the palm of your hand, so you can always carry it with you.
  • Due to its circular shape, the illumination is pleasant and with a soft diffusion.
  • The flash has built-in reflectors and diffuser to create natural shadows.

Experiment with light

  • A variety of light shaping tools such as color filters, honeycomb grids and a domed diffuser give you unlimited creative possibilities.
  • If you prefer to actively move around and experiment with the direction of lighting when shooting, just hold the C1 Plus in your hand. However, it also has a thread that can be used to mount it on a stand or tripod.
  • Adjust color temperature to suit lighting conditions or create vivid contrasts by playing on contradictions right in the Profoto Camera app.

Features

  • Fits in your pocket and fits comfortably in your hand.
  • Due to its round shape, it gives a pleasant light with soft diffusion.
  • Internal reflectors, positioned behind two layers of diffusing glass, distribute light evenly for natural shadows.
  • Thanks to its high color rendering index (> 90), colors are reproduced as close as possible to daylight.
  • Simulates natural color temperature in the 3000–6500K range with 10 LEDs for warm and 10 LEDs for cool.
  • Equipped with magnetic holder for Clic light shaping tools.
  • It has a fully automatic mode and the ability to manually adjust all parameters.
  • Equipped with an intelligent button for instant camera triggering.
  • Allows you to adjust the power to create the desired effect (up to 4300 lumens).
  • Functions like a regular flash and as a constant light source without flicker effect.
  • Standard 1/4 ”-20 thread for rack mounting.
  • Has a built-in rechargeable Li-polymer battery (> 2000 flashes or> 40 minutes of continuous light, full power).
  • Equipped with a USB-C connector for a full charge in 2 hours.
  • Compatible with iPhone 7 and newer.
  • Compatible with all Profoto AirTTL radio synchronizers.

Flash

  • Max. power: 4300 lumens
  • Max. illumination at a distance of 1 m: 1700 lux
  • Color temperature range: Adjustable, 3000-6500K (± 200K)
  • CRI: 90-98
  • Recycle time: 1 second at full power

Continuous light

  • Max.power: 280 lumens
  • Max. illumination at a distance of 1 m: 140 lux
  • Color temperature range: Adjustable, 3000-6500K (± 200K)
  • CRI: 90-98

Battery

  • Type: Polymer Lithium Capacity: 1500 mAh
  • Average operating time:> 2000 flashes or> 40 minutes of continuous light, at full power
  • Charging time (fast charger, 800 mA): 2 hours

Connection

  • Profoto App for iPhone 7 and newer: Yes, via Bluetooth
  • Profoto Air: Yes, built-in AirTTL
  • receiver

Profoto Air; 2.4 GHz

  • Frequency range: 2.4 GHz (2404-2479.3 MHz)
  • Number of channels: 20 (from 1st to 20th)
  • Signal output power: Up to 19.9 dBm (max.)
  • Working distance: Up to 300 m, for normal starting
  • Up to 100 m, for remote control and TTL support

Bluetooth Low Energy

  • Frequency range: 2.4 GHz (2404-2479.3 MHz)
  • Number of channels: 40
  • Signal output power: 8 dBm (max.)

Other

  • Firmware update: Via Bluetooth from Profoto Camera app

Dimensions and weight

  • Diameter: 7.9 cm
  • Height: 3.7 cm (6.4 cm with domed diffuser)
  • Weight: 176 g (208 g with domed diffuser)

Profoto C1

Benefits

The three main advantages of the Profoto C1 flash are very similar to those of the older C1 Plus:

  1. Allows you to take professional-quality pictures with just one touch.

  2. Delivers beautiful lighting quickly in any setting.

  3. Encourages experimenting with light.

Take professional-quality pictures with just one touch

  • Profoto Camera allows you to make the lighting in the frame both natural and accentuated. You just have to point the camera and shoot.
  • You can take a picture with both C1 and iPhone.
  • Try different light and shadow patterns in constant light mode.

Achieve beautiful lighting in any environment

  • C1 is very light and fits in the palm of your hand, so you can always carry it with you.
  • Due to its circular shape, the illumination is pleasant and with a soft diffusion.
  • The flash has built-in reflectors and diffuser to create natural shadows.

Experiment with light

  • Adjust the color temperature directly in the Profoto Camera app to warm or cool light, adapt to natural light or create contrast.
  • Place C1 at different angles, experimenting with shading.
  • The

  • Profoto C1 is so compact that you can place it anywhere, even hide it right in the frame!

Features

  • Fits in your pocket and fits comfortably in your hand.
  • Due to its round shape, it gives a pleasant light with soft diffusion.
  • Internal reflectors behind a domed diffuser distribute light evenly for natural shadows.
  • Thanks to the high color rendering index (> 90), colors are obtained as close as possible to those obtained in daylight.
  • Simulates natural color temperature in the 3000–6500K range with 4 LEDs for warm shades and 3 more LEDs for cool shades.
  • It has a fully automatic mode and the ability to manually adjust all parameters.
  • Equipped with an intelligent button for instant camera triggering.
  • Allows you to adjust the power to create the desired effect (up to 1600 lumens).
  • Functions like a regular flash and as a constant light source without flicker effect.
  • Has a built-in rechargeable Li-polymer battery (> 2000 flashes or> 30 minutes of continuous light, full power).
  • Equipped with a USB-C connector for a full charge in 2 hours.
  • Compatible with iPhone 7 and newer.

Flash

  • Max. power: 1600 lumens
  • Max. illumination at a distance of 1 m: 800 lux
  • Color temperature range: Adjustable, 3000-6500K (± 200K)
  • CRI: 90-98

Continuous light

  • Max.power: 280 lumens
  • Max. illumination at a distance of 1 m: 140 lux
  • Color temperature range: Adjustable, 3000-6500K (± 200K)
  • CRI: 90-98

Battery

  • Type: Polymer Lithium
  • Capacity: 1500mAh
  • Average operating time:> 2000 flashes or> 30 minutes of continuous light, at full power
  • Charging time (fast charger, 800 mA): 2 hours

Connection

  • Profoto App for iPhone 7 and newer
  • Yes, via Bluetooth

Bluetooth Low Energy

  • Frequency range: 2.4 GHz (2404-2479.3 MHz)
  • Number of channels: 40
  • Signal output power: 8 dBm (max.)

Other

  • Firmware update: Via Bluetooth from Profoto Camera app

Dimensions and weight

  • Diameter: 7.4 cm
  • Height: 4.9 cm
  • Weight: 120 g

Features

  • It can be used to shoot in fully automatic mode, where exposure and flash power are calculated based on environmental conditions.
  • And you can make the lighting in the frame natural or accented with one movement of your finger.
  • Manual mode is provided for full control over power and exposure.
  • Color temperature adjustable from warm to cold (3000-6500K).
  • Portrait mode gives a nice blur to the bokeh area.
  • Supports wide-angle, zoom and selfie lenses.
  • Ability to shoot with 3 flashes at the same time.
  • Application contains educational materials.
  • Pictures can be viewed in the Library and posted directly to social media.
  • When shooting with a DSLR or mirrorless camera, the lighting can be controlled remotely.
  • In the application, you can very quickly register your device in order to receive news about it on time.
  • Profoto devices can be upgraded wirelessly to ensure you always have the latest firmware available.

Specifications

  • OS Support: iPhone 7 or later with iOS 11 or later.
  • Compatible products: Profoto C1 Plus, C1, B10 Plus, B10 (upgrade and remote control possible via Profoto Connect app).
  • Connection: Bluetooth.

External Flash for F20M Camera | HVL-F20M

External Flash for Multi Interface Shoe F20M

External Flash for Multi Interface Shoe F20M

Wide range of lighting options with a compact and convenient flash.

A compact flash in a slim 24mm body with advanced lighting features.With a guide number of 20 (GN20), this flash is two to three times brighter than built-in flash units. The power is enough to illuminate objects at a distance of up to 5 meters (telephoto, ISO 100, f / 4), which expands the possibilities for shooting.

Bounce Light Capabilities

Flash light is bounced off the ceiling for natural lighting with soft shadows. The flash position is simply adjusted using a slide switch.By tilting the flash head upward by 75 °, you can brighten your subject more naturally.

Wireless control

Connect the flash to a compatible camera and control other compatible flash units wirelessly.

Auto Power On / Off

The compact body allows you to take the flash with you wherever you go. It turns on automatically when the head is raised and is always ready to shoot. When the head is lowered, the flash will automatically cut off the power to conserve power.

Standard functions for custom lighting

Adjust the ideal combination of shutter speed and flash output for precise results that match the creative mind.

Advanced Distance Metering (ADI)

The ADI algorithm provides accurate lens-to-subject distance measurement using TTL metering, and accurately adjusts flash output regardless of the reflectivity of subjects in the frame.

Auto White Balance (AWB)

Built-in white balance compensation based on color temperature data. As a result, you can expect more accurate adjustment of the white balance level with flash photography.

Wireless control

Connect the flash to a compatible camera and control other compatible flashes wirelessly.

Guide number

The guide number changes depending on the illumination angle.See the table below.

)

43

Focal length adjustment (35 mm, full frame)

27 mm (standard) With wide panel

50 mm (

Normal flash (power setting 1/1)

14

20

Specifications and functions

  • Guide number 20

  • Dimensions (W x H x D): approx.62 x 114 x 24 mm (2 1/2 x 4 1/2 x 1 in), Weight: approx. 105 g (3.7 oz.) (Without batteries)

  • Just one movement for bounce light shooting (approx. 75 ° up)

  • The flash is automatically activated when the flash head is raised. When the head is lowered, the flash turns off.

  • Connect your flash to a compatible camera and control other compatible flashes wirelessly

Learn more about energy-saving features, our approach to protecting the environment and how we are building a green future Our environmental site

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Ukraine has calculated the temporary price for Russian gas – Mir – Kommersant

Ukraine is ready to pay off its debt to the Russian side in the amount of $ 1.9 billion if an agreement is reached on a temporary gas price, said the head of Naftogaz Andrey Kobolev today.According to him, $ 326 per thousand cubic meters of gas is the intermediate price that could be valid until the decision of the Stockholm arbitration tribunal. The Ukrainian authorities, in turn, are ready to provide state guarantees for the payment of the debt.

Ukraine is ready to pay the Russian side its debt for gas in the amount of $ 1.9 billion upon reaching an agreement on a temporary price of $ 326 per thousand cubic meters. The head of Naftogaz of Ukraine Andriy Kobolev told reporters about this on Friday. During the next round of negotiations, which took place on June 11 with the participation of the European Union, Russia offered Ukraine a gas discount of $ 100 per thousand.cubic meters, taking into account which the cost of raw materials for Kiev would have amounted to $ 384.86. The European Commission called this price acceptable, but the Ukrainian side was not satisfied with the compromise: the only solution to the problem in Naftogaz is the appeal to the Stockholm Arbitration.

“Now the dispute between Russia and Ukraine is in the range of $ 265.5 per thousand cubic meters of gas – this is the price that was in effect at the beginning of the year, and $ 385 is the price that Gazprom insists on.The last price, of course, is not a market price, “RIA Novosti quotes a statement from the head of Naftogaz, Andrei Kobolev. During a press conference on Friday, he announced that the average price of this range is $ 326. In Kiev, this price is also considered high, but “since this price can be used as an intermediate price, that is, it can be agreed upon, for example, for a year and a half, during these one and a half years Ukraine will be calculated at this price.” According to Mr. Kobolev, during this time “Naftogaz” expects either to agree with “Gazprom” on the establishment of a fair price, or to resolve the issue in an arbitration court.

Andriy Kobolev also added that upon reaching an agreement on a temporary price, Ukraine is ready to pay its Russian partners $ 1.9 billion for the gas already consumed. Moreover, the Ukrainian government is ready to provide state guarantees for the payment of arrears. “To remove these doubts, the government agreed to a meeting with Naftogaz and the negotiation process, and confirmed that a sovereign guarantee could be provided for all actually taken gas volumes,” Mr. Kobolev told reporters.

As Kommersant previously reported, on Wednesday Gazprom agreed to postpone the advance payment for gas supplied to Ukraine until June 16. At the same time, the head of the Russian company, Alexei Miller, called Ukraine’s position on the gas issue open blackmail.

Who else can be connected to gas negotiations

Ukraine has once again rejected Moscow’s proposal, supported by the European Commission, to give a discount on gas in the amount of $ 100 per thousand cubic meters. Kiev continues to threaten Russia with Stockholm arbitration, a transition to reverse purchases from Europe and insists on further price reductions for an indefinite period.

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