Lock diary boy: Diary for boys | Etsy


Top 10 Best Diaries With Locks 2020 – Bestgamingpro

Top 10 Best Diaries With Locks 2020

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1 XIYUNTE Diary Notebook with Combination Lock, PU Leather Journal Diary with Pen Set, A5 Lined/Blank… Check Price Now
A5 Marble Diary with Lock and Key for Girls and Boys,Cute Teen Journal with Lock for Girls and Kids,. ..
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3 Journal with Combination Lock Faux Leather Writing Travel Diary Password A5 Notebook Check Price Now
4 Diary with Lock for Girls – Unicorn Journal with Upgraded Lock and Keys, Notebook Pages for Secret… Check Price Now
5 CAGIE Heart-Shaped Lock Diary with Key, Pink Diary with Lock for Girls, B6 Leather Locking Journals… Check Price Now
6 Lock Diary with Key for Girls Sparkling Leather Cover Notebook Heart-Shaped Locking Personal Journal… Check Price Now
7 Lock Journal Leather Diary with Lock for Women Adults Writing Personal Yellow Refillable Locked. .. Check Price Now
8 Lock journal Leather Personal Diary with Combination Lock Secret Locking Diary for Women Girls Pink… Check Price Now
Diary for Girls with Lock and Keys, Plush Dog Secret Diary a Gift Set for Kids, Puppy Dog Diary for… Check Price Now
Heart Shaped Lock Diary with Key&Heart Diamond Pen,PU Leather Cover,A5,Journal Secret Notebook Gift…
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1. Lock Diary Secret Pu Leather Combination Lock Journal Cute Writing Notebook Refillable Personal Locking Diary for Girls Rose Red

  • High density refillable pages – thick locking diary 100 sheets(200 pages)lined paper and 7 sheets(14 pages) blank paper.cover has pockets on the inside of the front and rear covers to remove and refill with more the size pages. pages have high density 100gsm paper so that even high volume ink pens don’t bleed through. smooth and fluid writing experience for ballpoint pe…
  • Multiple uses: write down your goals and aspirations. track your progress and celebrate when you completed each goal! fantastic for capturing ideas! write down all your thoughts and ideas at a moments notice so you don’t loose those creative sparks.
    record your valuable thoughts, memories and experiences in this classic notebook.
  • Lockable – keep your thoughts private with the customizable three digit combination code. hold latch to the right, set your own code, let go of latch, that’s it! don’t worry if you forget the combination, please refer to product images for instructions.
  • Unique vintage styling:for those who love a mix of classic and modern, the vintage notebook journal made of pu leather, soft in hands, suit for travel and personal lock diary.
  • Satisfaction guaranteed: fall in love with this locking journal! if you don’t, return it and receive a full refund; no questions asked.if you not open or forget the passcode,please contact us,we can help you open it and change the code.
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2. Playhouse Radioactive Glow in The Dark Lock & Key Lined Page Diary for Kids

  • Dream, write and imagine the possibilities in this 6.25″ tall diary featuring 108 double-sided lined pages, a lock with two keys and and a fantastic glow in the dark cover!
  • A diary is also an excellent way to encourage a reluctant writer to practice penmanship and grammar skills without making it feel like “homework”, too!
  • Children love to have a special locked diary where they can write thoughts, doodles, notes, secrets and wishes!
  • Gather autographs from summer camp friends, glue in photos and clippings – the options are endless
  • Once the diary is full, lock this keepsake away to look back on with fond memories; for ages 6 years and older
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Space Diary with lock for Boys and Girls – Secret Locking Journal with Lock and Key, 200 Pages of Beautiful Space Artwork with Astronaut Pen and Stickers, Great Journals Diaries for kids
  • ✅ premium quality design – our designer space journals are made with premium material and are certified compliant with all usa child safety standards. the entire journal is uniquely designed with great artwork, this is not a typical blank journal.
  • 🚀 comes with astronaut pen, stickers and lock – the beautiful design comes with a matching space pen and stickers to complete the set. it also includes a lock with 2 keys.
  • 😍 amazing gift – for space and diary lovers, our lockable boys or girls diary will bring fun and joy to any little boy or girl . a great present for a little girl or boy for birthday, christmas, graduations or valentines day.
  • 🎁gift packaged – our space astronaut diary comes with a beautiful gift ready box, put the recipients name on it, and your ready to gift away!
  • ⭐100% money back guarantee – we are based on quality and inspiration. we are so confident that your son, daughter, sister, niece, nephew or girlfriend or boyfriend will love our unicorn journal, we confidently offer a 100% money back guarantee, no questions asked!
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4. CAGIE Starry Sky Lock Journal Digital Password Personal Leather Diary Constellation Secret Locking Notebook for Women, Starry Sky

  • ★ unique design – the blue leather cover is decorated with a super star or various constellation patterns.unique design patterns to makes your diary stand out.97 sheets of lined ones and 15 sheets blank papers,to ensure writing experience.100 gsm no-bleed inner paper can effectively protect your eyesight,suit for most pens.
  • ★ perfect gift – this creative lock journal is suitable for all adults, men, women, teen girls and boys. makes an awesome anniversary or birthday gift! it is ideal for office, academic, for travel or outdoor adventures, poetry work, creative writing, listing ideas, making sketches and sketches; suitable for staff, students, moms, teachers, tourists, painters, etc.
  • ★ lock journal – creative metal password lock, 0-9 three-digit combination, hundreds of password combination,a good degree of confidentiality.keep your secrets and innermost thoughts under lock. record new ideas, precious memories and experiences.
  • ★ secret diary – (8.9 × 6.6 inch), b6 lock diary is made from animal-friendly pu leather.soft to the touch, strong durability;blue ribbon bookmarks,easy to record and review;elastic pen holder for various pen shapes;hard cover notebook provided extra writing support and lasting protection.
  • ★ cagie brand support – you can purchase our products with full confidence that if you don’t love it due to any quality issues, we will replace it or give you every cent back! if you not open or forget the passcode,please contact us,we can help you open it and change the code.don’t miss this starry sky lock journal!
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5. Heart Shaped Lock Diary with Key for Girls PU Leather Cover Journal Personal Organizers Secret Notebook for Women, B6 Size 5.

3×7 inch, Pink
  • ✿ metal materials:the pages of this quality crafted journal have gold gilded edges for appearance and preservation; sewn binding adds strength and flexibility
  • ✿ special shape:heart shaped gold-tone lock and a key; arrives boxed, ready for gift heart- lock with key
  • ✿ lock diary:heart-lock with key provides a place both pretty and private to record life.visualize your life goals, make every day meaningful.
  • ✿ high-quality materials:bright pink cover is created from state of the art, feels like a soft sponge, 145 sheets, all-wood pulp paper chosen for opacity and ink absorption; attached satin ribbon marker.
  • ✿ support guarantee : our friendly and reliable customer service will respond to you within 24 hours!you can rest assured to buy it, if you don’t like it for any quality, we’ll replace it or return. thank you for your support and trust.
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7. Just My Style Light Up Diary By Horizon Group Usa, Keep Your Secrets Under Lock & Key! Write Your Secret Messages & Decorate Pages with Colorful Stickers! Light Up Cover

  • Light up your dreams: press the heart in the bottom right corner to keep your dreams in the spotlight.
  • Keep your secrets safe: use the lock and key to ensure your entries are seen by your eyes only!
  • Includes everything you need: 1 light-up diary 40 sheets (80 pages), 1 ballpoint pen, 1 sticker sheet, 1 lock, 2 keys, easy-to-follow instructions
  • Unleash your creativity: let your imagination flow on all 80 pages in your light-up diary!
  • Express yourself: whether you write about your favorite memories or make lists of your goals, your light-up diary is a safe space for you to express yourself!
  • Stick your style onto every page: from trendy icons to inspirational quotes and stylish letters, your journal includes a sticker sheet so you can make every page pop.
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9. B6 Journal Vintage Brown Rudder Leather Journal Diary Notebook Three-Digit Password Combination Lock Creative Stationery (Brown)

  • High-quality leather: selected high-quality pu leather, 360 degree no dead angle, delicate touch, wear-resistant, the cover has embossed sailor elements, clear lines, stylish atmosphere.
  • Storage function: there is a multi-function data bag in the notebook, which can store various scattered materials such as business cards and receipts.
  • Privacy protection: antique metal code lock, 0-9 three-digit password lock, thousands of password combinations, better protect your secrets, whether it is trade secrets or personal privacy, can be fully protected.
  • Protect eyesight: 100g beige writing paper on the inside of the notebook, delicate and smooth, protect the eyes, a total of 112 pages, horizontal line and blank pages perfectly combined to meet diverse writing needs.
  • Portable: the size of the notebook is 5.51×7.87×1.1 in and weighs 1.37lb. it can be carried into a briefcase or a bag and carried to any place, open and use anytime, and record daily life.
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10. Peaceable Kingdom Deep Space Glow in The Dark 6.25″ Lock and Key, Lined Page Diary for Kids

  • Details: these diaries measure 5.5” wide x 6.25” high. for ages 5 years old and up. comes with 104 double-sided lined pages and lock and key. use your pen or pencil to draw in this little secret book!
  • Endless possibilities: any child can use this journal notebook however they’d like, whether they want to write their secretive thoughts, sketch some doodles, insert fun photos, or get friends’ autographs.
  • Deep space diary: peaceable kingdom presents this deep space diary! your private thoughts will be safe in this lock and key journal which features an outer space design and glows in the dark!
  • Safe space: give children somewhere to freely express themselves with this cool stationery! boys and girls alike can have fun as they reflect on, write down, and lock up their personal thoughts and feelings.
  • Classroom education: journal writing it a great educational learning tool for boys and girls as teachers teach kids about vocabulary and writing. journals are a teaching aid that youth use to study and learn in class.
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Diary for Boys Secret Journal with Lock and Key – Free download and software reviews

Dear boys, you finally have a friend in whom you can confide! “Diary for Boys Secret Journal with Lock and Key” is a new “diary with lock for boys” that will help you keep your secrets safe. Download it for free and start revealing secrets to your “dear diary for boys”! Share your most profound emotions with this “secret diary with lock” and be sure that they will stay away from all prying eyes! Ease your mind and hide your deepest secrets within this “personal journal with password” Diary for Boys Secret Journal with Lock and Key . If you are in doubt, talk to your “boys lockable diary” and spill it all out! You can rest assured that this is the safest “diary 2020 with lock” and whatever you put inside will be available to you only! Choose the type of security that you prefer password, pin or fingerprint, and enjoy using this “private notes app” every day! “My secret diary for boys” also offers tons of emoticons to decorate your entries, as well as the option to attach a photo from your gallery. So wait no more! Get this “password diary for girls and boys” right now and start writing your own life story!

How to use:

Download Diary for Boys Secret Journal with Lock and Key totally free of charge!

Insert the entry title and start writing your secret notes!

Add an emoticon and a photo that go with your entry!

Protect your personal journal with a pin code, a pattern or a fingerprint!

If you feel like it, you can share your secret with friends on social networks!

Grab your private book Diary for Boys Secret Journal with Lock and Key and start keeping track of the milestones of your life. All the important everyday events can find its safe place inside this awesome journal with password designed especially for boys. If you are a girl, you can use it equally well and make it your own diary with lock pattern for girls. Write down your activities, your moments of surprise, disappointment or perfect happiness. This diary free app with lock for boys will be your loyal friend for better or for worse! Whatever it is that is bothering you, you can whisper it to this personal diary with lock and key and keep it away from others. Set your password (PIN code) or fingerprint protection and you be sure that whatever you write will be kept secure in this diary planner!

The best of diary games with a lock for a boy are a perfect app for boys who are always on the go and seeking new adventures. You can use it even offline and put down every new experience that comes your way. Don’t let a single moment escape you! Download Diary for Boys Secret Journal with Lock and Key and it will be your loyal companion on every trip! Make daily entries and spice it up with cool emoticons and a photo of your choice! Your top diary with lock protection is the safest diary app lock on the market because it offers several forms of protection. However, if you feel like sharing your private notes, you can do that as well via our share button. But it is only up to you! So boys, don’t hesitate to open your heart to your new friend, diary free app with lock, and be sure that its contents will remain safe and hidden from the public eye.

‎Secret Diary With Lock on the App Store

Secret Diary With Lock is one of the best writing diaries on the market that will keep all your important stuff away from the public eye. Lock away your secrets with the cutest secret diary with a lock password. Make daily journal entries and express your feelings with a bunch of new emojis. Be sure that this private notes app will protect your privacy because it offers three different types of locks safe, pattern and diary with a pin lock.

Secret Diary With Lock for all of your secrets, feelings, thoughts, and memories will be carefully locked and password protected so relax and make daily notes with a date using the best notebook journal with a lock on your smartphone or tablet. Choose between various different wallpapers, stylish writing fonts, and themes and make a personalized diary. All your secrets, your dreams, and your memories can be organized and managed in these free apps.

Features of Secret Diary With Lock:

# Make unlimited entries every day.
# Easily create, modify or delete entries.
# Some secret features as its a secret diary.
# Set a daily, weekly or monthly reminder to write.
# Add photos or a mood emoji to each entry.
# Set a lock and keep your secrets private.
# Secret diary with pattern lock for boys and girls.
# Reset, backup or restore your data.

Use this diary and put down all your thoughts or even future plans and follow them as time passes. You can be sure that our glitter secret diary will keep your stories safe, and away from the eyes of curious friends. Allows you to classify and keep safe all the events and emotions that happen to you and reminds you to write frequently so that you don’t miss something in the way. With this diary, you can write all your private notes and secure them with a pin code or password.

User-friendly, the user interface is designed to allow you to enter new notes quickly and easily. This is buying personal diary with lock online to password diary app for voice-activated diary is best diary with password like to personal daily journal with make your own diary to personal diary app and lockable diary for adults in online diary with lock, online diary writing for creating your own diary and diary with lock password is the best journal app.

Download and give us a review of Secret Diary With Lock.
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EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids Learning & Education Toys & Games ktlog.com.my

EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids Learning & Education Toys & Games ktlog.com.my
  1. EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids

EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids,and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids EverCreatives Dinosaur Diary Journal with Lock, Shakable Sequin Journal Secret Lock Diary Notebook for Kids: Diaries, Journals & Notebooks – ✓ FREE DELIVERY possible on eligible purchases,Buy EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys,Discount Prices, Easy Exchanges,The new style has arrived,Buy online here,Official Online Site- Free Return. Sequin Journal Secret Lock Diary Notebook for Kids EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable ktlog. com.my.

EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids

Buy EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys, Shakable Sequin Journal Secret Lock Diary Notebook for Kids: Diaries, Journals & Notebooks – ✓ FREE DELIVERY possible on eligible purchases. ❤ CUTE JOURNAL – All kid’s innermost thoughts and Secret will be safe in this Lock Journal. Not just for writting, this diary is perfect for keeping doodles, photos and clippings safe from prying eyes. 。 ❤ FEATURES – Golden Star shape sequin inside window of front notebook cover, it’s fun to shake. The unique Dinosaur design and crystal glitter effect make the cover come to life. 。 ❤ DETAILS – The size of this journal with Lock and Keys (2pcs) is 7.1″ x 5.3″ x 0.4″ / 18 x 13.5 x 1.2cm, 160 dobule side lined pink pages. Suggest Age 5 Years old or above. 。 ❤ PERFECT EDUCATIONAL GIFT – Journal wrinting is a great educational learning tool for boys and girls, not only for the vocabulary and wrinting, but also encorages mindfulness, a stroger sense of self-identity and confidence. It helps young teens to explore their thoughts, feelings and dreams… 。 ❤ GUARANTEE 100% MONEY BACK – We always stand behind our products. If you’re not happy with your purchase, return it for a FULL REFUND – no questions asked. 。

EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids

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EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids

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EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys Shakable Sequin Journal Secret Lock Diary Notebook for Kids

Shakable Sequin Journal Secret Lock Diary Notebook for Kids: Diaries, Journals & Notebooks – ✓ FREE DELIVERY possible on eligible purchases,Buy EverCreatives Dinosaur Diary Journal with Lock and Key for Girls and Boys,Discount Prices, Easy Exchanges,The new style has arrived,Buy online here,Official Online Site- Free Return.

Book of shadows journal amazon

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See which books made the Amazon editors’ Best Books of 2020 list: www.amazon.com/bestbooks2020.

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Shop “Book of Shadows” Journal designed by ElsieandPookaChild. Lots of different size and color combinations to choose from. Free Returns High Quality Printing Fast Shipping

Feb 09, 2013 · A Book of Shadows is a book containing religious texts and instructions for magical rituals found within the Neopagan religion of Wicca.Originating within the Gardnerian tradition of the Craft, the first Book of Shadows was created by the pioneering Wiccan Gerald Gardner sometime in the late 1940s or early 1950s, and which he utilised first in his Bricket Wood coven and then in other covens …

Find helpful customer reviews and review ratings for Leather Journal-Vintage Leatherbound Journal – Handmade Antique Deckle Edge Paper – Leather Sketchbook – Book of Shadows Journal – Thick Journal – Vintage Journal at Amazon.com. Read honest and unbiased product reviews from our users.

Selecting A Book Today there are many items that you can use as your own Book Of Shadows. From the simple spiral notebook to an beautifully crafted leather bound journal. You can do a search at Amazon.com for blank journals, or purchase journals specifically designed to be a Book of Shadows.

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A Book of Shadows is a journal that witches keep close at hand for jotting down their spells&;and this beautiful keepsake edition, by the authors of Wiccapedia, is the perfect accompaniment to that popular guide for modern witches. A concise first section features basic information on essential tools for spells, key herbs and crystals, moon … Fully interactive Book of Shadows Journal in 3D!!! Add images to the book, choose from a list or (Place URL and save to set a custom image). Book themes to customize your book of shadows. Some books have what is called “Realm” for a special immersion. Interactive Pagan objects (Book…

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Penumbra is a new annual journal that seeks to present cutting-edge articles on weird fiction as well as original weird fiction by some of the most talented contemporary writers in the field. This first issue contains scintillating new fiction by such veterans as Mark Samuels and Michael Aronovitz, as well as by new and up-and-coming writers …

Other Tor books by Brandon Sanderson The Cosmere The Stormlight Archive The Way of Kings Words of Radiance Edgedancer (Novella) Oathbringer The Mistborn trilogy Mistborn: The Final Empire The Well of Ascension The Hero of Ages Mistborn: The Wax and Wayne series Alloy of Law Shadows of Self Bands of Mourning Collection Arcanum Unbounded Other …

Penumbra is a new annual journal that seeks to present cutting-edge articles on weird fiction as well as original weird fiction by some of the most talented contemporary writers in the field. This first issue contains scintillating new fiction by such veterans as Mark Samuels and Michael Aronovitz, as well as by new and up-and-coming writers … The Book of Shadows, often just referred simply as the Book, or the Halliwell Book of Shadows, is the magical tome of the Warren Line of Witches. It is the most powerful and coveted Book of Shadows in existence and is over 300 years old. The Book has been passed down every generation ever since…

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Nov 11, 2016 · ‘Magic Spell Book: of Shadows / Grimoire ( Gifts ) [ 90 Blank Attractive Spells Records & more * Paperback Notebook / Journal * Large * Pentacle’ The ’90 Blank’ making me think this was a book with blank pages. I would suggest this needs a revision as scrolling reviews a few people have made this mistake.

18 cm Double Dragon Leather Blank Book grimoire Leather Journal Book of Shadows Spell Book Leather Diary Journal Notebook Sketchbook Gift for Artists 4.6 out of 5 stars 265 £17.00 £ 17 . 00

Shadows, a new collaborative series by Alexandra Grant and Keanu Reeves, explores the real and symbolic nature of the shadow as image and figure of speech. Grant’s photographs capture Reeves’s shadow at times as a silhouette and at others as traces of light as he and the camera move together. Handmade book of shadows Alchemy Junk journal Measures 7” x5” x3” It has 138 pages or sides to use set out in 3 signatures or sections. It has 37 cards and tags to use within , some are used as flip ups on the pages . It has an open spine hardcover, so you can see the signatures from the outside of the book too .

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Mar 01, 2005 · Buy Book of Shadows: Large Blank Journal Jou by Green Magic (ISBN: 9780954723033) from Amazon’s Book Store. Everyday low prices and free delivery on eligible orders. Book of Shadows: Large Blank Journal: Amazon.co.uk: Green Magic: 9780954723033: Books

Embossed Pentagram A5 Book of Shadows Ivy Journal 17cm This high quality alternative journal features a large silver pentagram, surrounded by ivy, takes pride of place, framed by the words Book of Shadows. Trios of ivy are placed in each corner and are connected by Celtic knot patterns. This

A Book of Shadows is a journal that witches keep close at hand for jotting down their spells–and this beautiful keepsake edition, by the authors of Wiccapedia, is the perfect accompaniment to that popular guide for modern witches. A concise first section features basic information on essential tools for spells, key herbs and crystals, moon … Jan 29, 2001 · I’m so late to this series but very excited to continue on with the next books! 3.5 out of 5 stars Book of Shadows follows a young girl called Morgan, who lives in a strong Catholic family and attends church every Sunday. Her school life changes with the arrival of a new boy called Cal, who is a practising Wiccan.

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Ambassador Bound Journal Books 5.5W x 8.375H in. 5/5 (2 Total Reviews) 11 Colors Available Item #LE192109. $5.60 / Low as View Details. Abruzzo …

What is a Book of Shadows? To phrase it very lightly, a Book Of Shadows is a type of magical journal that plots a path. It keeps record of and contains details of a witch, wizard or magicians progression throughout their life. This journal can be the record of an individual, a group or coven and even a family.

WYCHWOOD JOURNAL 20 Printable Pages for Book of Shadows | Etsy. WYCHWOOD JOURNAL – Antique looking Wicca/Witchcraft Journal pages featuring Modern Wicca: Beliefs and Traditions for Contemporary Life [Morgana, Rowan] on Amazon.com. *FREE* shipping on qualifying offers.ANIMA ANIMUS | WISE OLD MAN AND OLD WOMAN A Year And A Day Wicca Authentic Book Reviews betta.redbubble Blank Stationary| Journal |Book Of Shadows CULTURE ESBAT ESOTERICISM Estonia Werewolf witch trials Herbal Insect Repellents HERBS Hilma Klint altar-painting-1915 JEWELRY LEONARDO DA VINCI MEDITATION Midsummer Summer Solstice MISC NOTEWORTHY …

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Find many great new & used options and get the best deals for Moon Fairy Leather Journal/Book Of Shadows 9″ X 6″ at the best online prices at eBay! Free delivery for many products!

Leather Journal Book Seven Chakra Medieval Stone Embossed Handmade Book of Shadows Notebook Office Diary College Book Poetry Book Sketch Book 10 x 13 Inches 4.6 out of 5 stars 524 $24.00 $ 24 . 00 $70.00 $70.00

Home 1 / Shop 2 / Book of Shadows 3 / Book of Shadows Lined Journal. Book of Shadows Lined Journal $ 25.00. Sold Out! – Back Soon. Waitlist this item. Information about keeping a Book of Shadows and/or a Magical Journal. Shop The Grimoire at the Amazon Arts, Crafts & Sewing store. Book of Shadows coloring pages about the Wheel of the year, Wiccan sabbats, witch life, candle color meanings, healing herbs for your witchy rituals, magical uses…

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Book of Shadows Dream Journal Grimoire Journal Diary Red Notepad A4 Present Aged paper Custom Witchcraft Wicca Spell Book Handmade notebook MagicLadyBook $ 134.00 FREE shipping

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Inside America’s Great Romance With Norman Rockwell | Arts & Culture

I did not grow up with a Norman Rockwell poster hanging in my bedroom. I grew up gazing at a Helen Frankenthaler poster, with bright, runny rivulets of orange and yellow bordering a rectangle whose center remained daringly blank. As an art history major, and later as an art critic, I was among a generation that was taught to think of modern art as a kind of luminous, cleanly swept room. Abstract painting, our professors said, jettisoned the accumulated clutter of 500 years of subject matter in an attempt to reduce art to pure form.

Rockwell? Oh God. He was viewed as a cornball and a square, a convenient symbol of the bourgeois values Modernism sought to topple. His long career overlapped with the key art movements of the 20th century, from Cubism to Minimalism, but while most avant-gardists were heading down a one-way street toward formal reduction, Rockwell was driving in the opposite direction—he was putting stuff into art. His paintings have human figures and storytelling, snoozing mutts, grandmothers, clear-skinned Boy Scouts and wood-paneled station wagons. They have policemen, attics and floral wallpaper. Moreover, most of them began life as covers for the Saturday Evening Post, a weekly general-interest magazine that paid Rockwell for his work, and paychecks, frankly, were another Modernist no-no. Real artists were supposed to live hand-to-mouth, preferably in walk-up apartments in Greenwich Village.

The scathing condescension directed at Rockwell during his lifetime eventually made him a prime candidate for revisionist therapy, which is to say, an art-world hug. He received one posthumously, in the fall of 2001, when Robert Rosenblum, the brilliant Picasso scholar and art-world contrarian in chief, presided over a Rockwell exhibition at the Solomon R. Guggenheim Museum in New York. It represented a historic collision between mass taste and museum taste, filling the pristine spiral of the Gugg with Rockwell’s plebeian characters, the barefoot country boys and skinny geezers with sunken cheeks and Rosie the Riveter sitting triumphantly on a crate, savoring her white-bread sandwich.

The great subject of his work was American life—not the frontier version, with its questing for freedom and romance, but a homelier version steeped in the we-the-people, communitarian ideals of America’s founding in the 18th century. The people in his paintings are related less by blood than by their participation in civic rituals, from voting on Election Day to sipping a soda at a drugstore counter.

Because America was a nation of immigrants who lacked universally shared traditions, it had to invent some. So it came up with Thanksgiving, baseball—and Norman Rockwell.

Who was Rockwell? A lean, bluish man with a Dunhill pipe, his features arranged into a gentle mask of neighborliness. But behind the mask lay anxiety and fear of his anxiety. On most days, he felt lonesome and loveless. His relationships with his parents, wives and three sons were uneasy, sometimes to the point of estrangement. He eschewed organized activity. He declined to go to church.

Although Rockwell is often described as a portrayer of the nuclear family, this is a misconception. Of his 322 covers for the Saturday Evening Post, only three portray a conventional family of parents and two or more children (Going and Coming, 1947; Walking to Church, 1953; and Easter Morning, 1959). Rockwell culled the majority of his figures from an imaginary assembly of boys and fathers and grandfathers who convene in places where women seldom intrude. Boyishness is presented in his work as a desirable quality, even in girls. Rockwell’s female figures tend to break from traditional gender roles and assume masculine guises. Typically, a redheaded girl with a black eye sits in the hall outside the principal’s office, grinning despite the reprimand awaiting her.

Although he married three times and raised a family, Rockwell acknowledged that he didn’t pine for women. They made him feel imperiled. He preferred the nearly constant companionship of men whom he perceived as physically strong. He sought out friends who went fishing in the wilderness and trekked up mountains, men with mud on their shoes, daredevils who were not prim and careful the way he was. “It may have represented Rockwell’s solution to the problem of feeling wimpish and small,” maintains Sue Erikson Bloland, a psychotherapist and the daughter of pioneering psychoanalyst Erik Erikson, whom Rockwell consulted in the 1950s. “He had a desire to connect with other men and partake of their masculinity, because of a sense of deficiency in himself.”

Revealingly, his earliest known work portrays an elderly man ministering to a bedridden boy. The charcoal drawing has never been reproduced until now. Rockwell was 17 years old when he made it, and for years it languished in storage at the Art Students League, which had purchased it from the artist when he was a student there. Consequently, the drawing was spared the fate of innumerable early Rockwells that were lost over the years or destroyed in a disastrous fire that consumed one of his barn-studios in later life.

Not long ago, I contacted the League to ask if it still owned the drawing and how I could see it; it was arranged that the work would be driven into Manhattan from a New Jersey warehouse. It was incredible to see­—a marvel of precocious draftsmanship and a shockingly macabre work for an artist known for his folksy humor. Rockwell undertook it as a class assignment. Technically, it’s an illustration of a scene from “The Deserted Village,” the 18th-century pastoral poem by Oliver Goldsmith. It takes you into a small, tenebrous, candlelit room where a sick boy lies supine in bed, a sheet pulled up to his chin. A village preacher, shown from the back in his long coat and white wig, kneels at the boy’s side. A grandfather clock looms dramatically in the center of the composition, infusing the scene with a time-is-ticking ominousness. Perhaps taking his cue from Rembrandt, Rockwell is able to extract great pictorial drama from the play of candlelight on the back wall of the room, a glimpse of radiance in the unreachable distance.

Rockwell had been taught in Thomas Fogarty’s illustration class that pictures are “the servant of text.” But here he breaks that rule. Traditionally, illustrations for “The Deserted Village” have emphasized the theme of exodus, portraying men and women driven out of an idyllic, tree-laden English landscape. But Rockwell moved his scene indoors and chose to capture a moment of tenderness between an older man and a young man, even though no such scene is described in the poem.

Put another way, Rockwell was able to do the double duty of fulfilling the requirements of illustration while staying true to his emotional instincts. The thrill of his work is that he was able to use a commercial form to work out his private obsessions.


Rockwell, who was born in New York City in 1894, the son of a textile salesman, attributed much about his life and his work to his underwhelming physique. As a child he felt overshadowed by his older brother, Jarvis, a first-rate student and athlete. Norman, by contrast, was slight and pigeon-toed and squinted at the world through owlish glasses. His grades were barely passing and he struggled with reading and writing—today, he surely would be labeled dyslexic. Growing up in an era when boys were still judged largely by their body type and athletic prowess, he felt, he once wrote, like “a lump, a long skinny nothing, a bean pole without beans.”

It did not help that he grew up at a time when the male body—as much as the mind—had come to be viewed as something to be improved and expanded. President Theodore Roosevelt himself was an advocate of body modification. Much of Rockwell’s childhood (ages 7 to 15) took place during the daunting athleticism of Teddy Roosevelt’s presidency. He was the president who had transformed his sickly, asthmatic body into a muscular one, the naturalist president who hiked for miles and hunted big game. In the T.R. era, the well-developed male body became a kind of physical analogue to America’s expansionist, big-stick foreign policy. To be a good American was to build your deltoids and acquire a powerful chest.

Rockwell tried exercising, hoping for a transformation. In the mornings, he diligently did push-ups. But the body he espied in the mirror—the pale face, the narrow shoulders and spaghetti arms—continued to strike him as wholly unappealing.

In 1914, Rockwell and his parents settled in a boardinghouse in New Rochelle, New York, which was then a veritable art colony. The Golden Age of Illustration was at its peak and New Rochelle’s elite included J.C. Leyendecker, the star cover artist for the Saturday Evening Post. There was more new art by American artists to be found in magazines than there was on the walls of museums.

Rockwell wanted mainly one thing. He wanted to get into the Saturday Evening Post, a Philadelphia-based weekly and the largest-circulation magazine in the country. It didn’t come out on Saturdays, but on Thursdays. No one waited until the weekend to open it. Husbands and wives and precocious children vied to get hold of the latest issue in much the same way that future generations would vie over access to the household telephone or the remote control.

Rockwell’s first cover for the Post, for which he was paid a whopping $75, appeared in the May 20, 1916, issue. It remains one of his most psychologically intense works. A boy who appears to be about 13 is taking his infant sister out for some fresh air when he bumps into two friends. The boy is mortified to be witnessed pushing a baby carriage. While his friends are clad in baseball uniforms and heading off to a game, the baby-sitting boy is dressed formally, complete with a starched collar, bowler hat and leather gloves. His eyes are averted and almost downcast as he hurries along, as if it were possible to physically escape the mocking gaze of his tormentors.

Rockwell became an immediate sensation, and his work began appearing on the cover of the Saturday Evening Post about once a month, as often as his hero and neighbor J.C. Leyendecker. The two illustrators eventually became close friends. Rockwell spent many pleasant evenings at Leyendecker’s hilltop mansion, an eccentric household that included Leyendecker’s illustrator-brother, Frank; his sister, Augusta; and J.C.’s male lover, Charles Beach. Journalists who interviewed Rockwell at his studio in New Rochelle were charmed by his boyish appearance and abundant modesty. He would invariably respond to compliments by knocking on wood and claiming that his career was about to collapse. Asked about his artistic gifts, he brushed them off, explaining, “I agree with Thomas Edison when he says that genius is 1 percent inspiration and 99 percent perspiration.”

By the time his first Post cover had appeared, Rockwell had impulsively proposed marriage to Irene O’Connor, an Irish-Catholic schoolteacher whom he met at the boardinghouse in New Rochelle. “After we’d been married awhile I realized that she didn’t love me,” Rockwell later wrote. He never seemed to flip the question and contemplate whether or not he loved her. The marriage, which produced no children, somehow lasted nearly 14 years. Irene filed for divorce in Reno, Nevada, a few months after the Great Crash.

Rockwell wasted no time in picking a second wife. He was visiting Los Angeles when he met 22-year-old Mary Barstow at the home of dear friend Clyde Forsythe, a cartoonist and landscape painter. Mary, who smoked Lucky Strikes and had frizzy hair, had graduated from Stanford the previous spring in the class of 1929. He had known her for exactly two weeks when he asked her to marry him. On March 19, 1930, they applied for a marriage license at the Los Angeles County Courthouse. He gave his age as 33, chopping off three years, perhaps because he could not imagine why a fetching woman like Mary Barstow would want to marry an aging, panic-stricken divorcé.

For the next decade, he and Mary lived in a handsome white Colonial in New Rochelle, a suburb in which a certain kind of life is supposed to unfold. But within the first year of their marriage, she began to feel excluded from her husband’s company. He derived something intangible from his assistant Fred Hildebrandt that she could not provide. Fred, a young artist in New Rochelle who earned his living modeling for illustrators, was attractive in a dramatic way, tall and slim, his luxuriant blond hair combed straight back. In 1930, Rockwell hired Hildebrandt to run his studio, which required that he help with tasks from building stretchers to answering the phone to sitting on a hardwood chair for hours, holding a pose.

By 1933, Rockwell had become the father of two sons, Jarvis, a future artist, and Thomas, a future writer. (The youngest, Peter, a future sculptor, would arrive in 1936.) But Rockwell was grappling with the suspicion that he did not feel any more attracted to his second wife than he had to his first. He still cultivated close relationships with men outside his family. In September 1934, he and Fred Hildebrandt headed off on a two-week fishing expedition in the wilds of Canada. Rockwell kept a diary on the trip, and it records in detail the affection he felt for his friend. On September 6, Rockwell was delighted to wake up in the cold air and spot him lounging around in a new outfit. “Fred is most fetching in his long flannels,” he notes appreciatively.

That night, he and Fred played gin rummy until 11, sitting by the stove in the cabin and using a deck of cards that Rockwell had made himself. “Then Fred and I get into one very narrow bed,” he noted, referring to a rustic cot made from a hard board and a sprinkling of fir branches. The guides climbed into a bed above them, and “all during the night pine needles spray us as they drop from the guides’ bed.”

Was Rockwell gay, whether closeted or otherwise? In researching and writing this biography over the past decade, I found myself asking the question repeatedly.

Granted, he married three times, but his marriages were largely unsatisfactory. The great romance for Rockwell, to my mind, lay in his friendships with men, from whom he received something that was probably deeper than sex.

In the fall of 1938, Rockwell and Mary bought a farmhouse set on 60 acres in southern Vermont. Rockwell learned about the village of Arlington from Hildebrandt, who fished there every spring. Eager to reinvent his art by finding new models and subjects, he left New Rochelle and became a proud New Englander. However, unlike the archetypical Vermonters whom he would portray in his paintings—people who savor long afternoons on front porches—Rockwell didn’t have ten seconds to spare. A nervous man, he drank Coca-Cola for breakfast, was afflicted with backaches and coughs, and declined to swim in the Battenkill River flowing through his front yard, insisting that the water was too cold.

Nonetheless, the change of scenery served him well. It was in Vermont that Rockwell began using his neighbors as models and telling stories about everyday life that visualized something essential about the country. New England was, of course, the site of the American Revolution, and it was here, during World War II, that Rockwell would articulate the country’s democratic ideals anew, especially in the series of paintings that took their theme from President Franklin D. Roosevelt’s Four Freedoms. Rockwell originally offered to do the paintings as war posters for the U.S. government’s Office of War Information. But on a summer afternoon in 1942 when he headed down to Arlington, Virginia, and met with OWI officials, he received a painful snub. An official declined to take a look at the studies he had brought with him, saying the government planned to use “fine arts men, real artists.”

Indeed, in coming months, Archibald MacLeish, the poet and assistant director of the agency, instead reached out to modern artists who he believed could lend some artistic prestige to the war effort. They included Stuart Davis, Reginald Marsh, Marc Chagall and even Yasuo Kuniyoshi, who, as a native of Japan, might then have seemed an unlikely choice for American war posters. Rockwell, in the meantime, spent the next seven months in a state of jittery exhaustion as he proceeded to create his Four Freedoms—not for the government, but for the Saturday Evening Post.

The best painting in the series is probably Freedom from Want. It takes you into the dining room of a comfortable American home on Thanksgiving Day. The guests are seated at a long table, and no one is glancing at the massive roasted turkey or the gray-haired grandma solemnly carrying it—do they even know she is there? Note the man in the lower right corner, whose wry face is pressed up against the picture plane. He has the air of a larksome uncle who perhaps is visiting from New York and doesn’t entirely buy into the rituals of Thanksgiving. He seems to be saying, “Isn’t this all just a bit much?” In contrast to traditional depictions of Thanksgiving dinner, which show the pre-meal as a moment of grace—heads lowered, praying hands raised to lips—Rockwell paints a Thanksgiving table at which no one is giving thanks. This, then, is the subject of his painting: not just the sanctity of American traditions, but the casualness with which Americans treat them.

The Four FreedomsFreedom from Want, along with Freedom of Speech, Freedom to Worship and Freedom from Fear—were published in four consecutive issues of the Post, starting on February 20, 1943, and they were instantly beloved. The Office of War Information quickly realized it had made an embarrassing mistake by rejecting them. It managed to fix the error: The OWI now arranged to print some 2.5 million Four Freedom posters and make the four original paintings the stellar centerpiece of a traveling war-bond sales campaign.

Rockwell’s Four Freedoms did not attempt to explain the war—the battles or the bloodshed, the dead and injured, the obliteration of towns. But the war wasn’t just about killing the enemy. It was also about saving a way of life. The paintings tapped into a world that seemed recognizable and real. Most everyone knew what it was like to attend a town meeting or say a prayer, to observe Thanksgiving or look in on sleeping children.


As Rockwell’s career flourished, Mary suffered the neglect that has befallen so many wives of artists, and she turned to alcohol for solace. Thinking he needed to be away from her, Rockwell headed to Southern California by himself in the fall of 1948. He spent a few months living out of a suitcase at the Roosevelt Hotel in Hollywood as his wife lingered in snowbound Vermont, lighting cigarettes and stubbing them out in heavy ashtrays. That was the year that Christmas Homecoming, the defining image of toasty holiday togetherness, graced the cover of the Post. It is the only painting in which all five members of the Rockwell family appear. A Christmas-day gathering is interrupted by the arrival of a son (Jarvis), whose back is turned toward the viewer. He receives a joyous hug from his mother (Mary Rockwell) as a roomful of relatives and friends look on with visible delight. In reality, there was no family gathering for the Rockwells that Christmas, only distance and discontent.

In 1951, Mary Rockwell turned for help to the Austen Riggs Center, a small psychiatric hospital in Stockbridge, Massachusetts, that catered to patients who could afford months and even years of care. She was treated by Dr. Robert Knight, the center’s medical director. In coming months, while Mary was an inpatient at Riggs, Rockwell spoke regularly with Dr. Knight to discuss her progress. Through his conversations with the doctor, he became aware of mood-lifting drugs and ways to tackle his own depression. He started taking Dexamyl, a small green pill of the combination sort, half dexedrine, half barbiturate, wholly addictive.

So too, he became interested in entering therapy himself. Dr. Knight referred him to an analyst on his staff: Erik Erikson, a German émigré who had been an artist in his wandering youth and was one of the most highly regarded psychoanalysts in the country. Rockwell’s bookkeeper remembers an afternoon when the artist casually mentioned that he was thinking of relocating to Stockbridge for the winter. By Monday, Rockwell had moved, and in fact would never return to Arlington, except to sell his house a year later.

Settling in Stockbridge, in October 1953, Rockwell acquired a studio right on Main Street, one flight above a meat market. The Austen Riggs Center was practically across the street, and Rockwell went there twice a week to meet with Erikson. Much of what Erikson did in the therapeutic hour resembled counseling, as opposed to analysis. For Rockwell, the immediate crisis was his marriage. He bemoaned his shared life with an alcoholic whose drinking, he said, made her petulant and critical of his work. Rockwell was a dependent man who tended to lean on men, and in Erikson he found reliable support. “All that I am, all that I hope to be, I owe to Mr. Erikson,” he once wrote.

Rockwell was still prone to extreme nervousness and even panic attacks. In May 1955, invited to dine at the White House, at the invitation of President Eisenhower, he flew down to Washington with a Dexamyl in his jacket pocket. He was worried he’d be tongue-tied at the “stag party,” whose guests, including Leonard Firestone of rubber-tire fame and Doubleday editor in chief Ken McCormick, were the sort of self-made, influential businessmen whose conversation Eisenhower preferred to that of politicians. The story Rockwell told about that evening goes as follows: Before dinner, standing in the bathroom of his room at the Statler Hotel, he accidentally dropped his Dexamyl pill in the sink. To his dismay, it rolled down the sink, forcing him to face the president and sup on oxtail soup, roast beef and lime sherbet ring in an anxiously unmedicated state.

By now he had been an illustrator for four decades, and he continued to favor scenes culled from everyday life. In Stockbridge, he found his younger models at the school near his house. Escorted by the principal, he would peer into classrooms, in search of boys with the right allotment of freckles, the right expression of openness. “He would come during our lunch hour and pull you into the hall,” recalled Eddie Locke, who first modeled for Rockwell as an 8-year-old. Locke is among the few who can claim the distinction of “posing somewhat in the nude,” as the Saturday Evening Post reported in a bizarrely sanguine item on March 15, 1958.

The comment refers to Before the Shot, which takes us into a doctor’s office as a boy stands on a wooden chair, his belt unfastened, his corduroy trousers lowered to reveal his pale backside. As he worriedly awaits an injection, he bends over, ostensibly to scrutinize the framed diploma hanging on the wall and reassure himself that the doctor is sufficiently qualified to perform this delicate procedure. (That’s the joke.)

Before the Shot remains the only Rockwell cover in which a boy exposes his unclad rear. Locke recalls posing for the picture in a doctor’s office on an afternoon when the doctor was gone. Rockwell asked the boy to drop his pants and had his photographer take the pictures. “He instructed me to pose how he wanted it,” Locke recalled. “It was a little uncomfortable, but you just did it, that’s all.”

One night, Rockwell surprised the boy’s family by stopping by their house unannounced. He was carrying the finished painting and apparently needed to do a bit more research. “He asked for the pants,” Locke recalled years later. “This is what my parents told me. He asked for the pants to see if he had gotten the color right. They’re kind of a grey-green.” It’s an anecdote that reminds you of both his fastidious realism and the sensuality he attached to fabric and clothing.


In August 1959, Mary Rockwell died suddenly, never waking up from an afternoon nap. Her death certificate lists the cause as “coronary heart disease.” Her friends and acquaintances wondered whether Mary, who was 51, had taken her own life. At Rockwell’s request, no autopsy was performed; the quantity of drugs in her bloodstream remains unknown. Rockwell spoke little about his wife in the weeks and months following her death. After three turbulent decades of marriage, Mary had been eradicated from his life without warning. “He didn’t talk about his feelings,” recalled his son Peter. “He did some of his best work during that period. He did some fabulous paintings. I think we were all relieved by her death.”

The summer of 1960 arrived, and Senator John F. Kennedy was anointed by the Democratic National Convention as its candidate. Rockwell had already begun his portrait of him and visited the Kennedy compound in Hyannis Port. At the time, Kennedy’s advisers were concerned that the 43-year-old candidate was too young to seek the office of the presidency. He implored Rockwell, in his portrait for the cover of the Post, to make him look “at least” his age. Rockwell was charmed by the senator, believing there was already a golden aura about him.

Rockwell had also met with the Republican nominee, Vice President Richard Nixon. As much as he admired President Eisenhower, Rockwell did not care for his vice president. In his studio, he worked on the portraits of Senator Kennedy and Vice President Nixon side by side. Scrupulously objective, he made sure that neither candidate flashed a millimeter more of a smile than the other. It was tedious work, not least because Nixon’s face posed unique challenges. As Peter Rockwell recalled, “My father said the problem with doing Nixon is that if you make him look nice, he doesn’t look like Nixon anymore.”

In January 1961, Kennedy was inaugurated, and Rockwell, a widower living in a drafty house with his dog Pitter, listened to the ceremony on his radio. For several months, Erik Erikson had been exhorting him to join a group and get out of the house. Rockwell signed up for “Discovering Modern Poetry,” which met weekly at the Lenox Library. The spring term started that March. The group leader, Molly Punderson, had clear blue eyes and wore her white hair pinned up in a bun. A former English teacher at the Milton Academy Girls’ School, she had recently retired and moved back to her native Stockbridge. Her great ambition was to write a grammar book. Molly knew a class clown when she saw one. “He was no great student,” she recalled of Rockwell. “He skipped classes, made amusing remarks, and livened up the sessions.”

At last Rockwell had found his feminine ideal: an older schoolteacher who had never lived with a man, and who in fact had lived with a female history teacher in a so-called Boston marriage for decades. When Molly moved into Rockwell’s home, she set up her bedroom in a small room across the hall from his. However unconventional the arrangement, and despite the apparent absence of sexual feeling, their relationship flourished. She satisfied his desire for intelligent companionship and required little in return. Once, asked by an interviewer to name the woman she most admired, she cited Jane Austen, explaining: “She contented herself with wherever she found herself.”

They were married on a crisp fall day, in October 1961, at St. Paul’s Church in Stockbridge. Molly arrived in Rockwell’s life in time to help him endure his final moments at the Post. He hinted at his fear of decline and obsolescence in his 1961 masterpiece, The Connoisseur. The painting takes us inside an art museum, where an older gentleman is shown from the back as he holds his fedora in his hand and contemplates a “drip” painting by Jackson Pollock. He’s a mystery man whose face remains hidden and whose thoughts are not available to us. Perhaps he is a stand-in for Rockwell, contemplating not only an abstract painting, but the inevitable generational change that will lead to his own extinction. Rockwell had nothing against the Abstract Expressionists. “If I were young, I would paint that way myself,” he said in a brief note that ran inside the magazine.


For decades, millions of Americans had looked forward to taking in the mail and finding a Rockwell cover. But starting in the ’60s, when the Post arrived, subscribers were more likely to find a color photograph of Elizabeth Taylor in emphatic eyeliner, decked out for her role in the film Cleopatra. The emphasis on the common man central to America’s sense of self in 20th-century America gave way, in the television-centered 1960s, to the worship of celebrities, whose life stories and marital crises replaced those of the proverbial next-door neighbor as subjects of interest and gossip.

Rockwell was aghast when his editors asked him to give up his genre scenes and start painting portraits of world leaders and celebrities. In September 1963, when the Post’s new art editor, Asger Jerrild, contacted Rockwell about illustrating an article, the artist wrote back: “I have come to the conviction that the work I now want to do no longer fits into the Post scheme.” It was, in effect, Rockwell’s letter of resignation.

On December 14, 1963, the Saturday Evening Post put out a memorial issue to honor a slain president. While other magazines ran grisly photographs of the assassination, the Post went with an illustration—it reprinted the Rockwell portrait of JFK that had run in 1960, before he was elected president. There he was again, with his blue eyes and thick hair and boyish Kennedy grin that seemed to promise that all would be well in America.

At the age of 69, Rockwell began working for Look magazine and entered a remarkable phase of his career, one devoted to championing the civil rights movement. Although he had been a moderate Republican in the ’30s and ’40s, he shifted to the left as he grew older; he was especially sympathetic to the nuclear disarmament movement that flourished in the late ’50s. Leaving the conservative Post was liberating for him. He began to treat his art as a vehicle for progressive politics. President Johnson had taken up the cause of civil rights. Rockwell, too, would help drive the Kennedy agenda forward. You might say he became its premier if unofficial illustrator.

Rockwell’s first illustration for Look magazine, The Problem We All Live With, was a two-page spread that appeared in January 1964. An African-American girl—a 6-year-old in a white dress, a matching bow in her hair—is walking to school, escorted by four badge-wearing officers in lock step. Ruby Bridges, as most everyone now knows, was the first African-American to attend the all-white William Frantz elementary school in New Orleans, as a result of court-ordered desegregation. And Rockwell’s painting chronicled that famous day. On the morning of November 14, 1960, federal marshals dispatched by the U.S. Justice Department drove Ruby and her mother to her new school, only five blocks from their house. She had to walk by a crowd of crazy hecklers outside the school, most of them housewives and teenagers. She did this every day for weeks, and then the weeks became months.

It is interesting to compare Rockwell’s painting with the wire-service photographs on which it was loosely based. Even when he was depicting an event out of the headlines, Rockwell was not transcribing a scene but inventing one. To capture the problem of racism, he created a defaced stucco wall. It’s inscribed with a slur (“nigger”) and the initials KKK, the creepiest monogram in American history.

Many subscribers to the magazine, especially those who lived in the South, wrote furious letters to Look. But over time The Problem We All Live With would come to be recognized as a defining image of the civil rights movement in this country. Its influence was profound. Ruby would reappear in many guises in American culture, even in musical comedy. “That painting he did about the little black girl walking—that’s in Hairspray,” recalled John Waters, the director and writer of the film. “That inspired L’il Inez in Hairspray.” L’il Inez is the charismatic African-American girl in Baltimore who helps break down racial barriers by being the best dancer in town.


One afternoon in July 1968, Rockwell answered the phone in his studio and heard the voice at the other end talking intently about mounting a show of his work. He was taken by surprise and assumed the caller had confused him with the painter Rockwell Kent. “I’m sorry,” he said, “but I think you have the wrong artist.” The next morning, Bernie Danenberg, a young art dealer who was just opening a gallery on Madison Avenue in New York, drove up to Stockbridge. He convinced Rockwell to agree to an exhibition at his gallery—the first major show of Rockwell’s work in New York.

The opening reception was held at Danenberg’s on October 21, 1968. Dressed in his customary tweedy jacket, with a plaid bow tie, Rockwell arrived at the reception half an hour late and, by most accounts, felt embarrassed by the fuss. The show, which stayed up for three weeks, was ignored by most art critics, including those from the New York Times. But artists who had never thought about Rockwell now found much to admire. Willem de Kooning, who was then in his mid-60s and acclaimed as the country’s leading abstract painter, dropped by the show unannounced. Danenberg recalled that he especially admired Rockwell’s Connoisseur, the one in which an elderly gentleman contemplates a Pollock drip painting. “Square inch by square inch,” de Kooning announced in his accented English, “it’s better than Jackson!” Hard to know if the comment was intended to elevate Rockwell or demote Pollock.

With the rise of Pop Art, Rockwell was suddenly in line with a younger generation of painters whose work had much in common with his—the Pop artists had returned realism to avant-garde art after the half-century reign of abstraction. Warhol, too, came in to see the gallery show. “He was fascinated,” Danenberg later recalled. “He said that Rockwell was a precursor of the hyper-realists.” In the next few years, Warhol purchased two works by Rockwell for his private collection—a portrait of Jacqueline Kennedy, and a print of Santa Claus, who, like Jackie, was known by his first name and no doubt qualified in Warhol’s star-struck brain as a major celebrity.

Rockwell’s art, compared with that of the Pop artists, was actually popular. But in interviews, Rockwell always declined to describe himself as an artist of any sort. When asked, he would invariably demur, insisting he was an illustrator. You can see the comment as a display of humility, or you can see it as a defensive feint (he couldn’t be rejected by the art world if he rejected it first). But I think he meant the claim literally. While many 20th-century illustrators thought of commercial art as something you did to support a second, little-paying career as a fine artist, Rockwell didn’t have a separate career as a fine artist. He only had the commercial part, the illustrations for magazines and calendars and advertisements.

Rockwell died in 1978, at age 84, after a long struggle with dementia and emphysema. By now, it seems a bit redundant to ask whether his paintings are art. Most of us no longer believe that an invisible red velvet rope separates museum art from illustration. No one could reasonably argue that every abstract painting in a museum collection is aesthetically superior to Rockwell’s illustrations, as if illustration were a lower, unevolved life- form without the intelligence of the more prestigious mediums.

The truth is that every genre produces its share of marvels and masterpieces, works that endure from one generation to the next, inviting attempts at explication and defeating them in short order. Rockwell’s work has manifested far more staying power than that of countless abstract painters who were hailed in his lifetime, and one suspects it is here for the ages.

AEW Dark Elevation Results 7/19/21

AEW Dark Elevation Results 7/19/21
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Cedar Park, Texas

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Commentary Team (Tony Schiavone and Paul Wight)

Ring Announcer: Justin Roberts

Transcription by Josh Lopez 

First Match: (30-7) Lance Archer w/Jake The Snake Roberts vs. (0-2) Zachariah 

Archer throws Zachariah down the ramp before the bell rings. Archer rolls Zachariah back into the ring. Archer clotheslines Zachariah off the top turnbuckle. Archer with The Swinging Uranage Slam. Archer Chokeslams Zachariah. Archer puts Zachariah on the top turnbuckle. Archer slaps Zachariah in the chest. Archer connects with The Blackout to pickup the victory.

Winner: (31-7) Lance Archer via Pinfall 

Second Match: (31-11-2) Orange Cassidy & (39-21) Chuck Taylor w/Wheeler Yuta & Kris Statlander vs. (12-26) Luther & (11-35) Serpentico 

Chuck Taylor and Serpentico will start things off. Serpentico grabs the left leg of Taylor. Taylor applies a side headlock. Serpentico whips Taylor across the ring. Taylor drops Serpentico with a shoulder tackle. Serpentico drops down on the canvas. Taylor leapfrogs over Serpentico. Taylor with a deep arm-drag. Taylor applies an arm-bar. Cassidy and Luther are tagged in. Luther denies the pockets pose. Luther mocks Cassidy. Luther headbutts the back of Cassidy. Cassidy strikes the pocket pose. Luther stomps on the right foot of Cassidy. Cassidy rolls under a clothesline from Luther. Cassidy dropkicks Luther. Cassidy pops back on his feet. Luther tags in Serpentico. Cassidy with a Back Body Drop. Cassidy tags in Taylor. Taylor whips Serpentico across the ring. Assisted Shove. Serpentico tags in Luther. Luther kicks Taylor in the gut. Luther slams Taylor’s head on the top turnbuckle pad. Luther with a Step Up Enzuigiri. Luther tags in Serpentico.

Luther bodyslams Taylor. Assisted Drop Toe Hold. Luther uses Serpentico as a battering ram. Serpentico with a double sledge. Serpentico applies a front face lock. Serpentico taunts Cassidy. Luther sends Taylor to the corner. Serpentico with a Diving Shoulder Block. Assisted DDT for a two count. Serpentico tags in Luther. Serpentico with a knife edge chop. Taylor dives over Luther. Taylor with an Overhead Belly to Belly Suplex into Luther. Taylor tags in Cassidy. Lethargic Kicks. Cassidy ducks under two clotheslines from Luther. Cassidy hits The Spinning DDT for a two count. Serpentico denies The Beach Break. Serpentico SuperKicks Cassidy. Serpentico and Taylor are tagged in. Taylor launches Serpentico over the top rope. Serpentico with an Apron Enzuigiri. Luther with a Running Lariat. Taylor shoves Luther into Serpentico. Taylor with a Rising Knee Strike. Luther uses Serpentico’s legs as a weapon. Cassidy delivers The Orange Punch. Luther Powerslams Serpentico. Best Friends sits on top of Chaos Project to pickup the victory. After the match, The Blade appears on the stage and stares at Cassidy.

Winner: (32-11-2) Orange Cassidy & (40-21) Chuck Taylor via Pinfall 

Third Match: (42-9) Hikaru Shida vs. (0-0) Dulce Tormenta 

Collar and Elbow Tie Up. Wrist Lock Exchange. Quick standoff in the center of the ring. Shida kicks Tormenta in the gut. Shida whips Tormenta across the ring. Shida drops down on the canvas. Tormenta cartwheels over Shida. Shida holds onto the ropes. Shida with a deep arm-drag. Shida with a Rising Knee Strike. Shida plays to the crowd. Short-Arm Reversal by Tormenta. Shida launches Tormenta over the top rope. Tormenta with a shoulder block. Tormenta with a RoundHouse Kick. Tormenta follows that with a Flying Arm-Drag.

Shida regroups on the outside. Shida with a Step Up Enzuigiri. Shida with The Split Legged Meteora for a two count. Tormenta dodges The Katana. Tormenta with a double leg takedown. Tormenta applies The Reverse SurfBoard Stretch. Tormenta gets Shida’s shoulders pinned to the mat for a two count. Shida dodges The Running Meteora. Shida avoids The RoundHouse Kick. Shida applies a waist lock. Tormenta decks Shida with a back elbow smash. Shida answers with a Jumping Knee Strike. Shida hits The SitOut Dominator for a two count. Shida connects with The Katana to pickup the victory.

Winner: (43-9) Hikaru Shida via Pinfall 

Fourth Match: (25-13) Will Hobbs w/Team TAZ vs. (0-0) Lucas Chase 

Hobbs stares a hole through Chase. Chase kicks Hobbs in the face. Hobbs drops Chase with a Body Block. Hobbs connects with The SpineBuster to pickup the victory.

Winner: (26-13) Will Hobbs via Pinfall 

Fifth Match: (48-24) Frankie Kazarian vs. (0-37) Baron Black 

Collar and Elbow Tie Up. Kazarian with a waist lock takedown. Kazarian applies a side headlock. Black whips Kazarian across the ring. Kazarian drops Black with a shoulder tackle. Kazarian grabs a side headlock. Black goes for a Belly to Back Suplex, but Kazarian lands back on his feet. Kazarian goes for The O’Connor Roll, but Black holds onto the ropes. Kazarian with a drop toe hold. Kazarian goes back to the side headlock. Black backs Kazarian into the turnbuckles. The referee calls for a clean break. Black scores a right jab. Black uppercuts Kazarian. Black unloads two knife edge chops.

Black with the irish whip. Black with a Discus Lariat. Black follows that with The Exploder Suplex for a one count. Kazarian with two knife edge chops. Black ducks a clothesline from Kazarian. Black with an Atomic Drop. Black hits The Backstabber. Kazarian with the sunset flip for a two count. Kazarian ducks a clothesline from Black. Kazarian with a flying forearm smash. Kazarian scores the elbow knockdown. Black reverses out of the irish whip from Kazarian. Kazarian side steps Black into the turnbuckles. Kazarian with a Running Lariat. Kazarian makes Black tap out to The CrossFace Chicken Wing. After the match, Brandon Cutler stumbles into the ring. Kazarian clotheslines Cutler. Kazarian blinds Cutler with the cool spray. Kazarian with a Running Lariat. Doc Gallows drops Kazarian with The Big Boot. Gallows connects with The Gallows Pole.

Winner: (49-24) Frankie Kazarian via Submission 

Sixth Match: (51-28-1) Jungle Boy w/Luchasaurus vs. (23-29) Angelico w/Private Party 

Collar and Elbow Tie Up. Jungle Boy applies a side headlock. Wrist Lock Exchange. Jungle Boy with a single leg takedown. Angelico avoids The Snare Trap. Angelico grabs the bottom rope to create separation. Strong lockup. Second Wrist Lock Exchange. Angelico with a deep arm-drag. Angelico taunts Jungle Boy. Jungle Boy applies a waist lock. Third Wrist Lock Exchange. Jungle Boy slaps Angelico in the chest. Jungle Boy with The Lucha Libre Arm-Drag. Jungle Boy dropkicks Angelico. Jungle Boy pops back on his feet. Angelico attacks the midsection of Jungle Boy. Angelico applies a side headlock. Jungle Boy whips Angelico across the ring. Jungle Boy drops down on the canvas. Jungle Boy leapfrogs over Angelico. Angelico kicks Jungle Boy off the ring apron.

Jungle Boy starts favoring his left knee. Angelico slams Jungle Boy’s head on the time keepers table. Angelico scores two left jabs. Private Party gangs up on Jungle Boy behind the referee’s back. Luchasaurus is pissed. Jungle Boy unloads two knife edge chops. Angelico answers with the kitchen sink. Angelico drives Jungle Boy face first into the steel ring post. Angelico stomps on Jungle Boy’s chest. The referee admonishes Private Party. Jungle Boy gets back in the ring at the count of seven. Jungle Boy rolls Angelico over for a two count. Angelico scores the elbow knockdown. Angelico is choking Jungle Boy with his boot. Jungle Boy with desperation chops. Angelico answers with another elbow knockdown for a two count. Angelico stomps on the left ankle of Jungle Boy. Angelico applies The Indian Death Lock. Jungle Boy grabs the bottom rope which forces the break.

Angelico talks smack to the crowd. Jungle Boy decks Angelico with a back elbow smash. Jungle Boy with The Rolling Elbow. Jungle Boy with a chop/forearm combination. Angelico reverses out of the irish whip from Jungle Boy. Jungle Boy dropkicks the left knee of Angelico. Angelico sends Jungle Boy into the ropes. Jungle Boy with an Inside Out Lariat. Angelico denies the irish whip. Short-Arm Reversal by Jungle Boy. Jungle Boy with The Olympic Slam for a two count. Jungle Boy puts Angelico on the top turnbuckle. Angelico is throwing haymakers at Jungle Boy. Angelico rolls Jungle Boy over for a two count. Angelico argues with the referee. Jungle Boy kicks Angelico in the face. Angelico with The RoundHouse Kick. Jungle Boy dodges The Pump Kick. Jungle Boy with a Step Up Enzuigiri. Angelico gets tied up in the tree of woe. Jungle Boy with a Baseball Slide Dropkick. Jungle Boy makes Angelico tap out to The Snare Trap.

Winner: (52-28-1) Jungle Boy via Submission 

Seventh Match: (25-15) Red Velvet vs. (4-5) Julia Hart w/The Varsity Blonds 

Collar and Elbow Tie Up. Wrist Lock Exchange. Hart applies a side headlock. Velvet whips Hart across the ring. Hart drops Velvet with a shoulder tackle. Double Split. Misfired Clotheslines. Double Dropkick. That leads us to a quick standoff in the center of the ring. Velvet wants Hart to shake her hand. Hart obliges. Velvet with a waist lock go-behind. Hart denies The O’Connor Roll. Hart decks Velvet with a back elbow smash. Forearm Exchange. Velvet with a Leg Lariat. Hart responds with a SitOut JawBreaker. Hart with a Cartwheel Lariat.

Hart with a running elbow smash. Hart follows that with The Running Bulldog. Hart hits The Standing MoonSault for a two count. Hart applies a front face lock. Hart ducks a clothesline from Velvet. Hart kicks Velvet in the ribs. Meeting Of The Minds. Velvet with two clotheslines. Hart reverses out of the irish whip from Velvet. Velvet holds onto the ropes. Velvet sends Hart tumbling to the floor. Velvet lands The Suicide Dive. Velvet rolls Hart back into the ring. Velvet hooks the outside leg for a two count. Velvet whips Hart into the turnbuckles. Hart SuperKicks Velvet. Hart lands The Twisted Bliss for a two count. Hart with a forearm smash. Velvet responds with The Rolling Elbow. Velvet connects with The Slice Of Cake to pickup the victory.

Winner: (26-15) Red Velvet via Pinfall 

Eight Match: (7-0) The Gunn Club vs. (13-34) Lee Johnson & (3-0) Brock Anderson 

Colten Gunn and Lee Johnson will start things off. Collar and Elbow Tie Up. Colten with a deep arm-drag. Colten taunts Johnson. Strong Lockup. Johnson with an arm-drag takeover of his own. Johnson mocks Colten. Colten drop steps into a side headlock. Side Headlock Takeover. Colten sends Johnson to the corner. Johnson dives over Colten. Deep Arm-Drag Exchange. That leads us to a quick standoff in the center of the ring. Collar and Elbow Tie Up. Johnson applies a wrist lock. Johnson tags in Anderson. Collar and Elbow Tie Up. Colten applies a side headlock. Anderson whips Colten across the ring. Anderson with a Hip Toss. Anderson tags in Billy. Wrist Lock Exchange. Anderson applies a hammerlock. Anderson transitions into a side headlock. Billy punches Anderson. Billy slams Anderson’s head on the top turnbuckle pad. Billy tags in Colten.

Colten stomps on Anderson’s chest. Colten with a Snap Vertical Suplex for a one count. Colten tags in Billy. Billy with a Pendulum BackBreaker. Billy flexes his muscles. Billy with the irish whip. Anderson kicks Billy in the face. Anderson decks Billy with a back elbow smash. Colten and Johnson are tagged in. Johnson with two clotheslines. Johnson dropkicks Billy off the ring apron. Johnson clotheslines Colten. Johnson with a back elbow smash. Johnson drops Colten with a NeckBreaker. Johnson pops back on his feet. Johnson dropkicks Billy. Billy launches Johnson over the top rope. Johnson with an Apron Enzuigiri. Johnson with a SpringBoard Missile Dropkick. Johnson denies The Colt 45. Johnson goes for an inside cradle, but Colten rolls him over to pickup the victory.

Winner: (8-0) The Gunn Club via Pinfall 

Ninth Match: (43-17) Luchasaurus w/Jungle Boy vs. (1-35) Fuego Del Sol 

Del Sol immediately charges towards Luchasaurus. Del Sol with forearm shivers. Luchasaurus shoves Del Sol. Del Sol ducks under two clotheslines from Luchasaurus. Del Sol with two hamstring kicks. Del Sol with a knife edge chop. Luchasaurus launches Del Sol to the corner. Del Sol kicks Luchasaurus in the face. Del Sol dives over Luchasaurus. Del Sol ducks another clothesline from Luchasaurus. Luchasaurus catches Del Sol in mid-air. Luchasaurus goes for The Military Press Slam, but Del Sol lands back on his feet. Del Sol with a Delayed Hook Kick. Luchasaurus growls at Del Sol. Luchasaurus denies The Tornado DDT. Luchasaurus sends Del Sol chest first into the canvas. Luchasaurus grabs Del Sol by his throat. Luchasaurus connects with The Inside Out Knee Lift to pickup the victory.

Winner: (44-17) Luchasaurus via Pinfall 

Tenth Match: (16-12) Dante Martin vs. (1-34) Shawn Dean  

Collar and Elbow Tie Up. Wrist Lock Exchange. Dante whips Dean across the ring. Dante drops down on the canvas. Dante leapfrogs over Dean. Dante with a SpringBoard Crossbody Block for a two count. Dean applies a front face lock. Dean backs Dante into the turnbuckles. Dean with a knife edge chop. Dean sends Dante to the corner. Dean with two running shoulder blocks. Dean with a Back Body Drop. Dean follows that with a Running Senton Splash for a two count. Dean applies a rear chin lock. Dante backs Dean into the turnbuckles. Dante blocks a boot from Dean. Dante with two forearm smashes.

Dante with the irish whip. Dante side steps Dean into the turnbuckles. Dante slams Dean’s head on the top turnbuckle pad. Dante with a Double SpringBoard Quebrada for a two count. Dean with a forearm smash. Dean uppercuts Dante. Dean thrust kicks the left knee of Dante. Dean nails Dante with The Pump Kick. Dean hits The Tiger Driver for a two count. Dante side steps Dean into the turnbuckles. Dante with a shoulder block. Dante puts Dean on the top turnbuckle. Dante with an Elevated NeckBreaker for a two count. Dean kicks Dante in the gut. Dante kicks Dean in the face. Dante with a double leg takedown. Dante connects with The Flipping Stunner to pickup the victory.

Winner: (17-12) Dante Martin via Pinfall 

Eleventh Match: (27-6) Taynara Conti & (10-3) Serena Deeb vs. (0-11) Jazmin Allure & (0-10) Vertvixen 

Serena Deeb and Vertvixen will start things off. Test Of Strength. Deeb with a wrist lock takedown. Deeb tags in Conti. Conti rolls Vertvixen over for a two count. Conti ducks a clothesline from Vertvixen. Vertvixen reverses out of the irish whip from Conti. Conti kicks Vertvixen in the face. Conti with The Rolling Crucifix for a two count. Conti with another pinning combination for a two count. Conti applies The Triangle Choke. Conti with a flurry of judo throws. Conti SuperKicks Vertvixen. Conti applies a waist lock. Vertvixen runs Conti to her corner. Vertvixen with forearm shivers. Allure attacks Conti behind the referee’s back. Conti rocks Allure with a forearm smash. Vertvixen pulls Conti down to the mat for a two count. Vertvixen with forearm shivers. Vertvixen tags in Allure.

Vertvixen and Allure repeatedly stomps on Conti’s chest. Allure with forearm shivers. Allue decks Conti with a back elbow smash. Allure inadvertently punches her partner. Allure stops Conti in her tracks. Conti nails Allure with The Hook Kick. Conti tags in Deeb. Deeb with two clotheslines. Deeb with three uppercuts. Vertvixen kicks Deeb in the back. Deeb answers with a forearm smash. Deeb with a Dragon Screw Leg Whip on the middle rope. Deeb ducks a clothesline from Allure. Deeb delivers the chop block. Deeb grapevines the legs of Allure. Deeb kicks Vertvixen in the gut. Deeb with a Vertical Suplex. Conti rocks Vertvixen with a running forearm smash. Deeb repeatedly slams the left knee of Allure on the canvas. Deeb makes Allure tap out to The Serenity Lock.

Winner: (28-6) Taynara Conti & (11-3) Serena Deeb via Submission 

Twelfth Match: (23-9) Eddie Kingston & (38-20) Pentagon Jr w/Alex Abrahantes vs. (0-1) The Wingmen (Cezar Bononi & JD Drake) 

Pentagon Jr and JD Drake will start things off. Pentagon is playing mind games with Drake. Cero Miedo. Knife Edge Chop Exchange. Pentagon sends Drake into the ropes. Pentagon SuperKicks Drake. Pentagon ducks a clothesline from Drake. Pentagon with a SpringBoard Crossbody Block. Pentagon ducks another clothesline from Drake. Pentagon with a Tilt-A-Whirl Headscissors Takeover. Pentagon with a running hamstring kick. Pentagon tags in Kingston. Kingston unloads two knife edge chops. Drake scrambles to his corner. Drake tags in Bononi. Kingston ducks a clothesline from Bononi. Bononi with The Big Boot. Kingston is lighting up Bononi’s chest. Drake kicks Kingston in the back. Bononi with a Side Walk Slam for a one count. Bononi tags in Drake. Drake with a gut punch. Drake whips Kingston across the ring. Drake with an Inverted Atomic Drop. Bononi delivers The Big Boot. Drake goes into the cover for a one count. Drake applies a rear chin lock. Kingston with elbows into the midsection of Drake. Drake blasts Kingston with a knife edge chop. Drake kicks Kingston in the chest. Drake whips Kingston into the turnbuckles. Drake tags in Bononi.

Bononi punches Kingston in the back. Bononi hammers down on the back of Kingston’s neck. Bononi drives his knee into Kingston’s back. Bononi stomps on Kingston’s back. Bononi drives his knee into the midsection of Kingston. Bononi sends Kingston back first into the turnbuckles. Bononi tags in Drake. Bononi uses the middle rope as a weapon. Drake with a chop/forearm combination. Kingston answers with three knife edge chops. Drake with a thumb to the eye. Drake punches Kingston. Kingston reverses out of the irish whip from Drake. Kingston drops Drake with The STO. Kingston tags in Pentagon. Pentagon with Two SlingBlades. Pentagon kicks the left hamstring of Bononi. Bononi reverses out of the irish whip from Pentagon. Pentagon dives over Bononi. Pentagon thrust kicks the midsection of Bononi. Assisted Roll Through DDT.

Pentagon thrust kicks the left knee of Bononi. Pentagon SuperKicks Bononi. Double Irish Whip. Pentagon with a drop toe hold. Kingston applies The Camel Clutch. Pentagon viciously kicks Bononi in the face. SuperKick/Step Up Enzuigiri Combination for a two count. The referee is trying to get Bononi out of the ring. Pentagon with The Flying Double Foot Stomp for a two count. Bononi slaps Kingston in the chest. Kingston drives Bononi face first into the steel ring post. Pentagon slaps Drake in the chest. Drake denies The Package PileDriver. Drake side steps Pentagon into the turnbuckles. Drake rolls Pentagon over for a two count. Drake argues with the referee. Drake drops Pentagon with The Shining Wizard. Drake goes for The MoonSault, but Pentagon ducks out of the way. Pentagon SuperKicks Drake. Kingston with The Spinning Back Fist. Pentagon delivers The Sacrifice to pickup the victory.

Winner: (24-9) Eddie Kingston & (39-20) Pentagon Jr via Pinfall 

Checkout Episode 266 of The Hoots Podcast

Court in St. Petersburg to ban anime

Judge of the Kolpinsky District Court Dmitry Nikulin begins consideration of the claim. The Deputy Prosecutor of the Kolpinsky District Dmitry Atamanenko is in court. The representative of Roskomnadzor did not appear and asked to consider the claim in his absence.

News The Prosecutor’s Office demanded to ban the anime “Death Note”, “Naruto” and Morgenstern’s track “I ate my grandfather”

The court received applications from Russian citizens with a position on this case by e-mail, Judge Nikulin reports.He decides to introduce them and discuss them later.

The judge reads the claim – according to the document, the prosecutor’s office found materials on the website jut.su that threaten the child’s mental health. A specialist with a pedagogical education came to the conclusion that the site “is extremely harmful to mental development, unacceptable for visiting children of all ages.” The specialist clarifies that we are talking about anime published on the site.

Deputy Prosecutor Atamanenko indicates that the site jut.su is located on a US server and it is impossible to install responders. An employee of the department asks to recognize information on several sites with anime as banned on the territory of Russia.

Atamanenko gets up from his seat, he wants to attach copies of the anime distribution certificates indicated in the lawsuit, in particular, Death Note and Inuyashiki. The judge submits the documents.

A specialist who has studied anime, the distribution of which the prosecutor’s office asks to prohibit, is summoned to the hall.

A specialist from the prosecutor’s office, Vasily Georgievich Belov, a psychologist with a higher pedagogical education and work experience of more than 30 years, is speaking.The judge explains his rights before the interrogation. The specialist himself is not visible in the broadcast.

Belov works in the company “St. Petersburg Institute of Independent Expertise and Evaluation”, he is a doctor of psychological sciences.

The judge begins by examining the materials. First – viewing the anime “Inuyashiki”.

– Which episode did you watch? The judge asks.

– The third episode, – the representative of the prosecutor’s office answers.

At the same time, the participants in the process begin to watch the second episode.“This is not that series,” the judge specifies and switches to the third.

Judge Nikulin grins when describing the “finger kill” shown in the anime.

He asks what other complaints the prosecutor has about the Inuyashiki anime. The prosecutor has nothing else.

– Here, due to vivid imaginative influences on the child’s psyche, a destructive potential is formed, because acts of aggression are demonstrated here, – the second specialist present in the hall, candidate of psychological sciences, associate professor, head of the department of pedagogy of the family of St. Petersburg Academy of Postgraduate Pedagogical Education Oleg Erlikh.- Aggression outside will easily turn into aggression against yourself.

The specialist complains that the heroes of the series shown in the court do not show any emotions in the scene of “murder” of one of the heroes with a finger:

– Plus, the instinct of self-preservation is actually leveled. Life is the most precious thing for a person, but here we see that life is worthless at all. Because to kill a person by pointing a finger – he killed, and generally did not experience any negative emotions. In fact, we see that such films give rise to a destructive beginning, and our teenagers, on average in Russia, commit suicide on the order of two thousand.Including due to such films, perhaps such a large increase in numbers. And adolescents are the most valuable thing in the population.

The judge refers to Wikipedia, he reads out the description of the anime “Inuyashiki”. Specialist Belov believes that the plot in which a teenager tries to kill cyborgs, but they do not die, also entails teenage suicides.

– How do we end up, dear expert Belov, cartoon? The judge asks.

The specialist replies that in the episode they “hint” at “unconventional” sexual relations, and the characters have not clearly defined gender traits.

– We have a lot of sexual perversions, and they interfere with adaptation. There are homosexual tendencies here. The boy came with a cyborg boy, they tried to attract this boy to sexual unconventional relationships, and the boy reacted with aggression and broke the defendant’s arm, – Belov retells the plot.

At the same time, the fragment, which is demonstrated in court, shows a conflict motivated by homophobia; one of the heroes says: “Doves, or what?”.

Also, the specialist sees the problem in the fact that he cannot determine by the appearance of the heroes which gender the boy and the cyborg belong to.

The judge moves on to the second part of the lawsuit, which deals with the anime Death Note. It is clarified that the age limit is not specified in the series.

The Prosecutor refers to the conclusion of Oleg Erlich. The specialist says about adolescents: “This is the age when there is a desire to repeat vivid behavioral patterns. The very name “Death Note” already – when there is a problem of suicidal behavior – just one name is enough to say that there is an indirect, but sufficiently motivating effect on the child.This pushes children to think in this direction and is harmful to the psyche of adolescents. Today’s adolescents are more vulnerable and sensitive than previous generations. ”

Doctor of Psychological and Medical Sciences Vasily Belov was repeatedly mentioned by Novaya Gazeta in Petersburg as the author of expert examinations in cases of deprivation of parental rights or the establishment of guardianship.

The publication cited reviews of experts from several St. Petersburg forensic examination centers who reviewed Belov’s research: “The line of reasoning [in Belov’s texts] was something like this: a child’s“ blue ”aura, mother’s“ blue ”aura, and a“ green ”one for dad.And on the basis of this, conclusions were drawn with whom to leave the child! <...> Now Belov’s conclusions have changed a bit, but the content is often not clear what he is researching, for what purpose, how the material is analyzed. ”

Specialist Oleg Erlikh claims that today’s adolescents are developing more slowly.

“I would continue to extend the age grading that protects children, adolescents, young people from such materials,” – laughing, Ehrlich suggests increasing the age limit for anime.

Participants in the meeting are watching one of the Death Note episodes, then Judge Nikulin reads an anime plot from Wikipedia. In short, the son of a high-ranking police officer, Yagami Light, finds a magical death note. By writing the name of a person into it, you can kill him. Light begins to write down the names of the criminals in a notebook and attracts the attention of the police.

– Of course it does harm, – answers the question about the influence of anime on adolescents, specialist Belov. – Because we believe that a person goes through several crises of his development.Children very often go through age-related crises, there appears suggestibility, instability of the psyche. In this case, we are shown a good character: Yagami is the best student in Japan, the son of a policeman. That is, he must be the standard of behavior. And this standard of behavior, in fact, the main character, with whom those who watch this cartoon identify themselves, takes it and easily kills. And the goodies must be imitated. And the child starts to imitate.

Belov notes that the example of the main character of the series has a destructive effect on the psyche of adolescents – “all the more, we already have enough stress.”

– And the name itself, I want to say. In this case, “Death Note” forms an interest in the topic of death, and such topics usually attract people to an unstable psyche, ”the expert argues.

Then, he continues, through the fault of the Internet and mobile phones, a person falls into an “information funnel”, and then “commits suicide or kills someone that we see in the media,” Belov is convinced.

A judge reads a news report dated January 12 about the suicide of a St. Petersburg schoolchild – his peers claimed that the young man imitated the hero of the Death Note.

– Schoolchildren imitate us, right? There are even cases, the judge says.

The Prosecutor agrees.

Now the judge moves on to the letters received by the court from ordinary citizens. He cites those that support the position of the prosecutor’s office; the authors of the letters claim that the controversial materials propagandize violence and cannibalism.

– They say that these are our children, our homeland, our future. They point to the information struggle, which boils down to violence against children, – retells the judge Nikulin’s letters.

The judge clarifies whether both experts agree that the anime “Inuyashiki” and “Death Note” pose a threat to the psyche of children. One of them, in response, talks about the need to realize the value of human life, about moral principles that anime completely contradict. “If we protect children from this, we will do a good deed,” says Oleg Erlikh.

Specialist Belov fully supports his colleague. “Demonstration of violence on the screen, permissiveness, blurred ideas about good and evil lead to the fact that the child’s psyche is deformed,” he assures.- In fact, now Russia is faced with depopulation, because whoever bears offspring in the future are those who are growing now. The younger generation is the main human potential. And we lose it because of such films. In different directions – homosexuality and suicide. ”

The judge proceeds to debate. Deputy Prosecutor Dmitry Atamanenko takes the floor.

– Our children are our future. And our future is our children. We have reliably presented that these animated films encourage children, including to commit suicidal acts.After we filed this statement of claim, several schoolchildren of our city committed suicidal acts, while the children were wearing items of clothing related to animated films, including Death Note, ”says the prosecutor and demands to ban their distribution in Russia.

At the same time, since the filing of the claim on December 18, it became known about only one teenage suicide attempt in St. Petersburg, which was associated with anime – a schoolboy at recess, according to his friends, tried to repeat a scene from Death Note.

Judge Nikulin goes to the deliberation room.

Two minutes later, Judge Nikulin returns to the courtroom. It satisfies the prosecutor’s claim and bans the distribution of the anime Death Note and Inuyashiki on two sites.

Judge Dmitry Nikulin is now moving on to the next lawsuit filed by the prosecutor’s office. The meeting is attended by the same: Deputy Prosecutor of the Kolpinsky District Dmitry Atamanenko, specialists Oleg Erlikh and Vasily Belov. The representative of Roskomnadzor will not be at this meeting either.

The second lawsuit concerns the ban on the distribution of the anime “Tokyo Ghoul” from the site yummyanime.club .

The judge opens the site.

“Even on this site it is indicated that children under 17 are not recommended to watch, but there are no prohibitions,” Judge Nikulin comments on the page. The domain is registered in Ukraine, the defendants in this case were not identified either.

“Tokyo Ghoul” – an anime about a student who has half turned into a mythical creature called “ghoul”.To survive, ghouls must eat people.

The judge reads the expert’s conclusion: “When watching the first episode of Tokyo Ghoul, there are scenes with the separation of body parts and their consumption.”

The judge tries to open the first series, changes the player to play. In the fragment of the anime, which he includes, a dialogue that is incomprehensible without context sounds: one of the heroines holds out a bloody hand of a human hand and asks the interlocutor why he is not eating.

Specialist Ehrlich again complains about blurred gender characteristics: “It is not clear who is a girl or who is a boy.And, of course, a dismembered woman. Dismemberment is the maximum aggression, destructive. ”

The judge randomly selects scenes to watch and searches for a description of the Tokyo Ghoul anime on Wikipedia, then the broadcast hangs.

The broadcast resumes but still freezes. Finally, it becomes clear that Judge Nikulin is reading a summary of the Tokyo Ghoul plot.

Now the anime is commented on by specialist Belov.

– In this series, an attitude towards sadistic inclinations is practically formed.Such a person will easily grow into a sadist. You have to understand that we have a lot of hidden psychopathology. These films play the role of releasing the genie from the bottle. That is, you will easily release the genie, but you will not be able to drive it back in any way. After watching such films, the corresponding groups of adolescents are formed, in which such behavior is easily reproduced, says Belov, recalling the emo subculture.

– Of course, this is unacceptable, because in fact there is a massive manipulation of the minds of adolescents and children.Here personality disorders are easily cultivated, here he is a future sadist! Directly prompted to those actions that are shown on the screen. This is the most destructive potential, and it is unacceptable to demonstrate in the public domain, – the specialist concludes.

The judge examines the documents, again mentions “a huge number of letters” – including those from Vladikavkaz, Belgorod, Veliky Novgorod – in which the Russians demand “to close these links, because they cripple the souls of children.”

Nikulin adds that Tokyo Ghoul does not have a rental certificate.

Both experts summarize their reasoning and demand to ban the distribution of the anime “Tokyo Ghoul”.

Belov again says that “adolescents have reduced criticism” and the images “induce action,” in particular, to cannibalism.

– Due to the fact that criticism in a teenager is reduced, these images immediately act on the subconscious and prompt action, because a perverse need for violence against people, in fact cannibalism, leads to the fact that the foundations of the formation of the child’s psyche are violated, – says he.

In the debate, the prosecutor briefly reiterates the demand to ban the distribution of this anime. The judge retires to make a decision.

In five minutes, Judge Nikulin returns and prohibits the distribution of the page with the anime “Tokyo Ghoul” from the site yummyanime.club.

He then announces a five-minute break.

Judge Dmitry Nikulin proceeds to the third claim. The meeting is held in the same composition.

Now we are talking about the anime “Elven Song” on the same site yummyanime.club . The lawsuit says that this is information that threatens the mental development of minors.

Deputy Prosecutor Atamanenko repeats that the owners of the site, and therefore the defendants, have not been identified.

“Elven Song” is an anime about a race of mutants with psychokinetic abilities that allow them to kill from a distance. The authorities announce that the mutants must be destroyed, citing the threat to humanity emanating from them.

The judge plays the third episode of Elven Song, but then turns to the first.On the screen there is a scene in which the police cannot shoot a naked girl with a helmet on her head; in the end, they fall and bleed, and the girl walks by. Then Nikulin rewinds the video, and the same girl finds herself in a glazed cell, from which she eventually gets out.

“Well, basically everything is clear,” the judge pauses the episode and looks again at the description of the anime on Wikipedia.

“Well, as we can see, there are no age restrictions,” adds Judge Nikulin.

“There are scenes of blood, cruelty and nudity in the series,” he reads out the case materials.”The prosecutor points out the negative consequences of viewing.”

The judge also talks about letters from citizens who complain about the negative impact of this anime on their children.

Roskomsvoboda lawyer Sarkis Darbinyan in an interview with Mediazona explained that today the established judicial practice obliges judges to indicate in the operative part of decisions not the domain of the website with prohibited information, but a specific link (URL) . Judge Nikulin, announcing his decision, did indeed give the full addresses of the pages with the TV series “Inuyashiki” and “Death Note”.

– After that, the material is sent to Roskomnadzor, which notifies the site owner that such and such URL needs to be deleted – and if it does not … block the entire domain. Further, if this video begins to circulate, then, of course, this requires a new court decision – unless it is a mirror of the site itself, – Darbinyan describes the sequence of actions when blocking the material.

At the same time, the lawyer notes, usually Roskomnadzor is guided by government decree No. 1101 on a unified register of information prohibited from dissemination. Clause 11 of this resolution allows you to enter into the register sites with information “which, on the basis of the decision of the authorized bodies, has already been recognized as prohibited.”

– This clause gives broad powers to block information if it is distributed to other resources, but they are always creative with this. If this is an ordinary court decision, they do not fool too much and execute, as it is written in the resolution, page by page, and when this is a demand from the Prosecutor General’s Office or the FSB, serious work begins, ”says Darbinyan.

Judge Nikulin asks experts to comment on the anime “Elven Song”.

Oleg Erlikh says that life is the highest value, “each of us has prospects”.

– When a child encounters the opposite information – “it’s great to take life, it’s great to take health away” – a powerful effect occurs. Of course, anime like this have a negative impact. If access is denied, the child will be protected from access to such content, this, of course, is in the interests of the child, says Ehrlich.


– These scenes shape the future generation of murderers and sadists. The psyche is reformatted through the image. We will in the future face a society of murderers and sadists. We already have a lot of psychopaths who interfere with a normal life in society. But such films … How did the child’s psyche form before? A grandmother or grandfather would tell a story and comment on what was good and what was bad. And here no one says what is good and what is bad, do you understand?

The judge interrupts the specialist to watch an “interesting fragment”: in it the girl’s torso comes off the belt and falls to the floor; the boy, seeing this, cries, and then a man appears and tears off his head.

“Even the assistant professor has dismembered where the brakes are as strong as possible,” Belov continues. – And the child is not an assistant professor, he saw that it was good. His interest in this topic is awakened, evil and cruelty are cultivated. I am sure that parents will face a disproportionately harsh attitude of children towards their loved ones.

The judge wonders why earlier the Ministry of Internal Affairs and the Prosecutor’s Office did nothing to ban the anime “Elven Song”. He is indignant: in the anime, a naked woman appears, “kills everyone,” and in another fragment, “the heads are cut off.”He offers to find out who is distributing these anime on the territory of Russia.

“We just have death scenes here,” the judge emphasizes.

Judge Nikulin announces the pleadings. Deputy Prosecutor Atamanenko:

– As experts rightly noted, this animated film romanticizes death. Of course, the information that we have now reviewed, even taking into account the lack of special knowledge, makes it clear that this information can harm the health of children.The sole purpose of this lawsuit is to protect children from this information. Protecting the consciousness of children comes first.

Atamanenko asks to prohibit the distribution of the page with the “Elven song”

The judge retires to the deliberation room.

A few minutes later Judge Nikulin returns from the deliberation room. He chatters quickly, granting a motion to ban the distribution of the anime “Song of Elves” from the site yummyanime.club.

The judge warns that private rulings will be made against the government agencies that allowed the distribution of this anime.

The judge opens the hearing on the fourth claim of the prosecutor’s office. The participants are the same.

This lawsuit concerns the anime Tokyo Terror, Elven Song and Aki Sora at animeteatr.club . The judge also mentions Morgenstern’s song “I ate my grandfather,” but does not indicate which resource is in question.

Nikulin reads the plot of the series from Wikipedia. Aki Sora tells of the main character’s attraction to his sister. “Tokyo Terror” is an anime about the investigation of a terrorist attack in Tokyo: two teenagers post video on the Internet with clues leading to another bomb planted in the city.

Judge Nikulin demonstrates the first episode of the Aki Sora anime. He includes various fragments, at one of them he laughs: “Everything is clear here.”

– Can’t find out who is distributing this? The judge asks.

He types “Aki Sora” into the search line of “Yandex” and is surprised at the number of links in the search results.

Experts comment on Aki Sora. Belov talks about “perverted sexual relations between minors.” The judge asks Belov as a “sexologist” if there are any signs of pornographic materials in the anime.

– It is necessary to conduct a separate study. It is important that the image of psychosexual relationships is formed in childhood, the specialist answers.

Belov says that even adults often cannot accurately determine their sexuality, and mentions seven genders.


– In this cartoon, there is an open propaganda of completely abnormal behavior, it is of a motivating nature. Incest is a violation of universal human norms, a violation of reproductive behavior.From a pedagogical point of view, dumping this on the immature psyche of minors is completely unacceptable.

Vasily Belov again takes the floor:

– Pedophiles come from there, because the film shows that incest is permissible. Here is a ready-made pedophile.

He insists that sexual aggression comes from “films like this.”

Meanwhile, the judge is seen trying to open the lyrics of Morgenstern’s song.

Judge Dmitry Nikulin could not find the lyrics of Morgenstern’s song “I ate my grandfather” on the Internet.As a result, he decides to involve the Ministry of Culture and the Ministry of Internal Affairs in the consideration of the claim as interested persons and to postpone the meeting to 15:20 on February 17.

The broadcast is over. At the same time, Judge Nikulin did not begin today to consider the claims of the prosecutor’s office to ban Naruto and Interspecies Reviewers.

90,000 The State Duma decided to ban the cartoon “Mom for a Mammoth” for promoting the search for a mom The State Duma decided to ban the cartoon “Mom for a Mammoth” for promoting the search for a mom overseas.
1 year ago


best of the day | top of the week | best of the month | random anecdote


The UN Special Commission decided to ban cloning experiments in China.
So, just in case …

She decided not to call him again …
Took a couple of martinis …
Corrected the decision …

The Moscow City Hall has decided to provide Muscovites with an emergency package for replacing tiles.

added: 11 months ago similar


The State Duma wants to ban Russians from working outside their profession. I wonder what educational institution graduates deputies? ..

– Rabinovich, you have heard that the State Duma passed a law banning the propaganda of homosexualism!
– Yes ?! And sho, now officials will not be shown on TV?

The State Duma adopted a law prescribing not to scold fools. She needs to accept another one that prohibits criticizing the roads, and Russia will get rid of her troubles.

The State Duma passed a law allowing newspapers and other media outlets to be closed for several publications of “knowingly false information.” And where will the weather forecasts be published now?

The State Duma adopted a law criminalizing the enforcement of anti-Russian sanctions.
And when will they start imprisoning for bringing the country to these sanctions?

Alla, who came to the disco, felt unwell and therefore decided to harass herself.

Rada decided to rename Dnepropetrovsk to Dnepr.
The inhabitants of Zaporozhye and Kherson are in terrible anxiety.

The State Duma adopted

in the first reading. Then in the second reading. After the adoption in the third reading, many deputies were already barely standing on their feet.

– Live so that your mother never has tears in her eyes!
– Prevent her from watching TV shows?

Seeing that restrictive measures, blocking resources and banning anonymizers and VPNs are practically powerless, the government decided to ban electricity.

Before leaving for the holidays, the State Duma adopted a new law, according to which postal employees will have to rewrite all letters, reprint all newspapers and magazines and keep copies for at least six months.

In response to a Russian cartoon about a nuclear missile falling on Florida, the Americans showed Russian officials a cartoon about how the children of officials are returning to Moscow in economy class.

The World Meteorological Organization has decided to designate the cold and snowy March wind from the East as “novice”.

I decided to jump with a parachute. Mom discouraged for a long time, and Dad said that this was a very courageous decision for a man who broke his leg while going down the stairs …

Little Johnny runs into mom’s room:
– Mom! Mother! Daddy hanged himself!
– Where?
– In the bedroom! Runs into the bedroom, no one is there. And Little Johnny laughing:
– Since April 1, mom, he hangs in the kitchen

Men are problems only for stupid women, but for smart women they are problem solutions.

The boy asks his mother:
– Mom, why does the cat drink water from the toilet?
– Because the water in the toilet is clean and cold!
Boy, thoughtfully:
– Yes ?…. How do you know that? ..

I propose in the new Constitution to prohibit giving socks, underpants, shampoo and shaving foam on February 23rd.

Boy’s diary entry:
“Your son loves girls too much, take action!”
Mom’s answer:
“Our dad has the same problem, find a solution, let me know!”

Vovochka’s mom receives a note from Marya Ivanovna: “Vovochka is a very capable boy, but he thinks too much about girls! This distracts him from really important things.”
Mom replies:” Be sure to let me know if you find a solution! His dad has the same problem … “

I was given five years of fuss for promoting Zen Buddhism.

– Honey, the child is screaming, come here. I can not do anything.
– Mom is busy.
Husband to child:
– You see, son, all mothers are busy now. Please don’t stop screaming. The first free mom will come up to you.

Because of the call of the illiterate administrator “Let’s hang!” the site was blocked for promoting suicide.

A boy rides a bicycle past his mother:
– Mom, look, I’m riding without hands !!!
Turned around the bend, returns in a second:
– Mom, look, I’m driving without teeth …

A family (mom-dad-son) came to the circus. There is a huge trained elephant in the arena. The son asks his mother:
– And what is it with the elephant dangling between the legs?
Thinking mom answers:
– Yes, a trifle.
Father, proudly winking at his son:
– I saw how I spoiled her!

– Where can I get a tattoo so my mom doesn’t see?
– On my mother’s back.

90,000 Why is Death Note banned? Dealing with Anime Claims | Anime, TV Shows

Japanese animation haunts the Russian authorities, who believe that anime is the main threat to the mental health of children (even when it was not intended for children). On January 12, they were presented with a new excuse: a teenager from school No. 640 in St. Petersburg tried to commit suicide after wearing a red tie. Investigators believed that the young man imitated Yagami Light, a character in the anime “Death Note” (although in the series, Light did not try to commit suicide).

On Monday, January 18, several lawsuits were filed with the Kolpinsky District Court of St. Petersburg. In them, the prosecutor’s office demanded that certain anime series be banned in Russia, among which, in addition to Death Note, were Elven Song, Echo of Terror and even the famous Naruto. According to the press service, the melodrama “Violet Evergarden” was not lucky either.