Curtain lights australia: Curtain lights | Fairy lights | Wedding lights | Waterfall lights

Twinkly Special Edition Curtain Light 210 RGB+W LED_Clear Wire_Generation II – Lexi Lighting

Description

Model Number: TWW210SPP-TAU

App-controlled Christmas Curtain Light with 210 RGB+W LED (Red, Green, Blue + Warm White)

AU EXCLUSIVE!

Highlights

  • App-controlled lights
  • Free iPhone and Android app
  • Wi-Fi and Bluetooth connectivity
  • Dozens of ready-to-play effects and animations
  • 16 million colors+warm white, super-bright LEDs
  • Computer Vision mapping tool
  • Online Gallery access for free effect to download
  • Draw & customize your own effects
  • Music option available only with Twinkly music dongle
  • Works with Google Home and Amazon Alexa
  • Smart controller, plug, and power cable included
  • Indoor/outdoor use (IP44)
  • On / Off / Timer function

Specification

  • Bulb Type: Addressable LED
  • Bulb Colour: RGB+W – Red, Green, Blue (+16 million colors) + Warm White
  • Transparent Wire
  • Length with Lights: 1 x 2. 1 m
  • Lead Length: 2.5 m
  • Distance between each LED: 10 cm
  • Distance between each Drop: 10 cm
  • Music sync: Yes, only with Twinkly Music Dongle
  • Voice Control: Amazon Alexa and Google Assistant; ON/OFF – PLAYLIST CHANGE – EFFECTS – SET BRIGHTNESS
  • Grouping: Yes
  • Lights Dimmer: Yes
  • Replaceable Bulbs: No
  • Lifespan: Over 30,000 hours
  • Controller: Generation II

Description

Twinkly Special Edition is the revolutionary LED Light Curtain bringing the most advanced technology to your Christmas decorations.

It combines 210 bright, colorful RGB+W LEDs, a Wi-Fi/Bluetooth controller and a state-of-the-art smartphone application, ready to perform amazing animations easily and quickly.

Twinkly Special Edition offers a wide variety of stunning effects, ready to be played and customized, and full access to the online gallery, where new animations are always available for download.

Twinkly Special Edition features smart home integration with Google Assistant and Amazon Alexa. Twinkly devices can be synchronized together – up to 4,000 LEDs or 10 devices (in good Wi-Fi coverage) – for impressive scenery installations.

Twinkly is IP44-certified, suitable for indoor and outdoor use.

 

Buy Jingle Jollys 300 LED Curtain Lights

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Electric Micro LED Curtain Lights on Silver Wire | Lighted Accents | Home Accents | Indoor Living

Electric Micro LED Curtain Lights on Silver Wire | Lighted Accents | Home Accents | Indoor Living | PlowHearth

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Delivery estimates only apply to the contiguous United States. Saturday, Sunday and national holidays are not considered business days for these estimated transit days.

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Our Micro LED Curtain Lights will transform any space in your home. Now you can create an enchanting lighted backdrop with total ease.

Curtain Lights feature vertical strands of warm white LEDs that hang from a main cord. Easy to install, they add soft, magical light on windows, patio doors, bed canopy and more.

25% of the lights are slow flash for a subtle twinkling effect. Warm white micro lights on silver wire. 10’L electric power cord. Sets cannot be connected. For indoor use only.

  • Warm white micro LEDs on silver wire have a magical effect
  • Creates an enchanting lighted backdrop in bedroom, living room, kids room
  • Transform any space: window, wall, doorway, canopy
  • 25% of the lights are slow flash for a subtle twinkle effect
  • Vertical strands with lights hang from a main horizontal cord
  • 10’L electric power cord; indoor use only
  • Sets cannot be connected

Dimensions
160 Lights Set is 46″W with 8 strands, each 39″L
320 Lights Set is 46″W with 8 strands, each 78″L
Approx. 6″ between each hanging light strand
10’L power cord

.

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Curtains, Blinds, Shutters + Awnings

Our Automated window coverings add more to a home than just convenience, they facilitate advanced control of your indoor climate – be it natural heat or
natural light. Regardless of how sophisticated your window glazing, or tint may be, they’re rarely a match for mother nature’s dynamic tendencies.
Wild weather shifts, from strong sun rays, to cold overcasts, usually invite excessive use of air-conditioning, heating + lighting.  ..

Our Automated window coverings add more to a home than just convenience, they facilitate advanced control of your indoor climate – be it natural heat or
natural light. Regardless of how sophisticated your window glazing, or tint may be, they’re rarely a match for mother nature’s dynamic tendencies.
Wild weather shifts, from strong sun rays, to cold overcasts, usually invite excessive use of air-conditioning, heating + lighting.

With the touch of a button your window coverings glide open or close, + stop exactly where you like. Eliminating the need for cords + chains, opting for
motorised indoor + outdoor window coverings provides a seamless look throughout your home combined with a safer environment for children + pets.

Allowing you complete freedom you can control your window coverings from anywhere in your house. Control one window covering individually or all of your
window coverings as a group at the one time, from a single control. We also have automated options that operate through home automation systems + can
be integrated within building management systems – control your blinds, lighting, heating + cooling all within the one control.

Although it may be second nature to reach for the thermostat + reverse undesired temperature spikes, it can prove to be detrimental to yearly energy expenses,
as well negatively contributing to current global climate health. Similarly, switching the lights on in your home is traditionally more convenient
than manually raising blinds or opening drapes. Unfortunately, this too has a negative impact on your home, your wallet + our planet.

Traditional methods of light + heat control remain necessary for home comfort, however we’re on a mission to help reduce the impact of these traditional
methods. Our Automate window covering systems add a new dimension of control + convenience that can help you break out of conventional + costly habits.

Research has found that uncovered windows are responsible for up to a 40% loss of heating energy, while conversely also contributing up to 87% of a
home’s heat gain,1 depending on external weather conditions. Mitigating such high amounts of energy transfer through windows can be as simple as raising
or lowering your shades at optimal times.

Motorised window coverings seamlessly integrate into modern-day living + propose a safer, more elegant + efficient solution to their manually operated
counterparts. Effortlessly manage your shades with dynamic control options, from remotes to sun-sensitive sensors.

Our Pulse Hub allows you to accurately control your window coverings via an intuitive animated interface in our app on your smartphone or tablet. Using
our app, easily personalise the daily routine of your window coverings; organising them by room, grouping them by scenes + automating them with timers.
Unlock the convenience of smart shade operation.

Our Pulse Hub connects to home networks to unlock the luxury of automated window covering control, using voice control via Apple HomeKit + Siri, Amazon
Alexa, Google Assistant, IFTTT or SmartThings.

With built-in Wi-Fi or the option of a LAN connection, our Pulse Hub quickly connects to the home’s network to unlock the luxury of automated window covering
control.

When opting for app control using your smart phone or tablet, or voice control using your own preferred smart device, our Pulse Hub is required. Once we
have finished installation, + a remote is setup + programmed for you by our installers, you can then proceed to setup the Pulse Hub to connect to your
own devices.

When opting to control your window coverings solely with our Paradigm remote, our Pulse Hub is not required.

Automation is the way of the future + our exclusive + innovative systems now make it more affordable than ever before.

For more information, click here to view our
Automation brochure.

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the light we cannot see

Over 30 years ago may seem like a strange place to start when talking about a book just published, but the genesis of my third poetry collection, the light we cannot see, traces back to an editor’s pool in Tara Street, Dublin in the early 1990s. As we batten down the hatches again here in Sydney, the book’s scheduled launch this month by Irish Consul General, Owen Feeney is just one more very tiny casualty in a seemingly ever-burgeoning number of COVID-19 losses.

As it happens, this hijacking of the book’s launch completed a kind of peculiar circle as its contents had also been commandeered by that same ‘microscopic armageddon’ that has laid siege to our species. But I’m not complaining, truly. I know we had a good run here in Australia for a while (give or take a few heartbreaks on our own family front). It’s just a shame that we squandered our lead.

For now, we are heading into our second month of the latest lockdown, with the federal government’s vaccination strategy around our ankles (less than 14 per cent of Australia is vaccinated) and the game-changing Delta strain snapping at our exposed parts.

Daily shockwaves

Amongst my other beats as a young journalist in the early 1990s, I covered environmental issues. The materials coming across my desk sent shockwaves through me on an almost daily basis – every river in Europe was ‘dead’, chlorofluorocarbons from our fridges and air fresheners were eating the ozone layer, ancient-growth forests were being wantonly logged, air pollution was bringing down acid rain, workers across multiple industries were being poisoned with chemicals. We had catastrophic oil spills, nuclear leaks, children were getting cancers, asthma and allergies at never-before-seen rates.

In 1990, the United Nations warned that the planet’s temperature would rise by two degrees by 2025. I was not a good person to go to the pub with at this time. I couldn’t understand why everyone wasn’t as alarmed as I was about the situation on the one and only planet we have at our disposal (unless the competing scions of commercial space exploration break out some really cool new toys sometime soon). I talked a lot about what I was reading, wrote a lot, got ‘censored’ a lot and stopped eating meat (without wishing to offend any burger-lovers, the environmental cost of the western meat obsession is unconscionable). Don’t get me wrong – I didn’t start knitting doilies for trees. I just had my eyes opened and started to give a damn.

Since those early days in publishing, my work has often had associations with environmental writing and my husband works in sustainability, so the alarm bells have never stopped ringing. But, just as happened 30 years ago, over the past several years, the scales have again been peeled from my eyes – this time by smaller hands.

“Where will they go Mum?”

When David Attenborough declared in 2015 “This is almost our last chance” on climate change, I thought this is it – all the heads of the major powers are going to sit up and start working this thing out. (I know, I know… my naivety is breathtaking at times.) By then, I had been visiting the Great Barrier Reef annually for almost 20 years and my observations of the deterioration there – even as an amateur snorkeller – were enough to make me gasp: ‘her lovely limbs are shackled down by plastics,/her lungs are laced with deadly manganese /a crown of thorns to pierce her pretty head,/a bed of sludge to lull her in her dreams’.

Anne Casey at the Great Barrier Reef

But when my son, then aged 12, couldn’t sleep for worrying about the animals in the nature reserve on the other side of our back fence (some of which regularly find their way into our garden), something finally cracked: ‘Where will they go Mum, when/all the trees are gone? And the reef?/A thousand tiny wings/skip a beat’.

There is no answer to this question. I have no answers for my children – as to what legacy we are leaving behind for them. This terrifies me. It grieves me to my core. This cannot be the sum total of who we are as a species. And so, the first poems in the light we cannot see were born – as a way of speaking to my children, as my bearing witness to the disappearing wonders I observe in our world every single day and as my elegy for all the losses we have allowed to take place under our watch.

In recent years, my ecopoems have been used by international environment groups including the Climate Guardians (who blockaded the G20 in Paris amongst other things), the Climate Coalition, Extinction Rebellion and the World Wildlife Fund. Both of my previous collections have included ecopoetry. But the light we cannot see was to be my flag in the sand – a marker by which I was personally declaring enough.

I am sincerely grateful to Jessie Lendennie at Salmon Poetry for publishing this book, particularly in this 40th anniversary of the press. When I was about halfway through writing the light we cannot see, Australia caught fire. From October 2019, we choked through almost six months of toxic air levels – strapping on facemasks and living largely confined indoors (sound familiar?) until mercifully heavy rains helped to bring the megafires under control in February 2020: ‘you start/to notice small/signs of life and realise/how long you had held/your breath in their absence’.

There’s a poem in the light we cannot see which I wrote as an incantation to Brigid, Irish pagan goddess of earth, fire and poetry, which some of my fellow Prankqueans (an Irish-Australian women’s arts ensemble) jokingly attribute with summoning the heavy rains that doused the fires. We were performing at a museum in Sydney – smoke tendrils creeping in at the windows – when, midflow through my calling on Brigid, an earth-shattering crack split the sky above us and the rains came down. Within a week I was getting teasing texts to write a rebuttal as we had large areas of flooding. Such is the nature of climate change as evidenced in the extremes we are seeing in Australia – the Minister for Bushfire Recovery was reassigned to Floods (truly).

Much as we might have wanted to believe in the power of divine intervention, by the time they were finally doused, the longest-burning bushfires in this country’s history had wreaked a particular kind of hell on Australian earth. As the images of burning animals being rescued disappeared from the global front pages, we started to count the losses.

Close to 10 million hectares (100,000 square kilometres) of land, including vast tracts of ancient-growth forests, had been destroyed. This equates to one and one fifth times the size of the island of Ireland. Three billion native animals were killed or displaced and over 100 unique species were pushed further towards extinction. Here in New South Wales, 7 per cent of the state had burned, including almost 40% of our national parks. Recovery, if it happens, may take hundreds of years.

The climate crisis was a major contributing factor and remains an ongoing threat to recovery. The only good that I can say may have come from this catastrophic devastation is that the evidence of climate change was front and centre in the world media for months.

So there we were peeling off our facemasks and starting to venture out of our homes again – while our expelled bushfire smoke was still circumnavigating the globe – when rumblings emerged about a bat virus someplace we’d never heard of in China. With a nod to Brigid that it would all turn out to be a conspiracy theory, I jumped on a plane to the US for some poetry-related engagements. By the time I landed in LA 13 hours later, all hell had broken loose. I spent the next 10 days trying to stay in front of COVID-19 before landing in Sydney 48 hours ahead of the Australian government turning the lights out at all the border entries.

When coronavirus strikes and you are half a world from home

Although I’ve lived 17,000 kilometres from Ireland for closing on 28 years, there has always been that reassuring knowledge in the back of the mind that if anything happens, I can be home in 24 hours. When we kissed goodbye to parents, brothers, sister – our immediate and extended families and friends in July 2019, in our wildest dreams we did not envisage that I would be sitting here in Sydney more than two years later telling you that we haven’t seen them since. And there are some we will never see again.

Although we know of two people who have made it home and back in that time, it has not been possible for us. We are a family of four. Since mid-March 2020, in order to leave the country as an Australian citizen planning to return, you have to apply for an exit visa. In most cases these are refused. They are only issued on humanitarian or essential work grounds. If granted, I’m told, you have to remain outside of Australia for a minimum of three months (impossible in our case with two sets of work and kids in school).

And there are no guarantees you will get back in to Australia – unless you are able to cough up the $10,000 per person for a business class ticket plus a further $3,000 per person for hotel quarantine on your return to Australia. There are still over 30,000 Australian citizens overseas who are trying to repatriate. Of the two people I know who managed to get home and then return to Australia (both to see seriously ill parents), one contracted COVID en route to Ireland and became seriously ill himself.

That phone call

And so, Ireland became for us this distant misty dreamworld populated by people we love and miss and don’t know when we’ll see again – all of which of course crept into this book. And then in April last year, the first uncle died, rapidly followed by a cousin our age. By the third extended family member, we were on edge: ‘calls from home/half a world away /a third family member/lost to this/silently creeping curse’.

Our world had shifted and the only thing certain ahead was more uncertainty. There were many sobering discussions – including how to make provision for our children in case something happened to both of us, given that our nearest family were several locked borders and half a planet away.

And then came that dreaded phone call in the night. The one you always knew was coming, but you had banked on those long-assured 24 hours to get home. My husband’s father had died, somewhat suddenly in the end. He was that rare combination of a farmer and an eternal optimist, stalwart father to six salt-of-the-earth human beings, beloved grandfather to our sons. Philly, who could look out at the foulest, blackest day in Ireland, slap on his cloth cap and head out with his customary “Ah shur, ‘tis a grand fine day”.

We were all understandably devastated, my rock of a husband, Rory, inconsolable as we sat through family gatherings: ‘Waking him/online through two/days and nights’. ‘I talk about my mother/dying, tell you/It’s natural /silver minnows lying:/there is nothing natural in burying/your father online”.

Half a world fell away

Taking a line from Philly, we dusted ourselves off and headed on into whatever weather lay ahead. Time vaporised through months of media pleas for Australians stranded overseas to be allowed to come home, through various COVID outbreaks and lockdowns, and multiple government announcements of extensions to Australia’s international border closure. From the beginning we had said we’d surely make it home this July – two years to the day since we’d last said our goodbyes in Ireland. Again with those false assumptions…

Almost a year to the day from Philly’s passing, we had a second call in the night. Rory’s mother had died. Again the inconceivable construct of grieving online. For my husband, the destabilisation of losing both parents in twelve months at a distance. For my children, a second grandparent – a whole half of their world in Ireland fell away overnight. And so, all of this too, found its way into ‘the light we cannot see’.

Through all of it, my own greatest worry and another constant heartache to us all has been my father – 84 (he’ll murder me for putting that in print) and living alone since my Mum passed away in a remote part of west Clare. Thanks to the kindness of good neighbours (Martin, Catriona, Bernie – there are no words) during the toughest bits, and to his extraordinary, unshakeable tenacity (he might be the stubbornest man I know… sorry again Dad!), he has not just survived, but prevailed.

I follow him around on my phone, a small brown wren hopping ahead as he shows me his recently potted flowers, great crops of strawberries, apricots, peas… draws back an emerald curtain full of looting blackbirds to reveal bunches of ripening blackcurrants: “Christ mon, isn’t it great to hear the birds sing!”. He gets out of bed every morning to feed his ancient ginger cat, walks the beach or pier – no matter the prevailing conditions (a retired trawler captain, he’s always sharp to a break in the weather) – and never misses a GAA match or The Late Late on the box (even if he has no time for ‘that fella’).

Through all the oddities and uncertainties, the highlights (there have been a few) and the heartbreaks (too many) of the past two years, I have learned a great many things. About myself and the world. But the most important, I’ve learned from two fathers, two men who lived all their lives close to the earth, the sea. We have to keep an eye on the weather, watch for what nature is telling us and try to look to ‘the light/we cannot yet see,/but know lies ahead’.

A native of west Clare, Anne Casey is an Irish poet/writer living in Australia. She has won awards in Ireland, the UK, Australia, Canada, Hong Kong and the US, most recently American Writers Review Competition 2021. the light we cannot see (Salmon Poetry 2021) is her third poetry collection.

Constitutional

By Anne Casey

Together in isolation,
tugged by a small eager
dog who has waited
all day – we step out

into the chill spearing
off a contracting
Antarctic, our silence
implicit: uncomplicated

by unfamiliarity
winding through
the familiar
neighbourhood

of our marriage.
A murder of sorrows
arrows out of evening
branches, scatters

into cobalt overhanging
saffron screeches
of late-homing lorikeet,
lights blinking

on across old stone
ramparts thrusting
up from the eclipsed
reserve; sure as

taxes, death stalks us
as we turn for home
past the tumbledown
wall that speaks

of grander days – conspiring
in our silence, resisting
the urge to hurdle
all the closed borders

between us
and all we left behind
cocooned half the earth
away arms that had raised

us embracing empty
air and this complicated
new unfamiliality:
silence swallowing

the unfathomable
prospect they may not
survive the long wait
until we are able to return.

Austrian curtains in the interior: features and selection rules

When decorating the interior of a room in a strict classical style, you should take a closer look at Austrian curtains. Their appearance and manufacturing principle are somewhat similar to the French models. However, they look more modest and practical, so they will perfectly fit into almost any design solution.

Austrian curtains is a flat fabric with a slightly gathered edge. Some models may have a lush drape.

Material content

Features of Austrian curtains

Combining Roman and French models, Austrian curtains have separate sections of fabrics that are gathered in flounces or thick gathers at the bottom. They will well decorate a room decorated in baroque or classicism style. Complemented with bright piping, tassels, cords, ruffles or fringes.

The operating principle of the curtains is based on a special mechanism by which the curtains are raised and lowered.To adjust the curtains, cords are provided, stretched through the rings and fixed to the cornice. The cords are responsible for both functional and decorative load, as they help to shape the edge of the canvas and the density of the assembly.

In order to achieve puffiness along the entire height, you need to drape the upper edge of the curtain. In this case, a special tightening tape is used or folds are made by hand.

The similarity between the Roman and Austrian curtains lies in the lifting mechanism, however, unlike the first type, there are no horizontal bars in the Viennese models.This feature makes it easy to fold the canvas. The curtains do not move along the eaves, but only rise.

Viennese models are actively used as an independent element for a window opening or are hung together with lambrequins, curtains.

Austrian curtain in the interior

Not so long ago, Austrian curtains could only be seen on windows in classical-style rooms. However, their use has expanded somewhat and today these models are increasingly decorating dining rooms, kitchens and bedrooms of various design ideas. Since it is not only a beautiful , but also a comfortable canvas in which you can easily adjust the height.

Australian curtains will decorate the window opening and ennoble it.

They look most impressive in large living rooms, as they remind of ballrooms, celebrations, thereby creating a festive atmosphere.

Often, the Austrian curtain in the living room interior is complemented by other types of curtains to create a luxurious and unique interior.

When decorating a children’s room, you need to remember that housing for a child should be as light and comfortable as possible. Therefore, it is not recommended to hang plastic blinds or heavy curtains on children’s windows.

Austrian curtain in the interior of the children’s room must:

  • slightly darken the room to create favorable conditions for a comfortable and restful sleep;
  • do not block access to natural sunlight in the room;
  • have a gentle and cheerful shade that does not irritate the eyes and helps to improve the mood of the baby;
  • decorate the window, complement the design, and not stand out as a bright and independent accessory;
  • be made of natural and durable material;
  • to be well fixed on the cornice and not to burden the window with unnecessary decorative elements.

Thanks to the lifting mechanism, the canvas can be lowered to the windowsill or a little higher, then the baby will not be able to reach and break it. In addition, these curtains are dust resistant and less dirty.

Austrian curtains – leaders in kitchen window decoration. Their popularity is due to the fact that the Viennese curtains in the kitchen:

  • can be easily adjusted and fixed at the desired height;
  • small, take up little space, leaving additional space for using window space;
  • give a festive mood;
  • are made from simple synthetic materials that are resistant to moisture, odors and are easy to clean.

When decorating the kitchen window space, choose the traditional classic model. If the room is made in country style, then Austrian curtains are selected from stripes, cells or delicate floral patterns.

Fabric selection

For sewing an Austrian curtain, you need to choose a fabric that drapes well. Thick and heavy fabrics do not wrinkle well and can cause creases. It is best to pay attention to light, delicate and translucent materials that do not wrinkle.

The following fabrics are preferred:

  • atlas;
  • micro veil;
  • polyester;
  • organza;
  • 90,061 chintz;

  • taffeta;
  • silk.

Bulk materials should not be selected as they are difficult to handle. The color of Austrian curtains should harmoniously fit in and complement the color scheme of the overall interior of the room.

Today, the trend has become quite popular to sew curtains and other textile decorative elements from one fabric.

However, when choosing a fabric, you need to take into account the illumination of the room. For example, in a room with windows facing north, it is not recommended to hang curtains in very dark shades.

Viennese style for the interior baby window is suitable for both toddlers and teenagers. The main thing is to choose the right fabric. A light translucent fabric or fabric with bright spring patterns is suitable for a preschooler’s room. For schoolchildren, the choice of curtains is divided according to gender: a girl can hang curtains with a floral print, and a boy can choose more saturated shades of canvas.

Having settled on Austrian curtains, you should give preference to plain fabrics or fabrics with small, discreet patterns. Drapery on curtains partially covers large ornaments, so they may lose their attractiveness. In order to create an interesting effect, you can choose a fabric with vertical stripes.

PhotoCurtains “Australia”

A luxurious design innovation.

We suggest you decorate your living room, bedroom or kitchen with this unique product, and not limit your imagination to a standard pattern on the curtains. Our designers have selected for you a magnificent assortment of subjects from children’s themes to photographs of wonders of the world, both created by human hands and a more perfect Creator. Your eyes will be delighted!

We produce PhotoCurtains to order, according to your sizes! The price is based on the choice of fabric and sizes!

By default! Standard set of PhotoCurtain of two canvases, on Gabardine.The width of one sheet is 100 cm. Height is 150 cm.

Production takes 1-5 days after placing your order. Excluding weekends and holidays!

Fabric PhotoCurtain for choice:

BlackOut / BlackOut (BlackOut) is a three-layer opaque (opacity 97-99%) white-gray polyester fabric (100% polyester, 274 g / m2) with a double satin weave with a unidirectional core.The core is black thread, braided on both sides with bleached thread. BlackOut fabrics have a unique ability to trap even the brightest sunlight, do not fade, softly drape and retain their shape remarkably, and have heat and sound insulation qualities. The final product from this fabric looks very attractive, expensive, high quality. Main field of application: interior decoration and production of curtains, drapes and curtains.

Satin / Satinet – white, 100% polyester satin weave fabric with a high density of 183 gsm.m, excellent quality, wear-resistant. Matte, silky on one side, reminiscent of satin in feel. A distinctive feature is that it does not give glare, it diffuses light well. Used in the interior – curtains, tablecloths, pillows, napkins, as well as clothes, bags, large panels.

Atlas – white, silk, shiny and smooth to the touch, satin weave, with a density of 140 g / m2. In a satin weave, the warp threads rise above several weft threads and descend at large intervals.They cover the weft threads and create a smooth, even surface. Satin products are extremely pleasant to the touch and look impressive. It is used for the manufacture of curtains, pillows, tablecloths.

Gabardine – white, dense (180 gsm), 100% polyester, matte plain weave fabric, inexpensive. Gabardine fabric is often used for interiors; excellent curtains, tablecloths, napkins are obtained.

Tulle – a unique photo tulle with 3d printing allows you to transform your room, to be face to face with the most beautiful landscapes, while not restricting sunlight.For the tulle we use specialized chiffon, which is easy to clean and amazingly beautiful to look at! You can also order photo curtains and photo covers, photo pillows and photo covers for tulle, making the decoration of the room in the same style.

PhotoCurtain set consists of 2 canvases, width and height to choose from:

Fastening: Curtain tape (for hooks)

Care: Machine wash at 30 °

Gift packing !

Enjoy your shopping!

Live photos of our clients!

90,000 Curtain decoration – the best photo ideas for modern curtains in the interior

As a rule, people start designing windows after completing repairs or transforming them in order to refresh the interior.So to make the right choice? It is important to know a lot of nuances. First you need to decide on whether your curtains, curtains will act as a decor or they will protect the room from the sun’s rays.

To do this, it is necessary to take into account the position of the room in accordance with the cardinal points, the height above the ground (city apartments need this design more than houses outside the city) and the main purpose of the room. Here you can see some options for window decoration with curtains.

After that, you need to decide whether the window decoration will attract the main attention or it will become a part of the interior. Together with these, you can decide on the choice of cornices. If the repair work is completed or you decide to change only one material, then you will have to choose a shade for the cornice or another method of fastening.

A few tips to help you when decorating windows with curtains:

  • If there is a bright pattern on the walls, then the curtains of a solid and discreet color are suitable;
  • Wallpaper with a matte effect is combined with silk and synthetic curtains and, accordingly, vice versa, if the wallpaper is embossed, then matte curtains;
  • Vertical stripes on the curtains will visually increase the height of the walls;
  • Horizontal print increases the area;
  • The cornice under the very ceiling increases the height;
  • Labrequin curtains are not suitable for rooms with low ceilings.

Table of contents of the article:

Curtains with curtains

Labrequin is the part that hides a small section of curtains at the top. It can be either solid or not, in the form of a figure, or simply fall off in waves. Previously, they were often used to hide blots in repairs. But today they perform a decorative function.

Modern design of curtains with bright prints and lambrequins look great with plain walls.

Roman blinds

This is a fabric in the shape of a rectangle, equal to the window, gathered in the form of folds with a string or chain. Due to their austere design, ease of lifting and functionality – these curtains will fit almost any design and in any room.

Interior decoration of curtains is made of transparent fabric, with or without ornament. Protecting from the sun’s rays, they will be an excellent decorative element. Here you can see a photo of the curtain design.

Bamboo Curtains

To create them, materials obtained from nature are used, usually they take thin trunks and fasten them together. They tolerate moisture, sun and other climate changes well.

Bamboo curtains are used both alone and with another material. In particular, they are hung in the kitchen, veranda or attic – rooms where there is a lot of sun. Take a look at some of the curtain designs.

Pleated blinds

They are made of corrugated fabric, according to the blinds principle.The material can be of different softness, with or without a pattern.

Blackout or transparent curtains without any print are popular. They are suitable for difficult windows. Possessing many advantages, pleated curtains are often used in homes and offices.

Australian curtains

The main difference is the drapery with a rounded edge at the bottom. They also have a second name as scalloped because of their assemblies. For small windows, two assemblies will suffice, and for rooms with a large number of window openings, several festoons are used.Australian curtains are decorated with tassels or something else, but the modern style does not accept such decorations, so you can pay attention to the correct photo options for decorating windows with curtains.

Curtains with eyelets

Eyelets are steel or plastic rings at the top of the curtain. They are considered the most reliable for fastening to a baguette. Such a design of window openings is able to suit almost any type of material. The mount allows you to easily move the curtains horizontally, due to the resulting vertical folds, the room becomes larger upward.

Sliding curtains

This method is especially popular due to its practicality and versatility. They go with any room decorated in a variety of styles. The two parts, attached to the cornice, are used both separately and with curtains.

Variants of window decoration with curtains are both monochromatic and printed. Various accessories are also used to secure them.

Curtains with bright design

They can completely change the whole look of the room.For a room with discreet tones on the walls, such bright curtains are perfect and they will be an excellent accent to attract attention.

A bright print does not have to be only on the curtains, it will also suit transparent curtains.

We wish that our recommendations were only useful in the design of your curtains.

Photos of the best ideas for decorating curtains in modern styles

Curtain (curtain) for the JoyArty bathroom “Board Game Australia” made of satin, 180×200 cm with hooks, sc_55267 – price, reviews, specifications, photo

Unlike similar products made of PVC and silicone, the bathroom curtain, sewn from polyester, favorably distinguished by its beautiful appearance, durability and long service life.The waterproof 80 g / m2 fabric is decorated with a stylish multicolored print – the applied ink is not afraid of contact with hot water and does not fade over time. The set of 180×220 cm bathroom curtains includes 12 hooks, for which all the necessary holes have already been prepared.

  • Style: for children.
  • Print: Board Game Australia.
  • Color: blue, brown, green.
  • Drawing: plot.
  • Tags: game, board, chips, children’s, development, developing, walkers, walkers.
  • When buying, please note that the actual size of the product may differ from the declared one within no more than 5 cm.

    Specifications JOYARTY Board game Australia from satin, 180×200 cm with hooks

    • satin
    • blue
    • Rings included

      yes

    • 1800
    • 2000
    • Dimensions without packaging, mm

      1800×2000

    • * The manufacturer reserves the right to change the characteristics, appearance, packaging of the goods and the place of production without notifying the dealer.The specified information is not a public offer

    Found a mistake in the description?

    Verosol energy saving curtains

    The history of Verosol sunscreen fabrics began in 1963 in New York. Dutch shipbuilder Cornelis Verolm saw glass-covered skyscrapers and thought about keeping them cool in summer and warm in winter. It was Verolme who developed a unique technology – Verolme vacuum metallization.

    A special feature of this fabric was the metal base, which reflected light and heat (this is especially true for the sunny side) – by regulating this process, you can get significant energy savings and create more comfortable conditions in the room.Over the years, Verosol technologies have only improved, offering a new generation of top-class metal coated fabrics.

    The technology of fabric production is qualitatively different from similar analogues. The metal coating does not cover the entire fabric, but covers the surface of the fibers. Due to this, Silverscreen has high performance characteristics and a long service life. For example. For those who are indoors – the fabric is transparent and you can see everything that happens on the street.Outside, the observer will see only a light screen – the color of the curtains themselves does not matter.

    A convection zone is formed in the space between the metallized fabric and the glass, which improves the thermal insulation of window openings in the cold season. Due to this, energy is saved for heating, and in the summer – for cooling.

    Verosol fabrics are produced in Australia (Rivesby, NSW) and the Netherlands.The production does not use toxic and non-degradable materials, heavy metals and lead. Verosol products comply with European standards.

    Benefits of sun and energy-saving curtains:

    • temperature control
    • Reduced heating and cooling costs
    • daylight control
    • Glare and Highlight Reduced (Natural Shadow)
    • confidentiality (people outside cannot see what is happening indoors)

    Verosol roller blinds are stylish design.The main qualities of which are simplicity, restraint and efficiency. The configuration of the curtains can be different: single, double, tied and divided. Fabrics are available in various weights to maintain full control over the amount of light entering the room. For ease of use, roller blinds can be automated.

    IMPORTANT! In summer SilverScreen allows you to reduce the temperature in the room, and in winter – to avoid the dissipation of internal heat. The result is a reduction in energy consumption for space heating and cooling.In addition, a high level of visual comfort is ensured – instead of stunning sunlight, pleasant natural dimming, the level of which can be adjusted.

    Who already uses SilverScreen sun blinds?

    Verosol sunscreen and energy-saving fabrics are popular in Europe and Australia. Large companies prefer to use these curtains for their office space. For example:

    Microsoft headquarters in Rome.The SilverScreen fabric was selected for keeping natural light in place and eliminating problems such as glare from sunlight on monitors and other surfaces. Also, metallized fabric reduces the cost of heating and air conditioning the premises. All this together provides ideal comfort for visitors and employees of the headquarters.

    Alcatel-Lucent headquarters in Italy.When planning the building, the emphasis was on natural light, but in this case, the burning Italian sun became the main problem. That is why the choice fell on SilverScreen, which made it possible to realize all the advantages of natural light and not disturb the comfort of employees

    Samsung Electronics Headquarters Italia. I also chose an energy-saving fabric to prevent annoying glare, glare and excessive heat.

    How to decorate a room with original short curtains

    Today there is a huge variety of options for sewing short curtains. For example, you can simply shorten conventional sliding curtains. And also buy special options with a lifting system. Such models are never long.

    Roman blinds

    This model is especially popular among other cropped curtains.They have a huge amount of positive qualities. First of all, it is a simple control system. In addition, when raised, such curtains will create beautiful folds on the window, which will please perfectionist lovers. When lowered, this is a normal short screen.

    British curtains

    May also be called London. Such curtains are an option similar to the previous ones. They are equipped with a similar lifting mechanism. The only difference is that there are no slats in it.And the rings, cords and the shaft remained. In addition, these curtains have vertical rather than horizontal sections. Most often, three of them are used: one is located in the middle and two on the sides. The middle is the widest. There may also be folds on their border, but they may not be.

    Australian curtains

    May also be called balloon curtains. This model looks like London curtains. The difference between these two types of curtains is that the Australian ones have bottom-size sections, and the London ones are different.In addition, there is a difference in the installation system of these structures: the Australian ones are attached using braid with rings that are attached along the entire edge of the canvas, and not only along the boundaries of the zones. As a result, several scalloped balloons are obtained.

    The positive qualities of such curtains for the kitchen interior

    Curtains in the kitchen are necessary not only to protect the room from ultraviolet rays, but also to add a little coziness. So, short curtains in the kitchen:

    • do not interfere with the cooking process;
    • do not cause the spread of fire;
    • they can be washed easily;
    • they do not interfere with the cleaning process.

    Shortened versions of curtains are very popular with housewives. Since some types of kitchen layout do not imply the presence of long heavy curtains. In addition, such models will be safe if there is a gas stove near the window. After all, the curtains in the kitchen can get very dirty, and it will be much easier to wash and iron the shortened versions. Interesting options for short curtains for the interior of the living room, kid’s room and bedroom. Such models are not often used for furnishing living quarters, as many consider them too simple and less comfortable than long curtains.

    But, in fact, today’s market offers many different options for decorating a window opening, using shortened models. These are romantic, minimalistic, cozy and even luxurious options. In the interior of modern living spaces, it is not always possible to find a place for heavy curtains of considerable length. Sometimes cropped models can do an excellent job of protecting and decorating a window.

    90,000 Australia. Houses and sleeping areas

    What is Sydney in our view? Skyscrapers, shopping centers, a lot of people and all the attributes of a metropolis.Sydney, by the way, is the largest city in the world in terms of area. But people – for the most part – do not live in the center, they live in other places. I wanted to go to the sleeping areas – the local “Butovo” and “Maryino”. Sergey became my guide again, for which many thanks to him.

    Of course, the standard of living in Sydney is higher than in Moscow. This is especially noticeable in the example of the Australian aboriginal parasites, who comfortably settled on a strong state neck and live without straining at all…

    Once you leave the City and Sydney turns from a skyscraper to a two / three story:

    3.

    There is plenty of greenery here:

    4.

    I saw police officers in Australia much more often than in New Zealand. In Sydney, I observed identity checks several times. The rules and fines are tough: violating the speed limit at 3 km / h will result in a fine of $ 400. You can break the rules within 12 points in 3 years (for example, driving at a red light – 6 points).After that, the rights are taken away for several years:

    5.

    Old laundries, where cars are activated by coins – I have not seen such anywhere for a hundred years. Now, in my opinion, every house already has a washing machine:

    6.

    This location is not far from the center: the private sector has not started yet, but there are no high-rise buildings anymore:

    7.

    8.

    Municipal housing for unemployed:

    9.

    If you look closely, there are not even curtains on the windows. The windows are covered with sheets or something like that.We wanted to stop and get out, but did not find any parking lots nearby, and it was scary to leave the car:

    10.

    There is an advertisement of tinsmiths from Odessa on the wall. Unexpectedly:

    11.

    This is also a municipal housing:

    12.

    Aborigines lived in Australia before (and still live, of course), that is, the indigenous population. The government pays for their livelihoods in full: they receive housing and a very good allowance (about $ 800 a week).Medicine, education – everything is free. You can live and do nothing, which is exactly what many of them are doing. To take advantage of social bonuses, it is enough to be aboriginal by 1/8 part:

    13.

    Not bad, in general, the guys live:

    14.

    15.

    But the representative of the Australian “one-eighth” Aborigines in person (great-grandmother was an indigenous inhabitant). The guy let us into the house, but banned us from filming. I’ll tell you in words what we saw.

    The house has two floors. Downstairs is a 5 by 5 studio, a third of which is occupied by a kitchen. Upstairs in the bedroom. There is a TV in the middle of the room, next to the chair where Dad was sitting. It can be seen that no one in the family works. In the apartment – a crazy srach: I maneuvered through heaps of rags, boxes, boards and all kinds of junk. Dad smokes in a tin can and drinks beer. There are empty bottles on the floor. The toilet is outside. They haven’t washed the dishes in the kitchen for a month, scraps and wrappers are scattered everywhere.

    Awful, I do not understand at all how you can live in such a mess?

    16.

    17.

    18.

    19.

    20.

    21.

    Suddenly, a solid fence appeared, not typical of local city landscapes. Just like in Russia:

    22.

    And here the houses are already better. Bangladeshis live in them:

    23.

    There used to be many criminal areas in the city where it was impossible to enter. To cope with this scourge, the government began to settle these ghettos, and then literally wipe the areas off the face of the earth and rebuild:

    24.

    Houses do not differ in the complexity of construction: a wooden frame, drywall and facing bricks. There is no central heating anywhere in Australia. In winter, when the temperature drops to +12, it becomes slightly cool, but this “cold” does not last long:

    25.

    Information stands are installed near each forest with an indication of the fire hazard:

    26.

    And this is the private sector of the wealthy Australians. It can be seen that the house is richer, more spacious, has its own large territory:

    27.

    Along the coast, the most expensive real estate:

    28.

    29.

    Houses painted in the Norwegian style:

    30.

    Among other houses and mansions, I made this picture. Made it and forgot it:

    31.

    And on the way from Sydney to Moscow, I watched the movie The Great Gatsby.

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