Antique & Vintage Brooches for Sale
Huge Selection of Antique Brooches in all the Vintage Styles You Can Imagine
Our vintage brooches for sale come in every single design and style available, whatever type of style, theme or period be that Victorian, Edwardian or Art Deco we are sure you will find the antique brooch you are looking for by browsing the site. Love Antiques made shopping for an antique brooch easier with our online store. Our website is designed to be easy to use and navigate, so shopping for a vintage brooch or a brooch pin is quick and simple. Looking for antique brooches for sale? Please browse the website and if you are interested in a certain item contact the antique dealer directly who will be more than happy to answer any questions.
How to Buy Vintage Brooches Online
Think about your personal style before you shop.
- Are you a fan of animals, flowers, or abstract objects?
- Are you looking for a gold brooch? If yes, do you want one in 9ct gold or 15ct gold?
- Do you want to buy a bar brooch or those vintage brooches with elaborate designs?
There are many factors to consider and Love Antiques thought about all of them and made sure you don’t need to do more than click a few buttons to find what you’re looking for.
All of our Antique brooches are displayed with full colour images, complete with detailed descriptions. Giving you an overview of the different vintage brooches including materials used, period of production, metal purity marks and Goldsmith/Silversmith hallmarks.
If you know what you’re looking for based on style or preference, you can find brooches according to materials used. If you’re partial to a gold brooch, for example, look for the category Gold Brooches on the website and click on it.
A plethora of antique brooches will be presented to you, whether with gold plating or combined with a seed pearl and other precious stones.
If you fancy a silver brooch, repeat the process but click on Silver Brooches this time. Choose from a range of brooches in sterling silver, silver citrine, or silver-gilt and enamel.
Love Antiques is also where you can buy vintage brooches made of diamond and enamel.
How to Best Sort through Antique Brooches for Sale in the UK
Due to the variety of high-quality and magnificent antique brooches for sale, finding one based on age or date can be overwhelming. It’s so easy to get side-tracked by one of the intricately designed Art Deco brooches on display.
Love Antiques made sure your shopping experience is a breeze by categorising old antique brooches by period. Products are sorted by 20th Century Brooches, 19th Century Brooches, Victorian Brooches, Post 1940s Brooches, Edwardian Brooches, and Art Deco Brooches.
These should help narrow down your options to a specific period.
If you’ve been looking for a Victorian brooch, just visit the page where all the antique Victorian Brooches are on display. Then, choose an item or brooch set from 1837 to 1901.
In addition, Love Antiques allows you to search and buy antique brooches by Origin–English, British, or Scottish.
Simple or Fancy Vintage Brooch? Your Decision!
Love Antiques not only sell old antique brooches with decorative styles but also the more subtle bar brooch. Although no less magnificent than a gold brooch shaped like a horse or combined with a seed pearl or two, they are more understated and best used to accentuate an elaborate outfit.
Love Antiques offer bar brooches in gold, diamond, enamel, and sterling silver. Most of them come with a plaque or central motif that feature different objects, geometric designs, and coloured stones. Since bar brooches became popular during the Edwardian period, check out the page on Edwardian Brooches and shop to your heart’s content.
Your Trusted Source of Antique Vintage Brooches for Sale from Love Antiques
As a trusted source of antique brooches for sale UK clients rely on, you’ll find the best antique pieces from Love Antiques. Whether you want to buy a single brooch or a brooch set, we’ve got you covered. Browse through our gallery of vintage brooches to find what you need or give us a call at 020 8045 3745 for more information and advice on other antique jewellery for sale.
Antique & Rare Vintage Brooches FAQs
When were brooches invented?
Old brooches originated in England in the middle of the 5th century. During these times, craftsmen used to create rare brooches with distinctive styles and techniques. Used as cloak fasteners by Vikings in the ancient times, they usually consist of thorns, flint, and stick. A silver brooch is one of the most lovely and unusual types of brooch in the Victorian era. It features a scalloped edge or engraved with an intricate floral pattern, accented with leaves.
How do I know if my brooch is vintage?
When examining the authenticity of vintage brooches, you’ll want to look at the small details for clues of manufacturing date. Closely examine the clasps and hinges of antique brooches UK dealers offer to identify what specific period in time they were most popular in. Different eras have different styles of jewellery and stone cuts. You will have to look carefully for any signs of past repair. If you found some vintage brooches UK has with evidence of repair, then the value will be lowered.
Are vintage brooches worth anything?
Rare vintage brooches like silver brooch can be worth a lot of money. Those that represent a specific era and a distinct decorative style are very popular with antique collectors. At Love Antiques, you can find the most sought-after and highly-coveted vintage style brooches that can be a great addition to your collection.
How can you tell if an antique brooch is valuable?
Determining the value of an antique brooch or a silver brooch requires an in-depth understanding of various antique elements. For a starter, you can check for basic repairs or resizing. Alterations may decrease the value of your antique. Closely examine the style, design attributes, materials, gemstones, or use available reference materials to date the antique to its origin. To get reliable information about your antiques, navigate through our collection of brooches.
4 Ways to Identify Antique and Vintage Jewelry
Annabelle / March 21, 2019
Maybe you’ve inherited something from your grandma, or you’ve recently been into thrift shops- you want to know more about your jewelry, and the only thing that you’re sure of is that it’s old.
But where to start? Well, check out our antique jewelry identification guide below.
What is Antique and Vintage Jewelry?
Vintage jewelry is jewelry that is at least 30 years old, while antique jewelry must be older than a century. This means that there are many different types of vintage and antique jewelry based on fashion trends, manufacturing styles, popular materials, and jewelry stamps.
4 Ways of Identification
1. Figure Out the Jewelry Style
One of the most telling ways to identify your jewelry is by its style, which can correspond to a specific time period or area. Here’s a brief breakdown of the most popular jewelry styles by era:
- Georgian (1700-1830):
- Victorian (1830-1900):
Named after the reign of Queen Victoria, this style of jewelry was highly personal to the beloved queen, who was a style-setting icon of her time. During the first years of her marriage, a snake ring that was given to her by her husband, Prince Albert, became wildly popular. After his death, the public joined her method of mourning by wearing black jewelry, set with jet, onyx, and other somber gems such as garnets.
Not everything was gloomy, however; Queen Victoria owned a bright and cheerful bracelet with enameled hearts, which inspired jewelers to experiment with enamel in their own creations. Other styles include acrostic jewelry, or jewelry that spelled out messages with the first letter of the types of stones: REGARDS (ruby, emerald, garnet, amethyst, diamond, and sapphire.) Towards the later part of the Victorian era, a fad for archaeology was responsible for the creation of Egyptian and Ancient Greek designs.
This cute little snake ring has a pair of ruby eyes and a diamond head.
- Edwardian (1900-1910): This style of jewelry refers to the name of King Edward VII, even though it continued for a period of time after his death. It carries over some of the Victorian era’s femininity with lacy and floral designs, but with a more simple touch. White gold and platinum were popular, as well as garland designs that incorporated bows and leaves.
- Art Nouveau: (1890-1910): Overlapping the Victorian and Edwardian styles, Art Nouveau jewelry is a very distinctive style that’s characterized by nature-inspired designs and smooth, sweeping curves. The colors are more muted and natural, including stones such as opal, amber, and moonstone. Beautifully sculpted pieces of ladies with flowing hair commonly appear in this era.
This brass ring shows typical Art Nouveau detailing; note the nude woman and the flowing, organic lines.
- Art Deco (1915-1935): If you’ve watched the Great Gatsby movie adaptation, you should have an inkling of what this style looks like! Art Deco pieces were bold and modern, to reflect the growing flapper power of the day. This style combines sharp, geometric shapes with bright gemstones like sapphires, rubies, and emeralds.
This white gold art deco ring is set with diamonds.
- Retro (1930-1940): The Retro jewelry style was created during the war, when materials were scarce. As a result, synthetic and inexpensive materials became popular, such as plastic, rhinestones, and glass. This gave birth to costume jewelry, made popular by Elsa Schiaparelli and other high-end designers at the time.
In addition to these historical styles, there are also some regionally-specific types of jewelry:
- Southwestern: Inspired and produced by Native American artisans and silversmiths, these designs are usually made out of sterling silver or leather, with turquoise, coral, mother-of-pearl, and malachite as common materials.
Designs include feather motifs, stamped patterns, conchos, and indigenous art.
Two examples of southwestern rings.
- Black Hills: Originating from the gold rush in South Dakota, Black Hills gold has a unique look due to its usage of different gold colors, including yellow, pink, and green. Grapevines and grape leaves make the designs distinctive and easily identifiable. In order for an item to be called Black Hills gold, it must be manufactured in South Dakota.
This Black Hills ring shows off the signature multicolored gold look, with grape leaves.
2. Take Note of Manufacturing Methods
While manufacturing methods drastically vary, certain components and details are very telltale when it comes to dating the jewelry. For instance, hand engraving is indicative of a piece dating at least to the 1900s, especially if it is on a signet ring. Incredibly intricate, small, and lacy filigree work, in combination with white gold or platinum, will often point to Edwardian or Art Deco jewelry. Even stones can be affected; machine stone cutting was introduced in the early 1900s, which created the round brilliant cut that is still the most popular diamond cut today. Prior to that, jewelry from previous eras were set with old, hand-cut gems, such as the rose cut for Georgian and Victorian jewelry and the European cut for Edwardian and Art Nouveau jewelry.
Countries have different standards for their metals as well, which will allow you to figure out where your item is from. As an example; the United States does not consider anything less than 10k (41.6%) gold to be considered gold jewelry. In the UK, however, 9k gold is very popular and this is a common indicator that the item was manufactured there.
This beautiful signet ring was probably hand-engraved with the owner’s initials.
3. Spot Popular Materials
Aside from gemstones and metals, different materials were introduced to jewelry at certain points in time. A short list of these materials include:
- Bakelite: The first synthetic plastic, bakelite was created in New York in 1907. Aside from its versatility in creating household implements, it was also used in jewelry due to its unique look and variety of colors, including transparency. Nowadays, it has become a popular collector’s item.
- Camphor Glass: A type of glass made from hydrofluoric acid treatment in order to give it a frosted appearance. It first appeared in the late 1800s as a form of mourning jewelry, but eventually became mainstream. Typical pieces from the 1800s to early 1900s are framed with silver or white gold, with delicate filigree work and occasional marcasite or rhinestone accents.
- Paste: An old term for rhinestone, the material used to create paste stones has changed over time from rock crystals to crystal glass and plastic. This range of composition allows for further dating of the item, as earlier, antique jewelry pieces would contain hand-cut pieces of rock crystal paste instead of a more modern alternative such as plastic.
This beautiful pair of earrings was made from two century-old rhinestones.
- Foil Opals: A simulated gemstone that was actually a piece of glass over a thin sheet of sparkly metal, in order to mimic the look of a natural opal. These were introduced in the late Victorian era, and are different from other synthetic opals that were made from plastic or sparkly glass. However, the term “foil opal” is now commonly used to refer to all faux opals. These stones are also popularly used in vintage costume jewelry, especially from Mexican manufacturers.
- Palladium: Palladium is a shiny silver-white metal that entered jewelry manufacturing during the 1930s, as platinum had been reserved for military use during the war. It is lighter than platinum, but retains its color much better than white gold, which has a tendency to turn yellow with wear. As a result, a piece of jewelry made from palladium will most likely date from the 1930s or later.
A modern palladium ring.
4. Look for Jewelry Stamps
Jewelry stamps or hallmarks on the piece often help determine an item’s origins, or even the year it was made. Some manufacturers were in operation up until a specific year, and other manufacturers change their company hallmark over time. Metal stamps, such as 14k, 18k, 925 (for sterling silver), and PLAT or 950 for platinum can also help you identify the material.
Country-specific hallmarks are also great for determining the item’s location of manufacturing. For instance, the United Kingdom has very well-established assay marks, or metal stamps and other symbols that indicate where the item was tested and certified for its metal content. There are four offices in the UK that are allowed to assay jewelry- London, Sheffield, Birmingham, and Edinburgh. Each of these offices have their own corresponding assay stamp (in order): a leopard’s head, a rose, an anchor, and a castle. You’ll find that every country has their own standards for marking items, and their own unique symbols.
This ring is made from 9k gold (37.5%) and has a clear Birmingham anchor stamp.
Revival Jewelry and Imitations:
Not all vintage or antique-looking jewelry is actually vintage or antique! Be careful of fakes or revival jewelry, which are pieces that emulate older jewelry styles. It can be difficult to tell, but cheaper materials are usually a dead giveaway. Taking it to an appraiser or a jeweler will also allow you to determine if the piece is legitimate or not.
An Ancient Roman revival coin ring
Now you should be set to do some jewelry investigating on your own after reading this antique jewelry identification guide! Comment below if you have a cool piece you’d like to share, or let us know if you’re interested in vintage jewelry repair!
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90,000 8 reasons to see the exhibition “Vintage foreign jewelry bijouterie” – Sverdlovsk Regional Museum of Local Lore named after O.Ye. Claire
Exhibition “Vintage foreign jewelry costume jewelry of the 1930s – 1990s” from the private collection of Anna Kholod from Yekaterinburg works at the Museum and Exhibition Center “House of Poklevsky-Kozell” last weekend – until November 9th. We’ll tell you why you should see it, even if you didn’t plan!
You will be immersed in the world of jewelry jewelry from three continents (Europe, Asia, North America) and almost the entire XX century – from the era of the Great Depression in the United States to the present
Showcases show only originals of jewelry bijouterie from the USA, France, England, Czechoslovakia, Italy, Austria, Japan. All decorations have survived to this day in their original form, in perfect condition: they have not tarnished, have not turned black, and do not require restoration. At the same time, vintage jewelry is completely designed by design on both sides: not only from the outside, but also from the inside.
The collection of about 500 vintage pieces is complemented by themed advertising posters of three American jewelry whales: Trifari, Monet and Napier.
In the showcases you can admire jewelry made of precious metals – gold and silver
All items are made of jewelry alloys. Gold-colored jewelry in the middle of the 20th century was covered with real gold, since the technique of amalgam (gold plating) appeared only in the late 1980s, when China began to enter the world market and the quality of the jewelry produced was severely affected.
You will also see jewelry made of sterling silver. England in the late 1960s was selling countless pounds and sterling as they went out of circulation. The coins were sold at the scrap price – jewelry manufacturers were happy to buy them up and create items from them.
In one room you can get acquainted with amazing Bakelite, Peking baked glass and Trifanium
Products with inserts – mainly Swarovski crystals, but if you notice the stones are cloudy, opaque stones – you see an unusual material Bakelite, which can imitate corals, amber, ivory and even a tortoiseshell.For over 100 years, jewelers have been making exquisite pieces of jewelry from it. Before the war, the material was not used in jewelry, but it came in handy in light industry: radio equipment, telephones and lamps were made from Bakelite. After the war, other, cheaper materials were used, and Bakelite settled in jewelry workshops.
Large clips with inserts show the technique of Peking baked glass, which appeared in the 15th century in the Imperial Forbidden City in China.The technique is based on mixing contrasting glass colors – a long, tedious and laborious process. For about 200 years, Peking glass was popular among the Chinese nobility and rulers and seemed to be a treasure for mere mortals. Nowadays, such items are highly valued by collectors.
The Trifari brand, one of the three flagships of the American jewelry industry, developed its secret trifanium alloy in the 1950s, which gave a lifetime warranty on jewelry. The company has not existed for more than 30 years, but the secret of the alloy has not yet been revealed.
Most of the jewelry brands presented at the exhibition no longer exist on the market, and their products are vintage rarities and a tasty catch for collectors
Released products of non-existent brands are already history. For example, the Napier company produced jewelry from 1875 to 1999, and today they have a high collection value – especially silver jewelry and bracelets with pendants.
The famous designer Kenneth Jay Lane from New York, “the king of counterfeits”, died just recently, in 2017, at the age of 85. His legendary products that have gone down in history can be seen in one of the display cases.
But the world-famous company Monet, whose decorations you can admire to your heart’s content, has existed since 1929 to this day and for many decades has been synonymous with quality and style, as in their respective fields – Mercedes or Parker.
Jewelry presented in the windows was worn by world divas, style icons and media persons
For example, in 1950, a bracelet with green glass elephants in the form of pendants (the elephant is the symbol of the US Republican Party), created by the masters of the Napier brand, was presented to the first lady of America, Mamie Eisenhower.She loved the bracelet very much and wore it regularly. These are exactly the bracelets that went on sale and became an absolute hit among American women.
A showcase of brightly colored necklaces contains jewelry by Kenneth Jay Lane. His jewelry was worn by all iconic persons of the XX and XXI centuries: from Audrey Hepburn, Elizabeth Taylor and Princess Diana to Madonna, Sarah Jessica Parker, Lady Gaga and Britney Spears.
You could see some decorations in the frames of Hollywood films – there is a reason to appreciate them live!
Since the 1930s, Trifari has been creating jewelry for Broadway musicals, and all fashionistas of the time wanted to get their hands on the jewelry they saw on stage.
The famous vintage “Waterfall” necklace from the striking and iconic Trifari series was created in the 1960s, but became especially popular after the appearance on the screen of the heroine Meryl Streep in the movie “The Devil Wears Prada”. The decoration is made of golden trifanium, in the center there are large white lucite beads, the cascade of which resembles a bunch of grapes or a waterfall.
Jacqueline Kennedy once approached Kenneth Jay Lane: she urgently needed a copy of the Van Cleef & Arpels necklace donated by Aristotle Onassis.Lane offered to make a copy for $ 1000 or … do it for free, but with the right to sell the copy in boutiques. Jacqueline Kennedy chose the second option, and a few years later she called the designer and stated with surprise: “I saw our necklace in the Dynasty TV series.
An interesting set “Seahorses” (brooch, pendant, bracelet, clips) was released in 1937 thanks to the French director Jean Painlevé, who shot the documentary “Seahorse”. It was very unusual, innovative underwater photography for that time.The director’s wife, a jewelry designer, inspired by his work, created her masterpiece. After the screening of the film, decorations from this series were sold in cinemas. The circulation of the collection was so limited that now the cost of a set on the market reaches 3,000 thousand euros!
Not only jewelry: vintage bags, clothes and even perfume complement the jewelry at the exhibition!
One of the presented collection bags was hand-embroidered from microbeads in the late 18th – early 19th centuries.On the mannequin next to the 1980s Escada travel bag, you will see a 1960s sable coat. In one of the niches are exhibited Swiss watches: Captain’s Rado from the 1960s and Longines from 1901.
Bags of the famous Italian company Roberta Di Camerino were worshiped even by Coco Chanel herself, and they were worn by Princess Grace Kelly of Monaco, Madonna and other celebrities. The founder of the brand, Italian Juliana-Roberta, has won a resounding success: in 1956 her creations were awarded the prestigious design award Neiman Marcus Award, known as the Oscar of Fashion.
The French company Givenchy produced not only perfume, decorative cosmetics, clothing, jewelry, but also tableware in limited edition. Givenchy created an ivory porcelain set with Japan in the 1980s.
In the center of the hall is a collection of brands from France that everyone knows: Chanel, Givenchy, Dior. There is not only costume jewelry from the 1950s – 1970s, but also branded perfume of the same years.
Luxurious Soviet jewelry bijouterie is not a myth, and you can also see it at the exhibition!
Of course, for the majority of ordinary residents of the Soviet Union, the presented foreign products remained an unattainable dream, but even in the USSR they created models worthy of competition. Take a look at a hat brooch-pin with natural amber and a handmade rose made of natural bone, which the first Soviet ladies could well have worn!Be in the center of events with our Poster!
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Exhibition, Museum and Exhibition Center “House of Poklevsky-Kozells”
Culturologist Svetlana Bogdanova on the history of jewelry – Realnoe Vremya
Culturologist Svetlana Bogdanova on how the events of the 20th century were reflected in costume jewelry and why Western women adorn themselves a little
Today, a huge amount of cheap and often low-quality jewelry is sold on the Internet and in shopping centers.At the same time, according to Svetlana Bogdanova, people are already tired of consumer goods, and, despite the office dress code that requires women to reduce the number of jewelry to a minimum, they have a good chance to express themselves. The fashion historian talked about what the 20th century was like in the history of jewelry in an interview with Realnoe Vremya.
“Department stores are to blame for the acceleration of fashion”
– Svetlana, when did consumer goods appear in the history of jewelry?
– People, as you know, have always had different incomes.We can see in museums some artifacts of ancient burials – they are made of bronze. Jewelry made of base metals could be afforded by people whom we today conventionally refer to as the middle class, who could not purchase jewelry made of gold.
The conveyor, according to official data, appeared somewhere in the late 1940s – 1950s, but they realized that producing the same jewelry in large quantities was interesting and profitable, even earlier, during the Great Depression, from 1929 to 1939 year. This era prompted jewelers to move to work with base metals.It was a completely different jewelry, not the one that is now sold on Internet sites. It was of high quality, it was made by real jewelers. A lot of the details were made by hand. However, this was already a step in this direction.
– Probably the technical revolution greatly contributed to this?
– Not so much a technical revolution as sellers. I have a lecture “Great Department Stores of the Past” where I talk about the magic that was characteristic of the old department stores.A department store and a shopping center are two different types of business. There are very few department stores left in the world today. Department stores made up all sorts of things to attract customers. The very first work on this topic is Emil Zola’s novel “Ladies’ Happiness”. All this intrigued and was remembered by people from childhood. Nowadays, children love to go to Ikea, ride balls there, collect toys in the basket. This is the upbringing of the consumer literally from infancy, which was invented by the old department stores. They had rides, crazy sales, amazing activities for kids and adults. This is a whole culture. The first department store opened at the end of the 18th century.
The people who created the department stores are certainly adorable, they wanted the best, but they are the ones who are ultimately to blame for FastFashion, this crazy assembly line production, the acceleration of fashion. Including consumer goods on AliExpress, where we see a terrible attempt to copy the design of great jewelers, while the quality of such jewelry is terrifying, and all this falls apart in a month at best.
You can draw a parallel.I know a little about the book market as I am a writer. And it is the sellers and bookstores that are to blame for the fact that now authors of fiction of a serious persuasion are having difficulty making their way to the reader. This is exactly the same reason as the dominance of conveyor products in the jewelry industry.Photo europamundoblog.com
The people who created the department stores are certainly adorable, they wanted the best, but they are ultimately to blame for FastFashion, this crazy assembly line production, speeding up fashion
“Women too wanted to have awards, at least in the form of jewelry, since they fought in the rear ”
– What historical events of the XX century influenced the world of jewelry?
– Everything. First of all, the First World War. In our country, this war was deliberately pushed aside by the Bolsheviks, forgotten, and people do not know where to lay flowers if their distant ancestor died in it. But in the West, this war is remembered, there is a minute of silence, and a large layer of jewelry is dedicated to the First World War. For example, a poet published a postcard shortly after the war with her poems about the war. She donated the proceeds from the postcards to a special fund that helped disabled war veterans. Poppies were painted on the postcard, and the poem also mentioned poppies as a symbol of oblivion: if we forget about what happened, then we really will be dead.Since then, a lot of jewelry in the form of poppies has been produced in the West: both jewelry and bijouterie. And now you can see that sometimes the English Queen Elizabeth appears with a brooch in the form of poppies, and Margrethe, Queen of Denmark, with “poppy” hair accessories.
Premieres of films and performances also generated great interest. People fell in love with plots and actors and wanted to wear “fan” jewelry. For example, after the release of the film “My Fair Lady” with Audrey Hepburn in 1964, B.S.K. bought the rights to release a whole series of jewelry based on the premiere. Now these jewelry are catalog items, collectors are chasing after them.
– How did World War II affect jewelry design?
– Throughout the 20th century, jewelers had a high interest in heraldry. But it especially flared up during and after the Second World War. Men received their orders by fighting at the front, and women also wanted to have awards, at least in the form of jewelry, since they fought in the rear.In addition, in the 40s there was a burst of interest in the Russian style, in Russia, since Russia played a leading role in the war, no matter what the West said.
– What was meant by “Russian style”?
– This is a vast and painful topic, because there is no single Russian style, one might say it does not. Everything that we know about the Russian style is mainly the author’s style, if not to talk about the provincial local styles, for example, in the Pskov province there is one style in clothing and jewelry, in the Oryol province – another.But for the world consumer and viewer, the Russian style is all the heritage, from Malevich’s square to Khokhloma, ballet, theater, Leon Bakst, Alexander Golovin, some works by Paul Poiret, the great French couturier, who at one time fell ill with the “Russian Seasons” and even went to St. Petersburg. There he met Nadezhda Lamanova, who sheathed the entire imperial court. By the way, Lamanova did not emigrate after the revolution; together with Vera Mukhina, she created clothes for a new Soviet woman – also in the Russian style.For her collection in 1925, she received a gold medal at an exhibition in Paris (although Lamanova herself was not allowed there, they were afraid that she would run away).
Also, interest in the Russian style flared up in the 60s, during the thaw. Then during the restructuring. Often these were decorations dedicated to famous Russian dancers, ballerinas, because ballet has always meant Russian ballet.Photo mytischiriamo.ru
There is no single Russian style, one might say it does not. All that we know about the Russian style is mainly the author’s style, if not to talk about the provincial local styles, for example, in the Pskov province one style of clothing and jewelry, in the Oryol province – another
“Among educated women it was considered prestigious to relax in Baltic States and buy stylish amber jewelry there ”
– How did Soviet women adorn themselves, living behind the“ Iron Curtain ”?
– Pre-war decorations have practically not survived.Sometimes you come across jewelry made in artels during the NEP. But in general, little has come down to us. And in many ways also because not much was produced. Here’s an example. When Nadezhda Lamanova had to present the dress of a new Soviet woman in Paris, she could not find ordinary red beads made of round beads. Then she made them from bread rolls: strung them on a thread and painted them with paint.
– Why is that?
– The reasons are very simple. First, the devastation.Secondly, in the Soviet country it was considered philistine to wear jewelry. If you want to see the luxurious pre-war jewelry, you should watch the movie “Merry Fellows” with Leonid Utesov and Lyubov Orlova. And you will see that negative characters wear decorations there. The girl who dreamed of becoming a singer and her mother wear an amazing-looking necklace. I don’t know what they were made of, but they are very reminiscent of the galalite jewelry created by the great designers of the 1920s and 1930s in Paris and Germany. Maybe someone brought them back to Russia.But no one else had such a thing. The woman had to work, and not pretend to be something of herself.
– Has the situation changed after the war?
– Yes. First of all, Czech jewelry appeared. In addition, amateur jewelers began to create jewelry in the old style – with filigree, with natural stones. During the day, such craftsmen worked, for example, in research institutes, and at night they worked part-time in the kitchen. By the way, as a rule, they worked with silver, and this is a very harmful production, a hood is definitely needed.Naturally, such masters did not have any hoods. This activity was illegal, there were no brands on the jewelry, because no one had the right to work with silver and gold without the permission of the state. There were also official artists, jewelers, who worked with silver and gold. Their works were sold in art salons. This is with regard to the author’s.
There was a lot of industrial. Many people remember that, oddly enough, pseudo-amber brooches in the form of spiders were sold in tobacco stalls, everyone bought them.On “Avito” you can find five of these necessarily. They also sold all sorts of fruit and berry brooches made of plastic, now they are much more expensive than then. Moreover, it is interesting that these plastic jewelry was produced in Moscow in one design, in the Baltics – in another, in Ukraine – in a third . .. That is, there was a conveyor belt, but often with regional characteristics.
By the way, everyone was very fond of Baltic jewelry. The Baltics are like our foreign countries. Everything that was brought from there was fashionable and rare.You will probably find old amber brooches and pendants in an old box that you keep in your family. It was sold in the Baltics and was the object of desires of every fashionista. For some reason, such jewelry was considered very intelligent. Among educated women, it was considered prestigious to go on vacation to the Baltics (and not to the Black Sea) and buy stylish amber jewelry there.
There were a number of factories that produced costume jewelry and jewelry. For my taste, they did not differ much from the current ones.However, the current ones are perhaps even more minimalistic. Nobody did anything so charismatic that they caught the eye. In general, wearing something eye-catching was a challenge. Even women with a very wide wedding ring in a fashionable intellectual environment could look askance: “What did the gold wear on itself?”Photo coberu. ru
Baltic jewelry in general was very fond of. The Baltics are like our foreign countries. Everything that was brought from there was fashionable and rare.You will probably find old amber brooches and pendants in an old box that you keep in your family. It was sold in the Baltics and was the object of desires of every fashionista. For some reason, such decorations were considered very intellectual
“There are a lot of us who are tired of consumer goods”
– What happened during perestroika?
– Goods poured into us. Everything became possible. I have an acquaintance who worked in a field close to cinema. At that time he communicated with foreign film producers, and they composed a film where one of the characters was a new Russian.And they asked: “If we serve it like this, how much will it fit into what is happening in Russia now?” He gave them a long look: “You can think of anything, it all fits. Complete chaos and the wildest fantasies will be perceived by the viewer as reality. ”
The 90s have not really gone anywhere. And this is very reminiscent of what Dior once wrote about in his memoirs. When he went to America to present his NewLook, he was a little shocked by the American taste.If you look at the American women’s costumes of that time, which in a sense repeated the silhouette of NewLook, it was clear that this is America. In Europe, everything is sophisticated and almost minimalistic. In America, the same silhouette was adorned with a lot of pretentious details. It was the American taste of the time, and our 90s are very similar to the America of the 30s and 50s. There are a lot of frills. I would define it as, to put it mildly, a kind of new baroque.
– How do you feel about the modern jewelry industry?
– I notice a tendency to move away from everything mass.There are people who are bored with it. If in the 90s or early 2000s everyone was happy to buy in shopping centers, now they buy there just out of necessity. We are tired of consumer goods. And there are a lot of us who are tired of consumer goods. I’m tired of both the quality and the abundance of everything the same. Why do we love so much, for example, to travel to Europe? There are family shops where a person works by vocation. They create a unique atmosphere, they have amazing piece goods. The owners begin to recognize you after the first visit, they wave to you from afar, they greet you.This is a special personal relationship. In the FastFashion era, we all lack a special attitude, a special product, a warm individual approach and selection.
“Advocacy aims to make women a workhorse. And the abundance of ornaments makes her stand out. ”
– In Eastern culture, even today, women wear much more jewelry than in the West. Why is minimalism widespread in our country?
– All peoples had many ornaments in their traditional dress.There have been several cultures where women are not heavily adorned, but men are adorned. Immediately I can give an example of the Scots. Men in folk costume are very richly decorated, they have several pieces of brooches: these are plaid brooches, kiltpins, which are used to pin the kilts (skirts), and plumes on lapels or hats. Women have very colorful costumes, but almost no jewelry. However, the Russian national costume implies a lot of decorations.
As for the modern woman. Modern women are made to work hard.Chanel started it. When Dior revived femininity with his NewLook in 1947, the House of Lords gathered in England to discuss the risks of this new femininity. Just now there was a tendency towards unisex, women wore military, like men, or sports uniforms reminiscent of men … Everyone is already accustomed to the fact that women work and work on an equal basis with men. In addition, women are cheap labor. And so, the lords got together and discussed what the new femininity from Dior threatens them.What if this woman doesn’t want to work anymore? And what if she ceases to be a cog in the system and becomes a woman again? . .Photo finparty.ru
We are talking about a woman working, not being distracted and not distracting anyone else. Therefore, those who say: this jewelry is too big for me, in fact, just look at the jewelry from the point of view of the new tradition of office workers, white collars
Propaganda is aimed at making women a workhorse.The abundance of ornaments makes her stand out, she ceases to be that cog. In addition, the abundance of jewelry distracts her and others from work. Therefore, a dress code is needed. If you talk to bank employees, of which there are an insane number in our country, you will hear amazing things. They must, even if unmarried, wear a wedding ring. They can wear very small earrings and a small pendant if they want to. Because the client should not see them as a woman, no matter how strange it sounds. This is a bank employee, she is busy, she is just an intermediary between you and the bank.Everything. So, we are talking about a woman working, not being distracted and not distracting anyone else. Therefore, those who say “this piece of jewelry is too big for me” are actually just looking at the piece from the point of view of the new tradition of office workers, white collars.
– How did you get carried away by the history of jewelry yourself?
– I became interested in jewelry as a child. As a girl, I could not take my eyes off all the shiny things, they seemed to me like something magical.I’ve always loved the sparkle of brooches, whatever their value. In my youth I was a hippie, one of my jewelry was a can lid on a coarse cord. It looked awesome. With such a suspension, I walked along the Arbat.
Then, in the late 90s, when a stream of cheap jewelry from China poured into us, and all this began to be sold in shopping centers, I was fascinated by buying all this in triplicate (I have two daughters). The kids didn’t really appreciate it, but I was delighted.
I got the idea to make jewelry when I started buying antique and vintage jewelry at flea markets. It was 2010, we lived in Paris. At first I picked up everything, then I began to figure it out and think about where to put it, and discovered the world of sales. My culturological education, at last, met with observation, preoccupation. And there was a knowledge about jewelry, the ability to attribution.
– I often hear the opinion that jewelry is not art. Especially if it is not jewelry made of precious metals.
– This is a wrong judgment. There are many amazing works.When they say to me: “Oh well, jewelry, this is nonsense, it is not clear what,” I ask: “Do you like sculpture?” “Yes, of course, this is high art!” “What is the difference between jewelry? This is a small sculpture. ” I don’t understand when people say, “Phew, plastic, cheap.” Because I can tell stories of how plastics were sold under the hammer at great auctions for crazy money. It’s not about the plastic, but about the design and historical value of these items. If you look at, for example, celluloid brooches or combs from the late 19th century, you will be amazed at the beauty and complexity of this work. The finest decorations, miniatures with complex subjects. For example, a hunting plot: a snow-covered forest, through which deer are walking, and hunters with guns lurk behind a tree. It’s just a picture. A very thin small brooch about seven centimeters long under the ivory. This is jewelry. But it is also art.Photo facebook.com/CatplusFox
I got the idea to make jewelry when I started buying antique and vintage jewelry at flea markets. It was 2010, we lived in Paris. At first I picked up everything, then I began to figure it out and think about where to put it, and discovered the world of sales
Therefore, with regard to modern jewelry, it is necessary to separate whether it is a conveyor belt or author’s works.Nowadays, plastics are often used in haute couture collections – they make jewelry, for example, from jewelry resin. Amazing things made from non-precious materials. Plastic pieces of ice in which air bubbles are frozen, large plastic fruits, giant plastic cameos . .. Look, this is mesmerizing.
Svetlana Bogdanova – culturologist, historian of fashion and jewelry, writer.Graduated from the Literary Institute. A.M. Gorky, studied at the Institute of European Cultures at the Russian State University for the Humanities. The author of three books and the novel “Jocasta”, which was called by critics “the best big prose of the month.” She left literature for sixteen years. At this time, she was engaged in journalism, art, interior decoration, antiques. She got carried away with vintage and antique jewelry (she opened her own store) and began to write articles and lecture on the history of fashion and the history of jewelry. Participant of various cultural and art projects: the Pushkin Museum im.Pushkin’s “The World of Sensual Things in Pictures” (1998), the project “Lyrics of Everyday Life” (together with the cinema “Kinopleks on Leninsky”, 2004) and the art group “Chocolate Time” (2004). Published in the magazines “New Literary Review”, “Banner”, “October”, the almanac “Draft”, “Ring A”, “Day and Night” and many others. Chairman of the jury committee of the All-Russian poetry prize MyPrize. Laureate of the New Literary Review magazine prize for the best short prose as part of the Turgenev Days in Moscow.Society
antique silver jewelry in vintage style, antique brooches with stones
To look feminine and fashionable, modern girls can simply delve deeply into grandmother’s treasure chests without resorting to expensive purchases or procedures.The most daring, decisive and relevant looks today are complemented by vintage antique brooches.
We will understand further what they are, what they are made of and where you can get them.
Perhaps the main feature of vintage jewelry can be considered their uniqueness and originality. After all, these are not just old things with their own history and energy. This is expensive jewelry with a certain age.
The approximate period of origin of vintage brooches is the twenties and eighties of the twentieth century. During these years, the production and use of cheap women’s jewelry was especially developed, caused by the difficult post-war situation around the world and the prolonged Great Depression.Few could afford expensive jewelry at the time.
The incomparable Coco Chanel became the founder of the fashion trend in wearing costume jewelry, who inspired (and continues to do so to this day) millions of girls around the world by her example. Today, this cute piece of jewelry adds sophistication and charm to sophisticated fashionistas.
There is a number of vintage jewelry: cameos, antiques, bijouterie, designer brooches. A lot can be said about the acquisition of these pleasant little things. Very expensive and with the obligatory legend they will be sold to you by any antique shops or shops.
Many collectors go on special shopping tours to find the one and only vintage brooch, but a bit cheaper than the official price.Typically, such ancient beauty can be found at flea markets in major European cities.
Experienced buyers are advised not to show the sellers of antiquity if this or that piece of jewelry suits your taste. The brighter the fire burns in your eyes, the faster the cost of the most unpretentious thing will increase.
The main parameters by which vintage brooches are divided into subspecies are considered to be the material from which they are made and the forms of their execution. Let’s consider the main options for antique jewelry in the context of these data.
Silver brooches are quite common.This noble, but not very expensive, metal goes well with any precious and semi-precious stones. In addition, silverware, even made by modern designers and not of vintage age, look luxurious, antique and rich.
Gold jewelry always has its own nuances. Vintage brooches made of yellow or pink metal play beautifully in the sun, harmoniously combined with diamonds and other precious stones.Aged gold has a very noble appearance, and the stories behind such jewelry can serve as the basis for melodramatic plots of books or films.
Among inexpensive vintage brooches there are antique crystal jewelry, Murano glass options, filigree. The latter is a whole jewelry technique, which is based on painstaking work with the finest gold or silver wires.These beautiful cobweb threads are soldered onto a metal base to form a unique and unusual pattern for a future brooch.
Seemingly non-standard options for the design and manufacture of vintage brooches also take place. Young beauties tried to look even more sophisticated with the help of any available means, therefore, among the original jewelry of this type, there are models made of lace, ribbons and peacock feathers. These handmade brooches are usually found with beads, pearls and other non-precious stones.
Forms of vintage brooches are not something definite, tied to any style or direction. These decorations are a kind of creative splash of the creator. Models in the form of a vase with flowers look very laconic and, at the same time, elegantly.
Original decorations were made with an eye on wild animals: horse, turtle, lion’s head.Very often, vintage brooches were made in accordance with folk beliefs or national symbols (sun, thistle), as well as territorial natural motives (pine cone, frosty cherry, rose).
During the Soviet Union, Czech craftsmen were famous for the best amber jewelry. Modern women of fashion inherited from those times beautiful “natural” brooches made of stones, each of which has its own pattern and inexplicable charm.
One of the famous American brands of quality jewelry. It was founded in the 1920s by an Italian immigrant.The first brooches in the history of Trifari were crowns, which were so popular with customers that they became an integral part of the company’s logo.
In the 40s, the designers of the jewelry house put up for sale “Jelly Belly” (jelly brooches): animal figurines made of pearl lucite and sterling silver with gold plating. During this period, patriotic brooches gained popularity, and in the 50s – fruit and vegetable motifs, which collectors love very much.
The world famous Austrian brand Swarovski is also an active manufacturer of brooches. Some of them, due to their age, may well be considered vintage. The main motives in the production of this jewelry Swarovski choose natural motives: plants, animals, heavenly bodies.
American jewelry company Staret has a short history. All that is known about her is that all her products were produced in the period from 1935 to 1947 in Chicago. At this time, Staret was considered one of the most powerful jewelry factories. Vintage brooches from this brand are highly valued today.
British jewelry factory, which went down in the history of world fashion with its original idea to create a series of brooches-flowers corresponding to a certain month: in April – iris, in May – pansies, in November – chrysanthemums.
Continuing the story of vintage brooches from famous designers, it is worth mentioning the exclusive jewelry from Joseff.Initially, the project was aimed at creating antique jewelry for the filming of Hollywood films. Joseph’s vintage brooches turned out to be unusual: made of gold, silver, copper, wood, glass and semi-precious stones, flowers, frogs, bees, owls and even bearded men practically come to life on clothes.
How to wear?
There are many options for wearing these vintage little things.It should only be remembered that this decoration is very independent and takes on a lot of attention. You can only wear this one accessory – and be on top. Today, the vintage theme is gaining momentum, so brooches will always come in handy.
Most often, the jewelry is worn on the collar, on the breast pocket. Attaching a vintage brooch to the shoulder of a light summer dress and blouse will create a very delicate and romantic look.Many women of fashion are happy to use this feminine accessory as a fastener, attaching it to a scarf-stole or the floors of a sweatshirt-fly. A small brooch in the corner of a deep V-shaped neckline will look very sexy and sophisticated.
When looking for stylish looks with vintage jewelry, try not to overdo it. I am very glad that today such a classic accessory can be easily combined with clothes of any style.
Domineering Wrought Iron Classic Car Model Bedroom Decor Desktop Ornaments Electroplating No Rust
Simply put, I laid my hands extremely happily on Domineering wrought iron classic car model bedroom decor tabletop decorations electroplated rust free times. It’s not that easy to get a suitable piece of this kind even in a neighborhood store, so I praise the seller’s deed for offering us a really great quality item at such a tempting price.
Corporate responsibility is something that I am tailored to in a manufacturing company, and all my purchasing decisions are highly dependent on the manufacturer’s reputation. So prior to placing my order, I took it upon myself to locate the manufacturer and the corporation’s code of ethics. Indeed, I was pleased to learn that the company’s staff work in a safe working environment and that human rights are not violated during the production process.I am sad to say that more often than not this is not the case at all, and I, for example, reject the idea of supporting a manufacturer who uses unlawful and illegal benefits for workers.
I believe you will also find it helpful to know that this item has been created as a result of ethical sourcing of raw materials as well as using environmentally friendly methods.